Theatre Design & Technology - Spring 2018 - Public - 13

diovascular system. As the performer
moves, billowy plumes of white smoke
are released, surrounding the performer
in what becomes an ethereal extension of
her physical body. Contendō, the bronzewinning performance piece by Armenian designer Zepur Agopyan, similarly
featured a single costumed performer.
In Contendō, Agopyan wears an institutional, yet futuristic body suit and helmet
made from red leather, quilted linen,
leather straps, and buckles that when
worn, both augments and constrains her
natural body mechanics, creating "an insular world where the psychological has
become a physical struggle" (370). Using
costume design as the primary devising
tool for this piece, Agopyan started by
first creating the costume and exploring
its somatic restrictions before using her
findings to define the parameters of her
performance.
Due to the strong showing of work
in the emerging designers category,
a bronze prize was also awarded to
Mexican designer Andrea Pacheco for
her imaginative work on Maeterlinck's
Blue Bird, which tells the story of two
impoverished children surrounded by

fantastical creatures who magically
emerge from everyday objects. The creatures with their pale, tea-dyed costumes
shaped into exaggerated silhouettes,
white makeup, and spikey wigs made
from palm leaves were yet another visual
feast for visitors to behold.
The works of these and other finalists can be found on the WSD2017 website at www.wsd2017.com. In addition,
the World Stage Design 2017 Catalogue
edited by Samuel Wang and published by
the Taiwan Association of Theatre Tech-

nology, is also available for purchase.

Scenofest Costume Program

The Scenofest Costume Program, organized by OISTAT Costume Design
Sub-Commission leaders Simona Rybáková of the Czech Republic, Sofia
Pantouvaki of Greece, and Rosane Muniz of Brazil, kicked off with two days of
Costume Talks presentations covering
a broad range of topics relating to the
art and study of costume-a testament
to the complex and far-reaching scope

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THEATRE DESIGN & TECHNOLOGY

| 13


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Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 2018 - Public

Contents
Theatre Design & Technology - Spring 2018 - Public - Cover1
Theatre Design & Technology - Spring 2018 - Public - Cover2
Theatre Design & Technology - Spring 2018 - Public - 1
Theatre Design & Technology - Spring 2018 - Public - Contents
Theatre Design & Technology - Spring 2018 - Public - 3
Theatre Design & Technology - Spring 2018 - Public - 4
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Theatre Design & Technology - Spring 2018 - Public - 68
Theatre Design & Technology - Spring 2018 - Public - Cover3
Theatre Design & Technology - Spring 2018 - Public - Cover4
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
https://www.nxtbookmedia.com