Theatre Design & Technology - Fall 2014 - (Page 56)
The Student portfolio
A portfolio geared toward admission to a graduate or professional training program will most likely be viewed by
the program faculty. These are people who will be basing their admission decision not only on the quality of the
work as it is today, but on the potential for improvement in the future. We recommend at least one design that is
fully documented from beginning to end-script analysis, research, renderings, if available, technical drawings
and paperwork, and photographs of the full production. (See suggested references in the bibliography to help
determine what constitutes complete documentation.)
Many graduate or professional training programs are interested in breadth as well as depth. Some are as interested in seeing your overall aesthetic in creative endeavors as well as documentation of your lighting design and
technical work. Research each institution where you plan to apply. Programs with a strong focus in entertainment
technology may be interested in seeing circuit plots and riser diagrams, while programs focused on new work development or design aesthetics may be interested in seeing figure drawings and photography. Work included should be
of the highest personal quality. Material that does not put your best foot forward should not be included.
The professional's portfolio
The designer/Assistant designer
Research the company you are targeting and tailor the layout of your portfolio and content of your cover letter to
that specific entity. Full stage photographs that tell the story of the lighting are the most useful for a professional design portfolio. Always explain how the lighting served the production. Close-ups can be useful to illustrate specific
choices related to the production concept but should not dominate the pictorial documentation. If a producer or
production manager is one of the decision makers, light plots, hookups, and shop orders should also be available.
LINESET SCHEDULE
A3
E1 C3
131
132
Red
C2
133
Blue
D1 B3
131
Green
132
Red
0
B2
133
Blue
2
C1A3
131
Green
132
Red
A2
133
Blue
131
Green
B1
132
Red
137
A1
133
Blue
131
Green
Red
132
Blue
13
Diag
NC
154
24
Blue
R7780
NC
SR BM 3
Diag
NC
11
G850
77
87
153
12
Lav
Back
G850
88
78
R132
L176
Back
7
7
6
L201
Ben 1
L242
118
142
7
6
5
8
89
5
Lav
R51
148
4
38
Ben 5
L242
147
95
R132
L201
116
10
11
Ben 2
L242
Tangle
2
3
117
144
8
9
Ben 1
L242
120
3
119
R132
L201
142
R132
L201
2
4
Head
CC
Mid
R51
Jewel
L117
23
16
15
Diag
NC
Ben 2
L242
33
14
TMP
L161
G850
13
Diag
NC
Back
84
155
143
97
SR BM 2
Shin
74
12
6
Tangle
1
20
95
5
G850
85
155
10
11
9
Back
R132
L176
75
98
8
7
Back
86
6
5
149
Lav
R51
97
4
3
27
2
15
37
1
4
R132
L201
13
12
147
R132
L201
111
Ben 3
L242
Ben 4
L242
R132
L201
Ben 4
L242
Ben 3
L242
R132
L201
10
160
9
8
7
6
5
4
112
146
145
113
146
145
114
1T
14
115
3
156
15'-0"
94
2
1
10
3
SR BM 1
14
93
13
11
12
96
12
106
R51
R119
15
16/6
13/6
12
L201
R132
9
7/6
107
L117
Jewel
10/6
10
9
152
11
L201
R132
R132
Diag
R51
R119
4/6
3
6
1/6
31
6
5
4
L201
R132
11
R51
R119
L201
R132
1/6
3
96
109
R51
CC SP
0
4/6
108
18
3
110
1
2
R132
L201
R132
L201
L201
R132
9
10/6
12
13/6
16/6
R26
29
4
104
2
3
12'-6"
2'-4" 1ST ELECTRIC
21'-0"
0'-0" PLASTERLINE
DIST.
GOODS
1
SHORT-YOKE ALL
UNITS ON THIS PIPE
SPEAKER
8'-0" WIDE BLK LEG
2
3
7
10
R51
R119
R51
R119
CATWALK PIPE
1
9
8
R51
R119
ACOUSTIC CEILING
R51
R119
MFL
2ND ROW
SIGHTLINE
1
30
Blk+Cyc
Blk+Cyc
R51+R132
NC+T
G850
CURT
ACTUAL LOCATION:
24'-6" DS OF PL
0
19:00 400
20:00 500
L161
R51
BALCONY RAIL
UNDER
30
G850
CURT
WE INSIST
CONCERTO
R51
L161
theatre design
R71023
Festive
Abstract
60
52
Mid
BMF Fan
300w
1
MFL
MFL
MFL
MFL
MFL
MFL
14
13
12
11
10
9
8
7
6
5
4
3
2
1
15
1
13
14
2
20
3
135
4
135
14
13
5
15
G945
R51
R119
L116
G850
13/6
12
10/6
9
6
R51
R119
R51
Follow
R51
R119
7/6
4/6
& technology
3
1/6
R15
Window
0
1/6
f
R51
R119
3
4/6
a
R15
Window
6
7/6
l
1T
Head
USA 829 LD 214
5a
35
VERSION
2
67
Mid
59
CC
Head
7
6
5
4
Shin
51
REVISIONS
25
NC
R7780
R51
G850
L116
R51
R119
G945
9
10/6
12
13/6
l
BALCONY RAIL
OVER
ACTUAL LOCATION:
32'-5" DS OF PL
R7780
TMP
NC
92
1
FOCUS HINTS:
FRONTS: 5'-6" APART
HI SIDES: 6' L&R OF CL
BACKS: 4'6" APART
2014
CURT
R26
29
GAM 232 GAM 232
Stars
Stars
L201
R63x2
TMP
90
19
3
1a
1
2
17
L202
GAM 231
Notes:
1.
2.
3.
4.
5.
6.
7.
R7780
BRK
NC
17
4
11/12/10
11/21/10
11/21/10
1
91
11/2/10
1st PRELIM SUBMIT
UPDATE HOOK, SCOOP
UPDATE 89, 98, 99
UPDATE 8 > 10
RENUMBER 4P; ADD AL
12/2/10
3
43
ION CONSOLE
155-2.4kW DIMMERS
FINAL BOOM PLACEMENT TBD.
FINAL GROUNDROW PLACEMENT TBD.
PROVIDE ADDITIONAL R119 AND R132 AT FOCUS.
TRIM HEIGHTS ARE TO PIPE.
IF POSSIBLE, RENT A SECOND DF-50.
Stars
HAVE 10" BARNDOORS AVAILABLE FOR PAR 64'S.
REMEASURE SIGHTLINES.
Vari-Lite VL-1000
1000w
44
CC
ACTUAL LOCATION:
11'-6" DS OF PL
MFL
2
ACTUAL LOCATION:
24'-6" DS OF PL
SATSANG
GOT DREAMS?
Yes
Yes
4
6
R51
R119
15
bot cut
2
Blue
L161
LIGHT
LINE
5
2ND ROW
SIGHTLINE
BACK LEGS SHIN
MID
HEAD
Blk+Cyc Yes R51
R51
L161
Blk+Cyc Yes L161 L153+R132
R51
Blk+Cyc
R51 L161 Concerto Mid:
No R51
3
LINESET SCHEDULE
1ST ROW
SIGHTLINE
TIME KEY
15:00 100
22:00 200
15:00 300
TRUSSWORK
TRIM
4
Shin
ANTI-PRO PIPE
DF-50 Hazer
200w
23'-5"
3'-0"
ACOUSTIC CEILING
ACOUSTIC CEILING
CXI 4" IT
MR-16 6'-0" EYC
30 Lamp/3 CCT
19'-6"
L202
GAM 232
Stars
5'-6" 2ND ELECTRIC
PAR 64 CAN MFL
(21° X 44°) 1KW
14" SCOOP
500 Watt
R51
Fall
18" Box Fan
150w
4'-10"
4'-4"
13'-6"
16
Head
DF-50
68
105
LIGHT
LINE
SPEAKER
CC
T-3 5'-4" 500w
6 Lamp/3 CCT
15'-6"
2
Mid
18'-0"
11'-6"
14'-6"
16
3
10'-6""
90
1
A
156
16'-6"
#
18
TMP
R132
L201
10
ACTUAL LOCATION:
11'-6" DS OF PL
1
45
16'-6"
GAM 232 GAM 231
L201
R64
1a
19
7'-6" LEGS
4
3
0
Blue
15
Q
L
103
4
5
8'-0" WIDE BLK LEG
2
53
21'-0"
6'-10" BORDER
SL BOX BOOM 2
R7780
NC
NC
R7780
TMP
10'-2"
9'-7" 3RD ELECTRIC
9'-0"
8'-5"
SL BM 1
NC
R7780
R51
R119
7/6
R132
L201
R132
L201
102
101
5
1'-6"
CURT
92
SR BOX BOOM 1
14'-6"
Stars
3
151
11
10
9
8
3
61
Shin
1
1
93
12
L117
Jewel
6
ACOUSTIC CEILING
SR BOX BOOM 2
3'-0"
7'-6""
9'-6""
16'-6"
Stars Dream
2
11'-6"
10'-11"
SL BOX BOOM 1
BRK
R132
Diag
19'-6"
7
7
63
SOURCE 4-19°
575 watt
4
69
14'-0"
Shin
6
SOURCE 4-26°
575 watt
18'-0"
16'-6"
23'-6"
16'-0"
Mid
13'-11" 4TH ELECTRIC
13'-4"
12'-9"
UPDATE AFTER LOAD-IN
9'-6"
55
5
16'-2"
15'-6" LEGS
14'-11" BORDER
5
5
COLOR
FOCUS/COLOR 2
SOURCE 4-36°
575 watt
7'-6"
47
2
CHANNEL
SOURCE 4-50°
575 watt
22'-0"
3'0"
CC
4
39
89
16'-10"
1'-6"
Head
SR APRON BOOM
14'-0"
16'-0"
91
NC
R7780
TMP
8
C
L
Q
L
2
3
1
36
L161
Lav
18
7
7'-6"
R51
NC
R7780
TMP
21
2
26
0
1
3
4
R51
Lav
TEMPLATE
IRIS
UNIT NUMBER
Head
23'-5"
17'-6" 5TH ELECTRIC
18
17
6
83
73
5
6
G850
Back
150
20'-5" 6TH ELECTRIC
19'-10"
COLOR EXTENDER
TOP HAT
DONUT
HALF HAT
1
46
CC
BA
7
15'-0"
Diag
R132
22
15
L161
R51
Lav
72
2
54
Mid
8'-0"
Shin
7
8
Back
21'-1"
2
64
Mid
82
71
9
10
L161
Blue
4
56
CC
11
32
G850
Back
3
62
1'-6"
3
48
81
4
70
3'0"
40
Head
G850
1'-6"
3'0"
8'-0"
7'-6"
R51
Fall
Symbol Key
Trusswork
Trusswork
20'-0"
18'-0"
Shin
13
12
R7780
TMP
NC
1T
11
21'-0"
20'-0"
SL BM 2
R132
L201
159
20'-0"
16'-0"
16
15
14
Blue
L161
The Designer is unqualified to
determine the structural or electrical
appropriateness of this design, and
will not assume responsibility for
improper engineering, construction,
handling, or use. All materials and
construction must comply with the
most stringent applicable Federal and
Local Fire, Safety, Energy, and
Environmental Codes.
139
R64
R77223
L132
19
Jewel
L117
Diag
R132
G850
76
1
2
23
22
21
M
Ben 5
L242
R7780
NC
94
1
22'-4" LEGS
21'-10" BORDER
20
SR UNDER GALLERY
Blue
24'-3" WHITE TRANS
23'-7"
23'-1" BLACK SCRIM
139
R64
R77223
1
25'-7" 7TH ELECTRIC
21'-0"
25'-0" SCOOP ELECTRIC 13'-0"
24
R7780
TMP
NC
1
26'-11" BOUNCE
26'-3" 8TH ELECTRIC
31
30
26
25
25
SL BM 3
Blue
L161
28
TRUSSWORK
33
32
8
Green
Diag
R132
G850
79
100
R132
L201
9
10
Back
28'-4"
29
28
27
1
137
L242
L242
R77747 R77747
133
34
A2
G'row
FINAL PLACEMENT TBA
4
65
A1
2
Soft
Symbols
D2
133
Green
FL
3
57
129
B2
THIS DRAWING CONTAINS VISUAL
CONCEPTS AND CONSTRUCTION
SUGGESTIONS ONLY.
SL DECK
TRIM
FIELD TEMPLATE
Blue
M
2
49
B3
GOODS
29'-9" BACK WALL
MFL
1
126
123
B1
DIST.
#
30
LINESET
SYSTEM
34
Shin
41
129
C2
Green
Lav
* 2010 FALL REPERTOIRE * December 9-11, 2010 *
F1 D3
132
17
PURSUIT
56
0
E2
131
R51
L161
66
Mid
C3
G850
Director, Dance Dept: Katie Langan {klangan@mmm.edu) 212-517-0611
Technical Director: Philip Trevino (ptrevino@mmm.edu) 718-288-5502
Lighting Design: Steve Shelley (MrTemplate@earthlink.net)
(212) 865.2969 voice (917) 334.7625 cell
Stage Manager: Kirsten Leon {kirsten_leon@mac.com} 303-589-0398
Scale: 1/2" = 1'-0" Date: December 7, 2010 Drwn: ss
58
CC
126
123
C1
R26
WORKING LIGHT PLOT PLATE 1 OF 2
50
4
128
D2
Green
FL
1
140
R376
R77090
bars
EDGE OF GALLERY
3
D3
G850
TANGLE
14
2
125
122
D1
SYSTEM
CABLE
R26
TMP
NA
Ben 2
1
Green
FL
BARS
N2
NA
127
E2
SYSTEM
CABLE
G850
3
Lav
136 136
E3
R92
R92
R77502 R77502
Linear 4 Linear 4
FL
157
NA
124
121
E3
R26
Marymount Manhattan College * Theresa Lang Theatre
F2
M
158
BMF
FAN
Green
* 221 East 71st St. * NYC * 10021 * (212) 517-0610 voice 517-0619 fax *
4
Blue
F3
BARS
3
G850
LINEAR 4
1
DF-50
42
127
Red
2
Head
124
134
2
R376
R77090
bars
121
R26
E1
SR DECK
1
Green
R114 x 2
SR GALLERY
141
G850
END OF BATTEN
77747
Tangle
LINE 30 Moon
C
L
SYSTEM
CABLE
R26
M
R77780
Dense Leaf
[Detail]
SCOOP ELEC
SYSTEM
CABLE
END OF BATTEN
Gam 231
Realistic
Stars
END OF GALLERY
R77223
Trusswork
3rd edition.
Gam 232
Large Stars
SL APRON BOOM
image courtesy of steve l. shelley, a practical guide to stage lighting
R77090
Bars
R77502
Linear 4
EDGE OF GALLERY
TEMPLATES
R71023
Festive
Abstract
A plan-view light plot,
drafted using industry
standards, is an integral
part of the show package
for documented work.
Theatre Design & Technology - Fall 2014
Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 2014
Contents
Theatre Design & Technology - Fall 2014 - BB1
Theatre Design & Technology - Fall 2014 - BB2
Theatre Design & Technology - Fall 2014 - Cover1
Theatre Design & Technology - Fall 2014 - Cover2
Theatre Design & Technology - Fall 2014 - 1
Theatre Design & Technology - Fall 2014 - 2
Theatre Design & Technology - Fall 2014 - Contents
Theatre Design & Technology - Fall 2014 - 4
Theatre Design & Technology - Fall 2014 - 5
Theatre Design & Technology - Fall 2014 - 6
Theatre Design & Technology - Fall 2014 - 7
Theatre Design & Technology - Fall 2014 - 8
Theatre Design & Technology - Fall 2014 - 9
Theatre Design & Technology - Fall 2014 - 10
Theatre Design & Technology - Fall 2014 - 11
Theatre Design & Technology - Fall 2014 - 12
Theatre Design & Technology - Fall 2014 - 13
Theatre Design & Technology - Fall 2014 - 14
Theatre Design & Technology - Fall 2014 - 15
Theatre Design & Technology - Fall 2014 - 16
Theatre Design & Technology - Fall 2014 - 17
Theatre Design & Technology - Fall 2014 - 18
Theatre Design & Technology - Fall 2014 - 19
Theatre Design & Technology - Fall 2014 - 20
Theatre Design & Technology - Fall 2014 - 21
Theatre Design & Technology - Fall 2014 - 22
Theatre Design & Technology - Fall 2014 - 23
Theatre Design & Technology - Fall 2014 - 24
Theatre Design & Technology - Fall 2014 - 25
Theatre Design & Technology - Fall 2014 - 26
Theatre Design & Technology - Fall 2014 - 27
Theatre Design & Technology - Fall 2014 - 28
Theatre Design & Technology - Fall 2014 - 29
Theatre Design & Technology - Fall 2014 - 30
Theatre Design & Technology - Fall 2014 - 31
Theatre Design & Technology - Fall 2014 - 32
Theatre Design & Technology - Fall 2014 - 33
Theatre Design & Technology - Fall 2014 - 34
Theatre Design & Technology - Fall 2014 - 35
Theatre Design & Technology - Fall 2014 - 36
Theatre Design & Technology - Fall 2014 - 37
Theatre Design & Technology - Fall 2014 - 38
Theatre Design & Technology - Fall 2014 - 39
Theatre Design & Technology - Fall 2014 - 40
Theatre Design & Technology - Fall 2014 - 41
Theatre Design & Technology - Fall 2014 - 42
Theatre Design & Technology - Fall 2014 - 43
Theatre Design & Technology - Fall 2014 - 44
Theatre Design & Technology - Fall 2014 - 45
Theatre Design & Technology - Fall 2014 - 46
Theatre Design & Technology - Fall 2014 - 47
Theatre Design & Technology - Fall 2014 - 48
Theatre Design & Technology - Fall 2014 - 49
Theatre Design & Technology - Fall 2014 - 50
Theatre Design & Technology - Fall 2014 - 51
Theatre Design & Technology - Fall 2014 - 52
Theatre Design & Technology - Fall 2014 - 53
Theatre Design & Technology - Fall 2014 - 54
Theatre Design & Technology - Fall 2014 - 55
Theatre Design & Technology - Fall 2014 - 56
Theatre Design & Technology - Fall 2014 - 57
Theatre Design & Technology - Fall 2014 - 58
Theatre Design & Technology - Fall 2014 - 59
Theatre Design & Technology - Fall 2014 - 60
Theatre Design & Technology - Fall 2014 - 61
Theatre Design & Technology - Fall 2014 - 62
Theatre Design & Technology - Fall 2014 - 63
Theatre Design & Technology - Fall 2014 - 64
Theatre Design & Technology - Fall 2014 - 65
Theatre Design & Technology - Fall 2014 - 66
Theatre Design & Technology - Fall 2014 - 67
Theatre Design & Technology - Fall 2014 - 68
Theatre Design & Technology - Fall 2014 - 69
Theatre Design & Technology - Fall 2014 - 70
Theatre Design & Technology - Fall 2014 - 71
Theatre Design & Technology - Fall 2014 - 72
Theatre Design & Technology - Fall 2014 - 73
Theatre Design & Technology - Fall 2014 - 74
Theatre Design & Technology - Fall 2014 - 75
Theatre Design & Technology - Fall 2014 - 76
Theatre Design & Technology - Fall 2014 - 77
Theatre Design & Technology - Fall 2014 - 78
Theatre Design & Technology - Fall 2014 - 79
Theatre Design & Technology - Fall 2014 - 80
Theatre Design & Technology - Fall 2014 - Cover3
Theatre Design & Technology - Fall 2014 - Cover4
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017winter_public
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