Theatre Design & Technology - Fall 2015 - (Page 4)
from the
e ditor
The USITT authors in this issue collectively
pose this question: Did you attend the Prague Quadrennial in June? If your answer is yes, these articles
will serve as a sweet reminder of the exciting whirlwind experience of those 11 days in June. If your
answer is no, then they will bring you up close and
personal with so many of those fun, fabulous, and fantastic exhibits and events that embodied the 2015 PQ.
Arnold Aronson leads off with an introduction to
many of the national exhibits with an additional perspective on the evolution of PQ. Kevin
Rigdon and his curatorial dream team highlight their journey creating the USITT-USA national exhibit. Next up, Tom Burch focuses on the US Student Exhibit creators and many of the
student-centric PQ activities. Sabrina Notarfrancisco's article reveals the fantasy and fun of the
new PQ event called Tribes!
Those with a leaning toward the aural experience will find Joe Pino's article on PQ sound
a must read. And we haven't forgotten about the history buffs. Margaret Mitchell's history of
the PQ shines a light on the genesis of the PQ and its transformation over nearly a half century.
Finally, there are four reviews of books that cover a wide range of topics.
I owe a huge debt of gratitude to Margaret Mitchell for her service as co-editor on this
issue. Prior to the PQ, she recruited all the authors and provided excellent follow-up support as
they finalized their articles. -Bill Browning
When former TD&T editor David Rodger asked me to serve as guest editor for the PQ
issue of TD&T, I was so pleased. In 1991, I was a fortunate member of the USA Mozart in
America exhibition team from UT Austin, and my work was also exhibited
in the Schools of Scenography exhibit that year. USITT sponsored the student travel to Prague, and that trip changed my life. There I was introduced
to OISTAT members, some of whom have become life-long friends and colleagues. I was also exposed to an exciting multi-faceted world view of stage
design that opened my young mind to the expanding possibilities of the role
of the designer. Since 1991, through USITT, I have been involved in the organization of the USA exhibitions for PQs 1999 and 2003. In 1999, Alexandra
Bonds and I wrote the first grant to the Robert L. B. Tobin Fund for Theatre
Arts to support the USA Student Exhibition and student travel to Prague.
This PQ issue will give readers a window into the world of the latest event, and Arnold
Aronson and I have also given the work that was presented last June a context through reflections, insights, and historical materials of past PQs. I hope you will be excited and inspired by
the articles, photographs, and sound files, and that you will consider joining thousands of other
theatre artists for PQ 2019.
I am grateful to David Rodger for asking me to help with this issue and to Bill Browning
for his hard work and guidance throughout this process. -Margaret Mitchell
U S I T T M I S S I O N S TAT E M E N T
United States Institute for Theatre Technology, Inc. (USITT) connects performing arts design and technology communities
to ensure a vibrant dialogue among practitioners, educators, and students.
Statements and opinions expressed in articles or editorials in TD&T are the expressions of the individual contributors and do
not necessarily represent the policies or opinions of the United States Institute for Theatre Technology, Inc. Advertisements
appearing in this publication are the sole responsibility of the advertiser.
TD&T (ISSN 1052-6765) is published five times a year-Winter, Spring, Summer, Special Issue, and Fall-by United States
Institute for Theatre Technology, Inc., 315 S. Crouse Ave., Suite 200, Syracuse, NY 13210. Subscription to TD&T, also known
as Theatre Design & Technology, is a benefit of USITT membership. Fourteen dollars is deducted from membership dues
to cover cost of publication. Periodicals postage paid at Syracuse, NY and additional mailing offices. POSTMASTER: Send
address changes to TD&T, c/o USITT, 315 So. Crouse Ave., Suite 200, Syracuse, NY 13210. COPYRIGHT © 2015 by United
States Institute for Theatre Technology, Inc. All rights reserved. Material in this publication may not be reproduced in any form
without permission.
4
theatre design
& technology
F
a
l
l
2 0 1 5
t h e a t re
design
&
technology
T he peer-review jour nal
for design, production and
technolog y professionals
in the perfor ming arts and
entertainment industr y.
EDITORIAL OFFICE
BILL BROWNING
Editor
315 S. Crouse Ave., Ste. 200, Syracuse, NY 13210
315.463.6463, fax 315.463.6525
tdteditor@usitt.org
ANGELA HICKMAN
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angela@hickmanbrady.com
JANELLE WELCH
Art Director
ASSOCIATE EDITORS
RAYMOND KENT
Architecture
PEGGY ROSEFELDT
Costume Design & Technology
PATRICK M. FINELLI
Computers & Software
WILLIAM KENYON
Education
JERRY GORRELL
Engineering
DAVID C. GLOWACKI
Health & Safety
LINDA ESSIG
Lighting Design & Technology
RICHARD PETERSON
Management
RICHARD LARSEN & HEIDI HOFFER
Scenic Design & Technology
DAVE TOSTI-LANE
Sound Design & Technology
SHANE KELLY
Technical Production
ARNOLD WENGROW
Book Reviews
CONTRIBUTING EDITORS
ARNOLD ARONSON * ERIC FIELDING * SARAH NASH
GATES * JOEL E. RUBIN * BEEB SALZER * DELBERT
UNRUH * TOM WATSON * ARNOLD WENGROW
ADVERTISING
JIM LUCAS
Marketing Sales and Services Associate
315 S. Crouse Ave., Ste. 200, Syracuse, NY 13210
800.938.7488 / 315.463.6463
fax 866.398.7488 / 315.463.6525
jim@usitt.org
INTERNATIONAL AFFILIATION
USITT is the United States Center of OISTAT: The
International Organization of Scenographers,
Theatre Architects and Technicians.
Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 2015
Contents
Theatre Design & Technology - Fall 2015
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