Theatre Design & Technology - Summer 2017 - Public - 56

16TH

BIENNIAL TECH EXPO
DISPLAY AND CATALOG

MATERIALS LIST
Head/Body
Veraform - Thermoplastic
Wonderflex - Thermoplastic, Wonderflex World
Sculpt or Coat - Low V.O.C. Coating
Craft paper
Tissue paper
Yarn
Feathers
Coroplast - corrugated plastic - 6MM
Wings/Tail
18 feet of 8-gauge copper wire
Solder
Acid-based flux
tie wire
2 yards of silk
2 sets of sink repair kits
Eye Mechanism
2 sets of plastic vessel heads, nesting sizes
3 feet of plastic tubing
3 feet of fishing line - woven nylon
2 extension springs - 4"
Miscellaneous Materials/Adhesives
Approx. 3 heavy coat hangers
Fosshape 600
3 Hollow fiberglass rods - ½" OD, 36" lengths each
Wood for rod handles, trigger piece, brace
1" Elastic
Cord elastic
14-gauge wire
J-B Weld Epoxy
Acrylic paint
Hy-Mark Thread
Great Stuff Insulating Foam Sealant - Gaps and Cracks

of the neck, traveled through the right side of the body,
exited just below the wings, extended down the hollow fiberglass rod, and out through a hole drilled in
the side of the rod. A wooden brace was added to the
rod to stabilize the tube above the trigger. Next, extension springs were installed at the base of the lower
hemisphere of the head and attached to the flanges on
the top of the eyelids, forcing the eyelids to stay open.
At the top of the upper hemisphere was a smooth wire
loop. Fishing line was attached to each end of the armatures from the eyes, fed up into the wire channel inside
the top of the head, through the tubing, and attached to
the trigger piece on the handle. Both lengths of the fishing line needed to be tied to the trigger and checked to
make sure the eyes moved in tandem. When the trigger
was pushed downwards, the fishing line tightened and
pulled the eyes closed. When the trigger was released,
extension springs allowed the eyes to pop back open
(Figure 2).
The bird's wings and tail were constructed using
56

theatre design

& technology

S u m m e r   2 0 1 7

Figure 2

Figure 3

8-gauge copper wire soldered to the wing pattern dimensions. Acid-based flux and silver solder were applied at the joints and a propane torch was used to
activate the solder. To give the wings full range of
motion, ball-in-socket sink repair kits were used to
attach the wings to the body.
To stabilize the puppet on the head of the actress, a
Fosshape skullcap was made to snugly fit the actress'
head, allowing room for a small amount of cushioning foam. For extra reinforcement, a circular piece of
Fosshape was added where the leg supports met the
cap. The leg supports were also made of coat hanger
wire, bent to the appropriate shape, and stitched to
the cap. A ½" OD, hollow, fiberglass rod was cut to
the length of the leg, plus the height of the body, and
slipped over the wire leg supports. They were then
filled with insulating foam sealant to keep the poles
from shifting (Figure 3).
Decorative elements were added, including a yarn
wig, silk wings, and acrylic paint on the body. The actor's handles, the trigger, and the brace were tooled
to complement the style of the show. A single block
of mahogany was used to create the lathe-turned
handles, trigger, and carved brace piece. All of the
technical processes used to create this project were
executed in a manner to enhance, rather than to
compromise, the overall design.



Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 2017 - Public

Contents
Theatre Design & Technology - Summer 2017 - Public - Cover1
Theatre Design & Technology - Summer 2017 - Public - Cover2
Theatre Design & Technology - Summer 2017 - Public - 1
Theatre Design & Technology - Summer 2017 - Public - 2
Theatre Design & Technology - Summer 2017 - Public - Contents
Theatre Design & Technology - Summer 2017 - Public - 4
Theatre Design & Technology - Summer 2017 - Public - 5
Theatre Design & Technology - Summer 2017 - Public - 6
Theatre Design & Technology - Summer 2017 - Public - 7
Theatre Design & Technology - Summer 2017 - Public - 8
Theatre Design & Technology - Summer 2017 - Public - 9
Theatre Design & Technology - Summer 2017 - Public - 10
Theatre Design & Technology - Summer 2017 - Public - 11
Theatre Design & Technology - Summer 2017 - Public - 12
Theatre Design & Technology - Summer 2017 - Public - 13
Theatre Design & Technology - Summer 2017 - Public - 14
Theatre Design & Technology - Summer 2017 - Public - 15
Theatre Design & Technology - Summer 2017 - Public - 16
Theatre Design & Technology - Summer 2017 - Public - 17
Theatre Design & Technology - Summer 2017 - Public - 18
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Theatre Design & Technology - Summer 2017 - Public - 20
Theatre Design & Technology - Summer 2017 - Public - 21
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Theatre Design & Technology - Summer 2017 - Public - Cover3
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