Theatre Design & Technology - Fall 2014 - 10

by beeb salzer
the beast with
two backs
Iago torments Brabantio in the middle of the night, telling him
"your daughter and the Moor are now making the beast with
two backs" and that "an old black ram is tupping your white
ewe." The Shakespeare canon is, except for the history plays
and a few others, filled with images of sex that are often focused
on young love and how mutable it is. Only one look is enough to
throw Romeo and Juliet into a paroxysm of desire. They marry
in an instant and then have one night of sex before Romeo flees
and Juliet takes her death-simulating cocktail.
When I designed Romeo and Juliet in Russia, the actress
playing Juliet was just finishing her studies at the academy
and was only slightly older than the character she played. I
designed what I thought was a rather chaste virginal white
nightgown for her to wear in the bedroom scene before Romeo leaves. My assistant who was supervising costumes was
adamant that the young, somewhat modest actress must lose

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her underwear for the gown to look right. I went along even
though I didn't think it made much difference in a thousandseat house and under dim early morning light. I hoped that
the girl was not so concerned that it would ruin her performance. She was, but it didn't.
In A Midsummer Night's Dream, Lysander and Demetrius
and Hermia and Helena, aided by some magical Vizine, switch
partners in one of Shakespeare's do-si-dos. I guess that in Elizabethan times there was instantaneous lust, while in our day
we either have years of cohabitation before marriage or friends
with benefits.
There is probably a future doctoral dissertation on sex
in theatre because there is so much of it. What percentage
of shows are based on male/female desire? Female/female?
Male/ male? Starting with Aristophenes the sex was explicit
and rude. The public seems to more readily accept sex in
comedy. In the late 1800s and early 1900s George Feydeau
and Frank Wedekind were both writing plays about sex.
Feydeau wrote bedroom farces such as A Flea in Her Ear,
Wedekind wrote the drama Spring Awakening. Feydeau was
popular while Wedekind waited years before his work was
able to be produced.
Today, a list of writers and their plays with erotic elements would take up all the space I'm allotted in this column.
Many plays have nudity and a few have simulated sex, or so


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Theatre Design & Technology - Fall 2014

Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 2014

Contents
Theatre Design & Technology - Fall 2014 - BB1
Theatre Design & Technology - Fall 2014 - BB2
Theatre Design & Technology - Fall 2014 - Cover1
Theatre Design & Technology - Fall 2014 - Cover2
Theatre Design & Technology - Fall 2014 - 1
Theatre Design & Technology - Fall 2014 - 2
Theatre Design & Technology - Fall 2014 - Contents
Theatre Design & Technology - Fall 2014 - 4
Theatre Design & Technology - Fall 2014 - 5
Theatre Design & Technology - Fall 2014 - 6
Theatre Design & Technology - Fall 2014 - 7
Theatre Design & Technology - Fall 2014 - 8
Theatre Design & Technology - Fall 2014 - 9
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Theatre Design & Technology - Fall 2014 - Cover3
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