Theatre Design & Technology - Fall 2014 - (Page 56)

The Student portfolio A portfolio geared toward admission to a graduate or professional training program will most likely be viewed by the program faculty. These are people who will be basing their admission decision not only on the quality of the work as it is today, but on the potential for improvement in the future. We recommend at least one design that is fully documented from beginning to end-script analysis, research, renderings, if available, technical drawings and paperwork, and photographs of the full production. (See suggested references in the bibliography to help determine what constitutes complete documentation.) Many graduate or professional training programs are interested in breadth as well as depth. Some are as interested in seeing your overall aesthetic in creative endeavors as well as documentation of your lighting design and technical work. Research each institution where you plan to apply. Programs with a strong focus in entertainment technology may be interested in seeing circuit plots and riser diagrams, while programs focused on new work development or design aesthetics may be interested in seeing figure drawings and photography. Work included should be of the highest personal quality. Material that does not put your best foot forward should not be included. The professional's portfolio The designer/Assistant designer Research the company you are targeting and tailor the layout of your portfolio and content of your cover letter to that specific entity. Full stage photographs that tell the story of the lighting are the most useful for a professional design portfolio. Always explain how the lighting served the production. Close-ups can be useful to illustrate specific choices related to the production concept but should not dominate the pictorial documentation. If a producer or production manager is one of the decision makers, light plots, hookups, and shop orders should also be available. LINESET SCHEDULE A3 E1 C3 131 132 Red C2 133 Blue D1 B3 131 Green 132 Red 0 B2 133 Blue 2 C1A3 131 Green 132 Red A2 133 Blue 131 Green B1 132 Red 137 A1 133 Blue 131 Green Red 132 Blue 13 Diag NC 154 24 Blue R7780 NC SR BM 3 Diag NC 11 G850 77 87 153 12 Lav Back G850 88 78 R132 L176 Back 7 7 6 L201 Ben 1 L242 118 142 7 6 5 8 89 5 Lav R51 148 4 38 Ben 5 L242 147 95 R132 L201 116 10 11 Ben 2 L242 Tangle 2 3 117 144 8 9 Ben 1 L242 120 3 119 R132 L201 142 R132 L201 2 4 Head CC Mid R51 Jewel L117 23 16 15 Diag NC Ben 2 L242 33 14 TMP L161 G850 13 Diag NC Back 84 155 143 97 SR BM 2 Shin 74 12 6 Tangle 1 20 95 5 G850 85 155 10 11 9 Back R132 L176 75 98 8 7 Back 86 6 5 149 Lav R51 97 4 3 27 2 15 37 1 4 R132 L201 13 12 147 R132 L201 111 Ben 3 L242 Ben 4 L242 R132 L201 Ben 4 L242 Ben 3 L242 R132 L201 10 160 9 8 7 6 5 4 112 146 145 113 146 145 114 1T 14 115 3 156 15'-0" 94 2 1 10 3 SR BM 1 14 93 13 11 12 96 12 106 R51 R119 15 16/6 13/6 12 L201 R132 9 7/6 107 L117 Jewel 10/6 10 9 152 11 L201 R132 R132 Diag R51 R119 4/6 3 6 1/6 31 6 5 4 L201 R132 11 R51 R119 L201 R132 1/6 3 96 109 R51 CC SP 0 4/6 108 18 3 110 1 2 R132 L201 R132 L201 L201 R132 9 10/6 12 13/6 16/6 R26 29 4 104 2 3 12'-6" 2'-4" 1ST ELECTRIC 21'-0" 0'-0" PLASTERLINE DIST. GOODS 1 SHORT-YOKE ALL UNITS ON THIS PIPE SPEAKER 8'-0" WIDE BLK LEG 2 3 7 10 R51 R119 R51 R119 CATWALK PIPE 1 9 8 R51 R119 ACOUSTIC CEILING R51 R119 MFL 2ND ROW SIGHTLINE 1 30 Blk+Cyc Blk+Cyc R51+R132 NC+T G850 CURT ACTUAL LOCATION: 24'-6" DS OF PL 0 19:00 400 20:00 500 L161 R51 BALCONY RAIL UNDER 30 G850 CURT WE INSIST CONCERTO R51 L161 theatre design R71023 Festive Abstract 60 52 Mid BMF Fan 300w 1 MFL MFL MFL MFL MFL MFL 14 13 12 11 10 9 8 7 6 5 4 3 2 1 15 1 13 14 2 20 3 135 4 135 14 13 5 15 G945 R51 R119 L116 G850 13/6 12 10/6 9 6 R51 R119 R51 Follow R51 R119 7/6 4/6 & technology 3 1/6 R15 Window 0 1/6 f R51 R119 3 4/6 a R15 Window 6 7/6 l 1T Head USA 829 LD 214 5a 35 VERSION 2 67 Mid 59 CC Head 7 6 5 4 Shin 51 REVISIONS 25 NC R7780 R51 G850 L116 R51 R119 G945 9 10/6 12 13/6 l BALCONY RAIL OVER ACTUAL LOCATION: 32'-5" DS OF PL R7780 TMP NC 92 1 FOCUS HINTS: FRONTS: 5'-6" APART HI SIDES: 6' L&R OF CL BACKS: 4'6" APART 2014 CURT R26 29 GAM 232 GAM 232 Stars Stars L201 R63x2 TMP 90 19 3 1a 1 2 17 L202 GAM 231 Notes: 1. 2. 3. 4. 5. 6. 7. R7780 BRK NC 17 4 11/12/10 11/21/10 11/21/10 1 91 11/2/10 1st PRELIM SUBMIT UPDATE HOOK, SCOOP UPDATE 89, 98, 99 UPDATE 8 > 10 RENUMBER 4P; ADD AL 12/2/10 3 43 ION CONSOLE 155-2.4kW DIMMERS FINAL BOOM PLACEMENT TBD. FINAL GROUNDROW PLACEMENT TBD. PROVIDE ADDITIONAL R119 AND R132 AT FOCUS. TRIM HEIGHTS ARE TO PIPE. IF POSSIBLE, RENT A SECOND DF-50. Stars HAVE 10" BARNDOORS AVAILABLE FOR PAR 64'S. REMEASURE SIGHTLINES. Vari-Lite VL-1000 1000w 44 CC ACTUAL LOCATION: 11'-6" DS OF PL MFL 2 ACTUAL LOCATION: 24'-6" DS OF PL SATSANG GOT DREAMS? Yes Yes 4 6 R51 R119 15 bot cut 2 Blue L161 LIGHT LINE 5 2ND ROW SIGHTLINE BACK LEGS SHIN MID HEAD Blk+Cyc Yes R51 R51 L161 Blk+Cyc Yes L161 L153+R132 R51 Blk+Cyc R51 L161 Concerto Mid: No R51 3 LINESET SCHEDULE 1ST ROW SIGHTLINE TIME KEY 15:00 100 22:00 200 15:00 300 TRUSSWORK TRIM 4 Shin ANTI-PRO PIPE DF-50 Hazer 200w 23'-5" 3'-0" ACOUSTIC CEILING ACOUSTIC CEILING CXI 4" IT MR-16 6'-0" EYC 30 Lamp/3 CCT 19'-6" L202 GAM 232 Stars 5'-6" 2ND ELECTRIC PAR 64 CAN MFL (21° X 44°) 1KW 14" SCOOP 500 Watt R51 Fall 18" Box Fan 150w 4'-10" 4'-4" 13'-6" 16 Head DF-50 68 105 LIGHT LINE SPEAKER CC T-3 5'-4" 500w 6 Lamp/3 CCT 15'-6" 2 Mid 18'-0" 11'-6" 14'-6" 16 3 10'-6"" 90 1 A 156 16'-6" # 18 TMP R132 L201 10 ACTUAL LOCATION: 11'-6" DS OF PL 1 45 16'-6" GAM 232 GAM 231 L201 R64 1a 19 7'-6" LEGS 4 3 0 Blue 15 Q L 103 4 5 8'-0" WIDE BLK LEG 2 53 21'-0" 6'-10" BORDER SL BOX BOOM 2 R7780 NC NC R7780 TMP 10'-2" 9'-7" 3RD ELECTRIC 9'-0" 8'-5" SL BM 1 NC R7780 R51 R119 7/6 R132 L201 R132 L201 102 101 5 1'-6" CURT 92 SR BOX BOOM 1 14'-6" Stars 3 151 11 10 9 8 3 61 Shin 1 1 93 12 L117 Jewel 6 ACOUSTIC CEILING SR BOX BOOM 2 3'-0" 7'-6"" 9'-6"" 16'-6" Stars Dream 2 11'-6" 10'-11" SL BOX BOOM 1 BRK R132 Diag 19'-6" 7 7 63 SOURCE 4-19° 575 watt 4 69 14'-0" Shin 6 SOURCE 4-26° 575 watt 18'-0" 16'-6" 23'-6" 16'-0" Mid 13'-11" 4TH ELECTRIC 13'-4" 12'-9" UPDATE AFTER LOAD-IN 9'-6" 55 5 16'-2" 15'-6" LEGS 14'-11" BORDER 5 5 COLOR FOCUS/COLOR 2 SOURCE 4-36° 575 watt 7'-6" 47 2 CHANNEL SOURCE 4-50° 575 watt 22'-0" 3'0" CC 4 39 89 16'-10" 1'-6" Head SR APRON BOOM 14'-0" 16'-0" 91 NC R7780 TMP 8 C L Q L 2 3 1 36 L161 Lav 18 7 7'-6" R51 NC R7780 TMP 21 2 26 0 1 3 4 R51 Lav TEMPLATE IRIS UNIT NUMBER Head 23'-5" 17'-6" 5TH ELECTRIC 18 17 6 83 73 5 6 G850 Back 150 20'-5" 6TH ELECTRIC 19'-10" COLOR EXTENDER TOP HAT DONUT HALF HAT 1 46 CC BA 7 15'-0" Diag R132 22 15 L161 R51 Lav 72 2 54 Mid 8'-0" Shin 7 8 Back 21'-1" 2 64 Mid 82 71 9 10 L161 Blue 4 56 CC 11 32 G850 Back 3 62 1'-6" 3 48 81 4 70 3'0" 40 Head G850 1'-6" 3'0" 8'-0" 7'-6" R51 Fall Symbol Key Trusswork Trusswork 20'-0" 18'-0" Shin 13 12 R7780 TMP NC 1T 11 21'-0" 20'-0" SL BM 2 R132 L201 159 20'-0" 16'-0" 16 15 14 Blue L161 The Designer is unqualified to determine the structural or electrical appropriateness of this design, and will not assume responsibility for improper engineering, construction, handling, or use. All materials and construction must comply with the most stringent applicable Federal and Local Fire, Safety, Energy, and Environmental Codes. 139 R64 R77223 L132 19 Jewel L117 Diag R132 G850 76 1 2 23 22 21 M Ben 5 L242 R7780 NC 94 1 22'-4" LEGS 21'-10" BORDER 20 SR UNDER GALLERY Blue 24'-3" WHITE TRANS 23'-7" 23'-1" BLACK SCRIM 139 R64 R77223 1 25'-7" 7TH ELECTRIC 21'-0" 25'-0" SCOOP ELECTRIC 13'-0" 24 R7780 TMP NC 1 26'-11" BOUNCE 26'-3" 8TH ELECTRIC 31 30 26 25 25 SL BM 3 Blue L161 28 TRUSSWORK 33 32 8 Green Diag R132 G850 79 100 R132 L201 9 10 Back 28'-4" 29 28 27 1 137 L242 L242 R77747 R77747 133 34 A2 G'row FINAL PLACEMENT TBA 4 65 A1 2 Soft Symbols D2 133 Green FL 3 57 129 B2 THIS DRAWING CONTAINS VISUAL CONCEPTS AND CONSTRUCTION SUGGESTIONS ONLY. SL DECK TRIM FIELD TEMPLATE Blue M 2 49 B3 GOODS 29'-9" BACK WALL MFL 1 126 123 B1 DIST. # 30 LINESET SYSTEM 34 Shin 41 129 C2 Green Lav * 2010 FALL REPERTOIRE * December 9-11, 2010 * F1 D3 132 17 PURSUIT 56 0 E2 131 R51 L161 66 Mid C3 G850 Director, Dance Dept: Katie Langan {klangan@mmm.edu) 212-517-0611 Technical Director: Philip Trevino (ptrevino@mmm.edu) 718-288-5502 Lighting Design: Steve Shelley (MrTemplate@earthlink.net) (212) 865.2969 voice (917) 334.7625 cell Stage Manager: Kirsten Leon {kirsten_leon@mac.com} 303-589-0398 Scale: 1/2" = 1'-0" Date: December 7, 2010 Drwn: ss 58 CC 126 123 C1 R26 WORKING LIGHT PLOT PLATE 1 OF 2 50 4 128 D2 Green FL 1 140 R376 R77090 bars EDGE OF GALLERY 3 D3 G850 TANGLE 14 2 125 122 D1 SYSTEM CABLE R26 TMP NA Ben 2 1 Green FL BARS N2 NA 127 E2 SYSTEM CABLE G850 3 Lav 136 136 E3 R92 R92 R77502 R77502 Linear 4 Linear 4 FL 157 NA 124 121 E3 R26 Marymount Manhattan College * Theresa Lang Theatre F2 M 158 BMF FAN Green * 221 East 71st St. * NYC * 10021 * (212) 517-0610 voice 517-0619 fax * 4 Blue F3 BARS 3 G850 LINEAR 4 1 DF-50 42 127 Red 2 Head 124 134 2 R376 R77090 bars 121 R26 E1 SR DECK 1 Green R114 x 2 SR GALLERY 141 G850 END OF BATTEN 77747 Tangle LINE 30 Moon C L SYSTEM CABLE R26 M R77780 Dense Leaf [Detail] SCOOP ELEC SYSTEM CABLE END OF BATTEN Gam 231 Realistic Stars END OF GALLERY R77223 Trusswork 3rd edition. Gam 232 Large Stars SL APRON BOOM image courtesy of steve l. shelley, a practical guide to stage lighting R77090 Bars R77502 Linear 4 EDGE OF GALLERY TEMPLATES R71023 Festive Abstract A plan-view light plot, drafted using industry standards, is an integral part of the show package for documented work.

Theatre Design & Technology - Fall 2014

Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 2014

Contents
Theatre Design & Technology - Fall 2014 - BB1
Theatre Design & Technology - Fall 2014 - BB2
Theatre Design & Technology - Fall 2014 - Cover1
Theatre Design & Technology - Fall 2014 - Cover2
Theatre Design & Technology - Fall 2014 - 1
Theatre Design & Technology - Fall 2014 - 2
Theatre Design & Technology - Fall 2014 - Contents
Theatre Design & Technology - Fall 2014 - 4
Theatre Design & Technology - Fall 2014 - 5
Theatre Design & Technology - Fall 2014 - 6
Theatre Design & Technology - Fall 2014 - 7
Theatre Design & Technology - Fall 2014 - 8
Theatre Design & Technology - Fall 2014 - 9
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Theatre Design & Technology - Fall 2014 - Cover3
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1991winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1991fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1991summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1991spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1990fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1990summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1990spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1989winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1989fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1989summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1989spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1988winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1988winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1988fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1988summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1988spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1987winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1987fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1987summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1987spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1986winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1986fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1986summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1986spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1985winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1985fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1985summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1985spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1984fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1984summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1984spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
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