Theatre Design & Technology - Fall 2017 - 11

The transmedia tentacles of Domain extended far
beyond the borders of the final theatrical performance
in Texas to include the touring interactive installation of
ANNI; a website hosting periodically released chapters
combining standalone text, animation, video, and audio (domain.arcosdance.com); and a series of brief live
performances in different cities that integrated emergent consumer technologies such as livestreaming and
360-degree video on social media. Had the performance
been conceived to exist entirely on the stage, and thus
been implemented through a more conventional theatrical design process, it would not have as effectively addressed the complex questions the collaborators sought
to probe: What do we lose and gain, as people, when we
turn over various functions of our lives to machines? As
quickly as the digital revolution is advancing, what valued aspects of our human existence remain beyond its
grasp of comprehension? Importantly, what role might
our field of performance play in addressing such questions? And, how might contemporary technologies be
integrated with performance to most effectively accomplish this?

to discover adventurous new forms of contemporary
performance," ARCOS has found audiences to be particularly responsive to pieces that actively integrate diverse media and disciplines. As storytellers have done
throughout human history, contemporary performing
artists can create modern myths that actively incorporate the technologies of our age, helping us to grapple
with the directions of our culture.
Inspired by the expected presence of noted international scholars of philosophy for the commissioned theatrical presentation at Texas State University, ARCOS
conducted research into an area of study known as philosophy of mind, which had intersected in recent times
with theories about artificial intelligence. John Searle's
key thought experiment known as the "Chinese room"
argues against the idea of sentient artificial intelligence:
His metaphor for the intelligent algorithm is a sealed
room containing an English speaker unfamiliar with
the Chinese language. The English speaker is given an
extensive set of instructions (in English) that indicate
the exact characters to be used to respond to messages
in Chinese that are passed through a small slot in the
door. A native Chinese speaker sending messages from
outside the room receiving such replies, Searle argues,
would believe the person inside truly understands what

RISE OF THE MACHINES
While pursuing a mission "to experiment rigorously

DEFINING
PERFORMANCE
FOR THE 21ST
CENTURY
PERFORMANCE
DESIGN & PRODUCTION
CREATIVE PRODUCING &
MANAGEMENT

and announcing a
new specialization in
Experience Design &
Themed Entertainment

For information or to apply:
theater.calarts.edu
centerfornewperformance.org
admissions@calarts.edu
800 545-2787

CALARTS
CENTER
FOR
NEW
PERFORMANCE

F

a

l

l  

2 0 1 7

theatre design

& technology

11


http://domain.arcosdance.com http://theater.calarts.edu http://www.centerfornewperformance.org

Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 2017

Contents
Theatre Design & Technology - Fall 2017 - Cover1
Theatre Design & Technology - Fall 2017 - Cover2
Theatre Design & Technology - Fall 2017 - 1
Theatre Design & Technology - Fall 2017 - 2
Theatre Design & Technology - Fall 2017 - Contents
Theatre Design & Technology - Fall 2017 - 4
Theatre Design & Technology - Fall 2017 - 5
Theatre Design & Technology - Fall 2017 - 6
Theatre Design & Technology - Fall 2017 - 7
Theatre Design & Technology - Fall 2017 - 8
Theatre Design & Technology - Fall 2017 - 9
Theatre Design & Technology - Fall 2017 - 10
Theatre Design & Technology - Fall 2017 - 11
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