Theatre Design & Technology - Fall 2017 - 49

The estate inventory of Rosersberg's Theatre also
reports a "Watteau Costume," made approximately in
the late 17th century (Images 11-12). Beiger suggests
that it was possibly used as a costume for a character
in commedia dell'arte, as similar costumes were seen in
Antoine Watteau's paintings depicting scenes of commedia characters in commedia dell'arte (1937, 108,
author's translation). Burgundian costumes from the
Gustavian era greatly resemble this Watteau costume,
especially in the structure of the breeches. According to
this evidence, it is possible that this costume was used
as a historical source of inspiration for the Burgundian
costumes.
According to the structure of the Watteau costume,
it was made for theatrical purposes. The majority of its
construction details do not match with the structure of
the everyday garments during the time it was made. The
costume ensemble consists of a long jacket and breeches
made with gold silk and fine blue silk satin. The jacket
has a fake V-shape opening at the front and fake button fastening; the jacket is fastened with hooks and
eyes from the center front. A belt is attached to the low
waist line, to which two fake pockets are joined, made
of creped silk satin. The jacket is lined with linen and
inside both front sides are two pockets (Image 13) positioned underneath the fake pockets on the right side

of the garment. Often in theatrical garments, these extra
pockets are made for carrying accessories or small props.
The sleeves of the jacket are made of a combination of
gold and blue silk. In both sleeves, there is a gusset sewn
on the lower arm (Image 14). Usually these kinds of gussets are used to accommodate a larger range of motion,
especially when they are cut on the bias. However, the
position of the gusset in this jacket does not function
like this. It does not seem like the material had run out
either and this additional piece had to be joined to the
sleeve. In addition to this interesting detail, the sleeve
also has puffed gold silk attached to the lower arm and
creped blue silk is added on top of the gold fabric to give
a contrast.
The knee length breeches are also made of gold and
blue silk and are lined with linen. The blue silk is creped
and stitched on top of the main golden fabric, instead
of having it puffed out from a slashed material, which
was the common structure of the breeches in the 17th
century. Some of the breeches in Burgundian costumes
during the Gustavian era have a similar structure. It's a
much faster way to create a garment and therefore suitable for theatrical purposes.
GUSTAF III'S LAST MASQUERADE
Fittingly, Gustaf 's death occurred while he was in cos-

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theatre design

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http://www.niu.edu/theatre

Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 2017

Contents
Theatre Design & Technology - Fall 2017 - Cover1
Theatre Design & Technology - Fall 2017 - Cover2
Theatre Design & Technology - Fall 2017 - 1
Theatre Design & Technology - Fall 2017 - 2
Theatre Design & Technology - Fall 2017 - Contents
Theatre Design & Technology - Fall 2017 - 4
Theatre Design & Technology - Fall 2017 - 5
Theatre Design & Technology - Fall 2017 - 6
Theatre Design & Technology - Fall 2017 - 7
Theatre Design & Technology - Fall 2017 - 8
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Theatre Design & Technology - Fall 2017 - Cover3
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