Theatre Design & Technology - Fall 2017 - Public - 31

don't know exactly why. Something just doesn't look right.
When my students encounter this feeling, I encourage
them to turn into it and embrace the sense of confusion so
that they can better identify its root cause and then analyze
and determine a course of action. Ignoring it only serves
to leave them blind to the consequences, rarely making the
feeling of unease go away. In this way, we can see that instinctive processes are also essential to responsible decision
making.

check the criteria for success as defined at the outset of the
assignment. In the case of the flat drawing problem I give
the Intro students, here is what typically happens.
1. What do you know? This is vital because it identifies
what the students are gleaning from either the designer
drawing or the assignment description/instructions. Usually, they can identify such things as:
a. The size and shape
b. The type of flat
i.Broadway as opposed to Hollywood, providing an
opportunity to discuss corner-blocks and straps
ii. Hard covered as opposed to soft covered
c. Construction material. I specify the material (1x3
pine) so I can reinforce information from a prior lecture. They may remember the term 1x3, but do they
understand that:
i. The phrase 1x3 represents a nominal dimension?
ii. That in our shop, the actual measurement of a 1x3
is 3/4 of an inch by 2 and 5/8 inches?
iii. Or at a more basic level, do they understand the
difference between the terms nominal and actual?
d. Whatever else comes up over the course of our conversation.
2. What do you need to know? This vital question serves to
help students identify what they are doing with the information from the previous question, as well as any gaps in
information. Overtly asking this question makes them real-

GUIDED DECISION MAKING ASSIGNMENT
One of the exercises I give my Intro to Stagecraft students
is the task of drawing a series of hardcover Broadway-style
flats. We start with a standard 4x8-foot flat and then move
on to more complicated ones. Inevitably, the question of
where to put the structural framing arises. Rather than telling them where the framing should be placed, I direct their
decision-making process by asking them to consider three
questions:
1. What do you know?
2. What do you need to know?
3. What are you doing?
I use these three questions in all my classes because,
regardless of the topic, they seem to get to the heart of
figuring out how to move through a problem. However,
I could add a fourth question: "How do you know if you
succeeded?" This would make the students circle back and

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Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 2017 - Public

Contents
Theatre Design & Technology - Fall 2017 - Public - Cover1
Theatre Design & Technology - Fall 2017 - Public - Cover2
Theatre Design & Technology - Fall 2017 - Public - 1
Theatre Design & Technology - Fall 2017 - Public - 2
Theatre Design & Technology - Fall 2017 - Public - Contents
Theatre Design & Technology - Fall 2017 - Public - 4
Theatre Design & Technology - Fall 2017 - Public - 5
Theatre Design & Technology - Fall 2017 - Public - 6
Theatre Design & Technology - Fall 2017 - Public - 7
Theatre Design & Technology - Fall 2017 - Public - 8
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Theatre Design & Technology - Fall 2017 - Public - Cover3
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