Theatre Design & Technology - Spring 2018 - Public - 66

BOOK REVIEWS

ERIKA GUAY, EDITOR

Arts Trends USA: An Anthology of
EPerformance
By Ming Chen
Shanghai, ZhongXi Book Company, 2017;
347 pages
Available from Amazon.cn
Reviewed by Jennie Yeung
In this new anthology, Ming Chen
presents six topics covering American
trends in the performing arts. Each article is written in English and Chinese,
without technical jargon, so that it can
reach a broad audience in both countries. Overall, Chen does an exceptional
job of choosing and presenting a diversity of topics for an audience of theatre
professionals. It motivates designers to
probe into different creative potentials.
These include both high- and low-tech
artistry, some including artificial intelligence and others including simply human movement.
From Chen's own description,
which is regrettably only in Chinese, she
is sharing this anthology so that the artistic community can understand American society. She has selected topics that
emphasize differences between cultural
practices in China and the United States,
and provides an enlightened view on the
subject.
Chen was born in China and earned
her first Master's degree at the Shanghai
Theatre Academy. She then went to the
University of Pittsburgh for her second
Master's degree. Her familiarity with
both cultures has made her uniquely
qualified to write this dual language
book. As Chen is both author and translator for most of the articles, both versions of the book are inescapably fused
together.
Out of the 15 articles collected in the
book, four were written solely by Chen,
and the others are either based on interviews with English-speaking experts or
extracts from English publications that
indicates that most of the articles were
first written in English.
Translating between Chinese and
English is a uniquely difficult challenge.

66 |

THEATRE DESIGN & TECHNOLOGY

|

SPRING 2018

Chen does a satisfying job capturing
meaning while keeping both versions
easily readable.
Proper names can be especially
challenging. Here, Chen uses careful
judgment to simplify where appropriate.
For example, one article mentions the
"Food and Drug Administration." While
an official formal Chinese name of this
agency does exist, Chen opts to simply
say, "the government." This is appropriate for a Chinese audience who would
most likely be unfamiliar with the official
formal name, and for whom this detail
does not change the main message of
the article.
Another challenge of translation is
the introduction of new technological
terms. Chinese has around 5,000 commonly used words, a lot less than English, where new words are introduced
regularly in the Webster or Oxford Dictionary. In Chinese, new jargon is created by a new combination of existing
Chinese words and each word has its
own hidden implication. For example, in
Application of New Technology in Arts,
Chen describes artificial intelligence,
where a computer can make decisions
learned from human action. To describe
"the computer creates its own drawing,"
Chen says in Chinese, "drawing machines where human and machine are
interchangeable." In this way, Chen invents new terminology that the Chinese
reader would be able to understand.
In the section Performing Culture,

Chen interviewed two Olympic Games
ceremony designers, Han Lixun from
China and George Tsypin from Russia.
Chen cleverly asks both of them similar questions and their answers reflect
differences in culture. Han's ideation
process involved two years of crossdisciplinary collaboration, while Tsypin
spent 6 months alone at the start of his
process.
Han discusses how his design of five
rising rings was realized and the English
translation summarizes this process.
However, this is where the literal translations between the Chinese and English
versions of the article may be a missed
opportunity to further educate the English-reading audience on the cultural influences of Han's choices. In accordance
with Chinese culture, the five rings were
lifted from the ground, instead of being
dropped from above, to symbolize that
the spirit of the Olympics was rising. If
the rings were to descend from above,
this would symbolize sinking, and cast
a bad spell on the Olympics. This type
of detail is unnecessary for the Chinese
reader, who would already know this, but
could be an interesting footnote for the
English reader.
Similarly, Chen could have further
explained the Chinese symbolism in the
section The Limbo between East and
West, which covers the artist Chen Zhen
who created the work Fu Dao/Fu Dao
Upside-down Buddha. It might interest
the English reader to know the significance of being upside-down. In Chinese,
the word for "upside-down" is phonetically similar to the word for "arrival."
Presenting the artwork upside down
represents a request for new fortune.
Articles on Chinese artistry could be improved with these types of cultural notes
for the English reader.
Further cultural notes on American
society could also have enhanced the
book for Chinese readers. Chen chose
to include an article by Noah Hutton,
which discusses how the human brain
reacts to art. This may be unusual for the
Chinese reader, because Chinese society
does not separate the mind and the body.
Instead, Chinese philosophy views each


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Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 2018 - Public

Contents
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
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