Theatre Design & Technology - Fall 2019 - 10

The 14th Prague Quadrennial, June
6-16, 2019, drew more than 70,000 visitors for exhibitions, workshops, lectures,
and performances. More than 800 artists representing 79 countries participated. USITT has been a proud sponsor of
the U.S. national exhibition at the PQ for
more than 40 years and includes special
PQ coverage in TD&T, as you'll see on
the following pages.

Inspiring and Evolving

The first PQ was held in September of
1967 and was housed at the Prague
Exhibition Grounds in the Brussels Pavilion, which burned down in the 1990s,
and at the Wallenstein Palace Riding
Hall, which is adjacent to the popular
gardens. The first Quadrennial was inspired by the São Paulo Art Biennial,
which had expanded to include scenography in 1957. Designers from what
was then Czechoslovakia were very successful at the Biennial, bringing home
a number of medals, and the idea of establishing the International Exhibition of
Stage Design and Theatre Architecture
in Prague took hold. The catalog for this

first PQ addresses the differentiation between these events: "As compared to the
Biennial of Stage Design in São Paulo,
where the artistic aspects are the main
criteria for judging the exhibited works-
apparently because this particular section was only subsequently included
within the context of the Biennial of Visual Arts-the Prague Quadrennial is led
in an effort to capture the specificity of
stage design, the inseparability of scenography from the direction and all other components of a dramatic work, and
the synthetic nature of this field."
The first PQ established how the
event was organized, including three
competitive sections. The first main section included two subsections of Stage
Design and Costumes. One was international, now referred to at the Section
of Countries and Regions, and the other
was judged separately and dedicated to
Czech and Slovak designers. The second
was the Thematic Section, which invited
individual artists to compete by designing a common project. And the third was
the Theatre Architecture Section. The
program also included a symposium and

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THEATRE DESIGN & TECHNOLOGY

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FALL 2019

a series of "National Days" in which curators would present the ideas behind
their country's pavilion.
Elements of these sections remain
today, but over the years the event has
evolved. In 1975, with national curators
showing little interest in the Thematic
Section, this program was turned over
to schools of stage design. A popular
symposium on the teaching of stage design and technical theatre accompanied
this portion of the event. Though the
Thematic Section eventually returned,
this experiment established the position
of students-and now the more inclusive idea of emerging designers-in the
PQ. In 1983, due to the poor condition
of the Brussels Pavilion, the exhibition
moved to the Industrial Palace, where
it remained for the majority of the time.
Three notable exceptions were a 1991
scheduling conflict with a festival commemorating the exhibition ground's
centennial, and a fire that led the 2011
event to be held at the National Museum of Contemporary Art and the 2015
to be held throughout central Prague.
Other additions include the 1999 PQ
for Children section. And in 2011, the
subheading of the PQ changed from "International Exhibition of Scenography
and Theatre Architecture" to "Prague
Quadrennial of Performance Design
and Space" to better reflect an expansive
understanding of performance design.
Through each of these developments,
the PQ has continued to become more
inclusive in its programming and its relationship to a wide variety of theatre and
performance bodies around the world.
This act of tracing the history of the
PQ does not just consider its growth and
conceptual evolution, but also highlights
the political significance of meeting in
this place, Prague, through the latter half
of the 20th century and into the 21st century. The PQ began immediately before
the Prague Spring and the reintroduction of totalitarian communist rule in
August of 1968. A boycott of the 1971
PQ was averted through the work of International Theatre Institute and OISTT
(the International Organization of Scenographers and Theatre Technicians,
now OISTAT with the inclusion of Architects), both established in Prague in
1968. For decades, the PQ served as one
of very few events where artists from either side of the Iron Curtain could meet.


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Theatre Design & Technology - Fall 2019

Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 2019

Contents
Theatre Design & Technology - Fall 2019 - Cover1
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Theatre Design & Technology - Fall 2019 - Contents
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