Theatre Design & Technology - Fall 2014 - (Page 4)

from the t h e a t re e ditor design & technology T he peer-review jour nal for design, production and technolog y professionals in the perfor ming arts and entertainment industr y. This issue covers a wide territory of subjects-as we always try to do-from costume construction, to high-tech and low-tech lighting effects, to a new exhibit of portraits of some of our favorite theatre people, to guidelines for creating portfolios and safeguarding tools. E. Shura Pollatsek takes us into the fitting rooms at Santa Fe Opera last summer to witness the teamwork of designers and craftspeople as they created an unusual costume for Carmen designed by Jorge Jara. Rana Esfandiary and Mark Reaney tell us about another of their experiments with virtual reality in theatre, this one with real-time computer-generated lighting from digital projectors in a production of Adding Machine: A Musical at the University of Kansas in November 2013. Two years ago, contributing editor Arnold Wengrow heard about a photographer who was taking a series of pictures of Broadway designers and artisans. What caught his attention was the scope of the project-over 100 people whose names you will recognize-and the impact of the images, which are large-scale, 360-degree panoramas. Now that the photographs are being exhibited at the New York Public Library for the Performing Arts, Arnold sat down with photographer Stephen Joseph and his first subject, scenic designer Marjorie Bradley Kellogg, to find out about the exhibition's genesis and the process of taking these amazing pictures. Mervyn Heard, one of the foremost scholars on the history of the magic lantern, shares with us his research on hand painted pose slides from the early 1900s, many of which are at the Jerome Lawrence and Robert E. Lee Theatre Research Institute at the Ohio State University where USITT founder Joel Rubin's collection of papers and artifacts from the Universal Electric Stage Lighting Company, popularly known as Kliegl Bros., are now archived. In 1994, the USITT Lighting Commission developed guidelines for preparing lighting portfolios, which were subsequently revised and published in the Winter 1998 issue of TD&T. Editors Autum Casey, Ellen E. Jones, and Darren E. Levin have once again brought the guidelines up to date, taking into account new technologies and the ever-changing ways in which we communicate and consume information. Finally, Louis Bradfield and Jerry Gorrell, who know a lot about theatre safety from their decades of work as facility managers and consultants, remind us of ways we can ensure that workers are protected from injuries due to contact with the moving parts of tools and machines, including ones we build ourselves to move scenery. editorial office david rodger editor deborah hazleTT art director * 3001 Springcrest dr. louisville, KY 40241-2755 502-426-1211 fax: 502-423-7467 e-mail: TdT@broadwaypress.com associate editors raYmond KenT architecture peggY roSefeldT Costume design & Technology paTriCK m. finelli Computers & Software William KenYon education jerrY gorrell engineering david C. gloWaCKi health & Safety linda eSSig lighting design & Technology riChard peTerSon management riChard larSen & heidi hoffer Scenic design & Technology dave ToSTi-lane Sound design & Technology bill broWning Technical production arnold WengroW book reviews Correction: Due to an editorial mistake, a caption on page 36 of the Summer 2014 issue was incorrect. The people we can identify in the top photograph are Shirley Prendergast (far right) in one of many production meetings at the Negro Ensemble Company in the late 1970s and early 1980s with (l. to r.) Clinton Turner Davis, an unidentified female, Ron Nguvu, and Marvin Watkins. The photo is by Bert Andrews. contributing editors U S I T T M I S S I O N S TAT E M E N T arnold aronson * eric fielding * sarah nash gates * joel e. rubin * beeb salzer * delbert unruh * tom watson * arnold wengrow United States Institute for Theatre Technology, Inc. (USITT) connects performing arts design and technology communities to ensure a vibrant dialogue among practitioners, educators, and students. advertising Statements and opinions expressed in articles or editorials in TD&T are the expressions of the individual contributors and do not necessarily represent the policies or opinions of the United States Institute for Theatre Technology, Inc. Advertisements appearing in this publication are the sole responsibility of the advertiser. marketing Sales and Services associate TD&T (ISSN 1052-6765) is published five times a year-Winter, Spring, Summer, Special Issue, and Fall-by United States Institute for Theatre Technology, Inc., 315 So. Crouse Ave., Suite 200, Syracuse, NY 13210. Subscription to TD&T, also known as Theatre Design & Technology, is a benefit of USITT membership. Fourteen dollars is deducted from membership dues to cover cost of publication. Periodicals postage paid at Syracuse, NY and additional mailing offices. POSTMASTER: Send address changes to TD&T, c/o USITT, 315 So. Crouse Ave., Suite 200, Syracuse, NY 13210. COPYRIGHT © 2014 by United States Institute for Theatre Technology, Inc. All rights reserved. Material in this publication may not be reproduced in any form without permission. 4 theatre design & technology f a l l 2014 jim lucas 315 South Crouse avenue, Suite 200 Syracuse, nY 13210 800-938-7488 / 315-463-6463 fax: 866-398-7488 / 315-463-6525 e-mail: jim@usitt.org international affiliation usitt is the united states center of oistat: the international organization of Scenographers, Theatre architects and Technicians.

Theatre Design & Technology - Fall 2014

Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 2014

Contents
Theatre Design & Technology - Fall 2014 - BB1
Theatre Design & Technology - Fall 2014 - BB2
Theatre Design & Technology - Fall 2014 - Cover1
Theatre Design & Technology - Fall 2014 - Cover2
Theatre Design & Technology - Fall 2014 - 1
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Theatre Design & Technology - Fall 2014 - Contents
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