Theatre Design & Technology - Winter 2018 - 49

theatre community as cosplay becomes more mainstream
and the lines become more blurred. It's not an extension of
theatre per se but its own art form where techniques can be
shared and adapted by both sides."
The mainstreaming of cosplay is reflected in the availability of cosplay fabrics in local fabric stores and commercial
patterns being marketed towards home cosplayers. The 10thannual New York Comic Con reported more than 167,000 visitors, with ticket sales that have increased 20 percent each year
(Whitten 2015). As popularity grows, so does the industry's net
worth. It is predicted that the cosplay industry will grow into
a $23.6 billion industry by 2019, and the average cosplayer
spends $500 per costume (Fratzke 2017). A young generation
of cosplayers is searching for a community to belong to and a
place to formalize their technical skills. They are finding that
the theatre can provide both for them. Cosplay-loving students are wandering into college theatre costume shops attracted to a room full of sewing machines, cutting tables,
and mannequins. Even young children are being exposed to
cosplay and realizing the potential it holds for their future.
"My most recent costume is Wonder Woman from the
new movie," says Hofmann. "I've worn it several times for
public appearances and every time I'm reminded why I do
this. The excitement from fans of the character, especially
the children, is out of this world. Nothing is better than having a 6-year-old girl squeal in delight at seeing you and telling you about all her hopes and dreams, and then saying,
yes, she can be Wonder Woman, too." The cosplay community is a new, exciting, and innovative generation of theatrical
costumers and props artists. This new generation will join,
encourage, and inspire theatre technicians to defy gravity
and push the limits of reality.

Program of

Theatre
& Dance
BA: Theatre
, Dance
(Acting * Production Design)

MFA: Production Design

PRESIDENTIAL SCHOLARS IN THE ARTS

The Program of Theatre & Dance awards four-year
scholarships to entering freshmen in the fields of acting,
technical theatre and dance through a competitive
audition process.
For more details on how to apply, visit the
Office of Admissions at:
http://www.gwu.edu/apply

Your
The

all access pass to

cityAnd The world

Jessica Champagne Hansen is a freelance costume
designer and technician in Los Angeles and is the head
of the costume program at East Los Angeles College.
She received a BFA in costume design and technology
from Emerson College and an MFA in costume design
from the University of California, Irvine.

Works Cited:
Cosplay is Not Consent, 2017. "About the Movement." https://www.
cosplayisnotconsent.org/#about.
Fratzke, Ryan, James Fratzke. 9 Oct. 2017. "The Cosplay Episode," Fratzke
Brothers: Marketing Twins. http://www.fratzkebrothers.com/cosplay.html.
Whitten, Sarah. 17 Oct. 2015. "Comic con is more than just cosplay; it's big
biz." CNBC. https://www.cnbc.com/2015/10/14/comic-con-is-more-thanjust-cosplay-its-big-biz.html.
Winge, T. 2006. "Costuming the Imagination: Origins of Anime and Manga
Cosplay." Mechademia 1: Emerging Worlds of Anime and Manga, edited by
Frenchy Lunning. 65-76. Minneapolis: University of Minnesota Press. Project
MUSE.

For more information:
The George Washington University
Program of Theatre & Dance
814 20th St NW, 3rd Floor
Washington, D.C. 20052
202.994.8072 onstage@gwu.edu

WINTER 2018

|

THEATRE DESIGN & TECHNOLOGY

| 49


http://www.gwu.edu/apply http://cosplayisnotconsent.org/#about http://cosplayisnotconsent.org/#about http://www.fratzkebrothers.com/cosplay.html https://www.cnbc.com/2015/10/14/comic-con-is-more-than-just-cosplay-its-big-biz.html https://www.cnbc.com/2015/10/14/comic-con-is-more-than-just-cosplay-its-big-biz.html

Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 2018

Contents
Theatre Design & Technology - Winter 2018 - Cover1
Theatre Design & Technology - Winter 2018 - Cover2
Theatre Design & Technology - Winter 2018 - 1
Theatre Design & Technology - Winter 2018 - Contents
Theatre Design & Technology - Winter 2018 - 3
Theatre Design & Technology - Winter 2018 - 4
Theatre Design & Technology - Winter 2018 - 5
Theatre Design & Technology - Winter 2018 - 6
Theatre Design & Technology - Winter 2018 - 7
Theatre Design & Technology - Winter 2018 - 8
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Theatre Design & Technology - Winter 2018 - Cover3
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