Theatre Design & Technology - Fall 2019 - 11
The U.S. Emerging
Designers exhibit.
Photo by David
Armelino.
T. Erin Gruber's work
in a portion of the
Canadian Exhibit.
Photo by David
Armelino.
Now, in 2019, the PQ has returned
to the Industrial Palace and the Exhibition Grounds of Výstaviště. More than
70,000 unique visitors attended the PQ
this past June. 2019 was the first event
organized under the current leadership
team of General Director Pavla Petrová,
Artistic Director Marketa Fantova, and
Executive Director Pavlína Šulcová. Under this leadership, the PQ continues to
inspire and evolve, as it always has done.
With the return to a site which for
many is identified with the PQ, and reflecting on 50 years of evolution, the artistic
leadership of the PQ looked to the Golden
Triga, the award given as the highest prize
to the best exhibition, for inspiration. The
Triga is a representation of the three different forces coming together to pull the
chariot driven by Nike, the goddess of victory and it can be found atop the National
Theatre. The three horses are symbols
for the stages of life: "Youth's wild instinct
and intuition, the experience of adulthood
and the age of wisdom." As the PQ Artistic Statement notes, it is to "remind us
that everything we do in creating a performance is an act of collaboration where all
The U.S. curators selected Ming Cho Lee's scenic design for the Metropolitan Opera's 1974 production of Boris
Gudonov as an iconic design from a living artist to be included in the PQ's Fragments exhibit. Viewers were able to
experience this model and other notable design "fragments" from participating countries. Photo by David Armelino.
talents combine their strengths to achieve
much more than any individual could ever
accomplish alone."
Expressing Cultural DNA
Supported by USITT, the United States
has exhibited at the PQ since 1975 and
received the Golden Triga in 1987. While
still an architecture student, I joined
USITT because of my desire to be involved in the PQ. After the overwhelming
experience of my first PQ in 2003, I dedicated myself to becoming more involved.
As a graduate student at the 2007 Quadrennial, I participated in a number of
workshops, submitted work for consideration, and volunteered my time with
the set-up of the exhibition. I led a student group in 2011, and worked with PQ
staff to realize an auction of materials.
In 2015, I was invited to join the
U.S. curatorial team as an associate curator based on my variety of experiences
with the PQ, advocacy efforts for the PQ
with emerging U.S. artists, and work in
digital communication. The PQ project
FALL 2019
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THEATRE DESIGN & TECHNOLOGY
| 11
Theatre Design & Technology - Fall 2019
Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 2019
Contents
Theatre Design & Technology - Fall 2019 - Cover1
Theatre Design & Technology - Fall 2019 - Cover2
Theatre Design & Technology - Fall 2019 - 1
Theatre Design & Technology - Fall 2019 - Contents
Theatre Design & Technology - Fall 2019 - 3
Theatre Design & Technology - Fall 2019 - 4
Theatre Design & Technology - Fall 2019 - 5
Theatre Design & Technology - Fall 2019 - 6
Theatre Design & Technology - Fall 2019 - 7
Theatre Design & Technology - Fall 2019 - 8
Theatre Design & Technology - Fall 2019 - 9
Theatre Design & Technology - Fall 2019 - 10
Theatre Design & Technology - Fall 2019 - 11
Theatre Design & Technology - Fall 2019 - 12
Theatre Design & Technology - Fall 2019 - 13
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Theatre Design & Technology - Fall 2019 - 15
Theatre Design & Technology - Fall 2019 - 16
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Theatre Design & Technology - Fall 2019 - 18
Theatre Design & Technology - Fall 2019 - 19
Theatre Design & Technology - Fall 2019 - 20
Theatre Design & Technology - Fall 2019 - 21
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Theatre Design & Technology - Fall 2019 - 25
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Theatre Design & Technology - Fall 2019 - 27
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Theatre Design & Technology - Fall 2019 - 30
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Theatre Design & Technology - Fall 2019 - Cover3
Theatre Design & Technology - Fall 2019 - Cover4
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