Theatre Design & Technology - Fall 2014 - (Page 3)

f a l l volume 50 The RealizaTion of The SkeleTon DanceR 39 53 hiDDen BRoaDway in full panoRama uSiTT lighTing commiSSion ReviSeD lighTing poRTfolio guiDelineS Edited by Autum Casey, Ellen E. Jones, and Darren E. Levin Digital projectors and computer generated graphics (CGI) give designers another effective and inexpensive tool for lighting and scenic effects. By Arnold Wengrow DReSSeD in lighT: The ancient art of projecting on people Hand painted magic lantern slides, called pose slides, were used in popular vaudeville, music hall, and cabaret acts in the early 1900s. By Rana Esfandiary and Mark Reaney 30 advertisers 80 By Mervyn Heard The build process for Jorge Jara's costume at the Santa Fe Opera typifies the collaboration that happens routinely in costume shops. an expeRimenT wiTh DigiTal lighTing in Adding MAchine: A MusicAl 68 book reviews 74 An update of the lighting portfolio guidelines first published in 1998. 68 Over 100 large-scale 360-degree photographs of theatre designers and artisans by Stephen Joseph are exhibited at the New York Public Library for the Performing Arts. on the cover machine anD Tool SafeguaRDS By Louis Bradfield and Jerry Gorrell All backstage machines and shop tools need to have guards to protect users from injuries caused by contact with moving parts. A hand painted pose slide titled "Mermaid" in the Joel E. Rubin Collection, courtesy the Jerome Lawrence and Robert E. Lee Theatre Research Institute, the Ohio State University. technology the subtext 10 By E. Shura Pollatsek 23 departments letters 7 30 13 number 4 & 13 n n t h e a t re d e s i g n 2014

Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 2014


Theatre Design & Technology - Fall 2014