Theatre Design & Technology - Spring 2012 - 72

Introduction
by James R. Earle, chair, Fellows of the Institute
Jerry Gorrell's adventures in the theatre began in junior high school, which
means that by now he has over fifty years in the business. Some highlights
include lighting designer, head of the electrical and sound department at the
Goodman Theatre in its Art Institute of Chicago days, and technical director
for the City of Phoenix, where he oversaw multiple performing arts spaces.
We all know Jerry from his USITT activities. He has been commissioner
of the USITT Engineering Commission, chair of the Standards Committee, a
Fellow of the Institute, co-chair of the USITT Electrical Workshop, and presenter and coordinator of many conference sessions throughout the years.
He represents USITT on the PLASA Technical Standards Council. In addition,
he was the recipient of the USITT International Health and Safety Award in
2007. He also has sponsored the Desert State Section breakfast at the annual
conference for the past three years.
Since his retirement from the City of Phoenix in 2006, Jerry has continued to be active in our industry. His consulting work focuses on entertainment
industry loss prevention, accident research, safety program development,
safety training; facilities operations, assessment, development, planning and
management, and expert witness services.
Mentioning all the important contributions Jerry has made to the Institute and the profession would leave no time for his address tonight. However,
it must be mentioned that what is most important to Jerry are his wife Jennie
and his dog Ms. Raven Allan Poe.

Reconstruction of the Theatre at Pamukkale (Hierapolis), Turkey, with its well-preserved
Greco/Roman decorations, added around 200 AD. Photo by Margaret Mitchell.
explanations evolved into rituals about all kinds of natural and
supernatural phenomena. Eventually some of these storytellers
became shaman and religious leaders."
I have no doubt that when language had developed
sufficiently, Caveman Og wasted no time telling how he had

70

theatre design

& technology

spring

2012

singled handedly brought down a whole herd of bison. Og
also reported that while hunting, he had discovered that recent rains had caused the river to rise and flood the caves up
river where another family group lived. Og's brother, Caveman Ug, who was sure he knew how to connect with the gods,
reminded everyone to show up at the sacred cave to perform
the ritual for stopping or preventing the flooding of the caves
or the river or possibly all of these.
Who is the "we" in "why do we do theatre?"
If the "we" is the information/entertaining storyteller, then
storytelling is the driving force. If the "we" is the priest or religious leader, then the motivation is different. In any case, to an
unfamiliar outside observer both of these presentations would
seem pretty similar. The purpose of both types of performances
is to entertain and simultaneously convey a message. By entertain I don't mean cracking jokes. A presenter has to keep his or
her audience engaged, otherwise what are the chances they will
pay attention and want to hear the next presentation?
The life of the traveling storyteller was not and still is not
easy. Life on the road may be more mechanized and convenient
nowadays, but in many ways it's not any easier. The challenges
are just different. Fortunately, theatre touring groups today are
not attacked by roaming bands of thieves.
The task of the religious leader is likewise difficult. Besides needing creativity and possibly divine revelations, religious leaders must be sufficiently convincing and entertaining
to attract and maintain a following.
If you think that presentation is not important, consider the case of the Egyptian Pharaoh Akhenaten, father of
the famous Pharaoh Tutankhamun, or King Tut. At the risk of
over simplifying, Akhenaten declared that all Egyptian gods,
and there were many, were to be replaced by one god, Aten,
the Sun God. To reinforce his decree, Akhenaten built a new
capital city, Amarna, which he dedicated to his new religion.
Elaborate new celebrations, festivals, and processions were
devised in honor of Aten. But apparently these were not persuasive; people have to be convinced to follow a new path.
Akhenaten never gathered the popular support he needed
to win the political battle, and he ultimately became a dishonored prophet in his own country. References to him were
chiseled off every monument in sight. His audience walked
out on him. He bombed in Cairo.
A more contemporary example of the persuasive use of
elaborate (theatrical) presentations to proclaim power and
wealth are the royal weddings in Britain.
Storytelling has its practical side as well. The act of telling
and retelling entertaining stories, or bringing the news from far
away places, helps preserve tribal history. Storytelling historians are integral to tribal cultures in parts of Africa and South
America to this day.
If you think about it, this is a pretty hard gig. Everyone
knows every word of all the stories, having heard them over
and over. If the storyteller is not entertaining, he or she could
be out of a job, or worse.



Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 2012

Contents
Theatre Design & Technology - Spring 2012 - 1
Theatre Design & Technology - Spring 2012 - 2
Theatre Design & Technology - Spring 2012 - 3
Theatre Design & Technology - Spring 2012 - Contents
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972May
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Dec
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Dec
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
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