Theatre Design & Technology - Summer 2017 - Public - 14

Contemporary section. From left: Reconstructed stage model for King Lear, 2011, designed by Jan Nebeský and Jana Preková, reconstructed by
Ondřej Bělica and David Vrbík, 2016. Costume for Perdita/Paulina from the production of Winter Tale, 2008, designed by Linda Boráros. Costume
for Witch from the production of Macbeth, 2010, designed by Marek Cpin. Costume for Hamlet from the production of Hamlet, 2003, designed by
Andrea Králová. On the wall: Costume items (aprons) for different characters from the production of Hamlet, 2003, designed by Andrea Králová.
Costume designs for Juliet and Lady Capulet from the production of Romeo and Juliet, 2003, designed by Zuzana Bambušek Krejzková. Photography
by Nicole Rome. Courtesy of Columbus Museum of Art.

first, entitled Their Majesties' Fools, merged eight of
Shakespeare's plays, deconstructing and reorganizing the
originals and adding music as one of the leading elements
of the performance. The actors, dressed in costumes that
were comic hybrids of Renaissance period dress and traditional Moravian folk costumes read their lines in nonrealistic stylized cadences. The production marked a new
approach to staging the Bard's work, shattering many of
the stereotypes and conventions to which audiences were
accustomed. Interestingly enough, the emergence of this
new approach coincided with the so-called Velvet Revolution of 1989, which resulted in the re-establishment of
Czechoslovakia as an independent, democratically governed country.
In the following years, many theatre artists have reinterpreted Shakespeare's plays, mixing genres and styles
and incorporating staging practices of the Elizabethan
era, elements of modernistic styles such as Constructivism, Poetism, Action Design, as well as pop-cultural and
folkloric references. This style of staging, often called
post-modern or post-dramatic, offers designers ever
newer ways to unlock Shakespeare's rich imagery and
14

theatre design

& technology

S u m m e r   2 0 1 7

complex themes for contemporary audiences. Conceived
in a political system that grants its members freedom of
expression, this new tendency seems to be ideologically
suspended, focusing exclusively on aesthetic experimentation: the political allusions have lost their edge, and
there is no oppressor to push against. Václav Havel, the
playwright, dissident and first president of the democratic Czechoslovakia after 1989, described life in Communism in his famous essay from the late 1970s "The Power
of the Powerless" (1985) as "life in a lie." These decades of
"life in a lie" that included forced and mendacious participation in civic life had shattered interest in public sphere
and caused a common aversion to anything political.
What the exhibition reveals, however, is that some
of the most visually striking post-transition productions
of Shakespeare's work have embraced a different kind of
political engagement, more hidden because it is not expected from the audience in the same way that pre-1989
innuendos were, and perhaps unintentionally present
from the side of the artists. It is often through scenography, besides acting and direction, that the performances
operate on one level as acts of testimonies to the troubled



Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 2017 - Public

Contents
Theatre Design & Technology - Summer 2017 - Public - Cover1
Theatre Design & Technology - Summer 2017 - Public - Cover2
Theatre Design & Technology - Summer 2017 - Public - 1
Theatre Design & Technology - Summer 2017 - Public - 2
Theatre Design & Technology - Summer 2017 - Public - Contents
Theatre Design & Technology - Summer 2017 - Public - 4
Theatre Design & Technology - Summer 2017 - Public - 5
Theatre Design & Technology - Summer 2017 - Public - 6
Theatre Design & Technology - Summer 2017 - Public - 7
Theatre Design & Technology - Summer 2017 - Public - 8
Theatre Design & Technology - Summer 2017 - Public - 9
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Theatre Design & Technology - Summer 2017 - Public - 20
Theatre Design & Technology - Summer 2017 - Public - 21
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Theatre Design & Technology - Summer 2017 - Public - Cover3
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