Theatre Design & Technology - Spring 2018 - Public - 60

flow and master new challenges. By attending conferences, workshops, and
reading books and articles, artists can
continue to grow and learn. Look for
novel challenges, like making that scene
change-over happen five seconds faster.
Make a game out of how evenly spaced
hand-stitches are or work out the math
to reduce or eliminate scrap lumber
to achieve more sustainable practices.
These types of tricks can turn the menial
parts of a job into flow experiences, as
well as having other benefits.
Most of all, artists must focus on regularly taking small steps outside of their
comfort zone, increasing their knowledge base to keep challenges and skills
balanced. "This sweet spot keeps attention locked in the present" (Kotler 2014).
By continuing to learn new skills and
seek out new challenges, not only will
artists achieve flow more often, but they
will also learn new skills and ultimately
grow to be more complex individuals.
Understanding the definition of flow
and its characteristics can help theatre
artists more objectively assess their jobs
and hopefully find more joy in their cho-

sen careers. While it would be unreasonable to expect that every experience at
work will be optimal, we can all learn
how to have more enjoyable experiences
more frequently.
Crystal Herman is associate
professor of theatrical costume
design at the University of
Texas at El Paso and the
author of Period
Reproduction Buckram Hats: A
Costumer's Guide. She has designed
costumes professionally for nationally
recognized theatres such as The Utah Festival
Opera Company and The Weston Playhouse
in Vermont as well as for a variety of other
theatres in the Southwest. Her research and
teaching concentrate on costume design,
costume rendering, costume history, millinery,
and costume crafts.

Works Cited

Csíkszentmihályi, Mihály. 1990. Flow: The
Psychology of Optimal Experience. New York:
HarperCollins.
Glick-Smith, Judith L. 17 August 2015. "When Flow
Doesn't Happen," Integral Leadership Review.
Kotler, Steven. 06 May 2014. "Create a Work
Environment that Fosters Flow," Harvard Business
Review: 2-5.
Parente, Thomas J. 2015. "The positive pianist:
How flow brings passion to practice and
performance," Clavier Companion: 50-53.
Pink, Daniel H. 2011. Drive: The Surprising Truth
about What Motivates Us. New York: Riverhead
Books.
Urmston, Elsa, and James Hewison. 2014. "Risk
and flow in contact improvisation: Pleasure,
play and presence," Journal of Dance & Somatic
Practices 6.2: 219-232.

Boianelli, Lynn Marie. 2005. Achieving flow in
theatre performance. Master's thesis, Rowan
University.

W W W . I A S T A G E . C O M

© InterAmerica Stage Inc. 2018 All rights Reserved

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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
https://www.nxtbookmedia.com