Theatre Design & Technology - Fall 2019 - 16

Fauteux, Anick La Bissonniere, Elen
Ewing, Angelo Barsetti, Linda Brunelle,
Benoît Lachambre, and Julie Andrée T.

Mexico: Forensc Approaches:
Memory Dissections for Our
Creative Processes

Mexico's exhibition. Photo by Ian Garrett.

see greater inclusivity, generosity, and
cooperation in society, then these collaborations, especially in this place, are
as essential as they've ever been.

Roe, T. Erin Gruber, Robert Leveroos,
Kyla Gardiner, Ben Wylie, and Paula Viitanen Aldazosa.

Canada: Individuality and
Interconnection

The Québec exhibition explored the
profound transformations that we must
address today as designers to a scenography of the future that acknowledges
the unprecedented ecological crisis we
are currently experiencing. This exhibition highlighted an aspect of theatrical
creation that is rarely shown: the waste
generated by our work. Designs were
presented under four categories: obsolescence, material waste, the body, and
ecological conscience in design.
The Québec exhibition was organized by the Association des Professionnels des Arts de la Scène du Québec
(APASQ) and was curated by Jasmine
Catudal with her team: Viviane Morin,
Patrice Charbonneau-Brunelle, Robin
Brazill, Samuel Thériault, and Jérémie
McEwen. It featured the work of Richard
Lacroix, Genevieve Lizotte, Marie-Renée
Bourget Harvey, Élene Pearson, Ivanie
Aubin-Malo, Cadie Desbiens-Desmeules,
Jérémie Battaglia, Cédric DelormeBouchard, Philippe Lessard Drolet, Alexandre Pilon-Guay, Odile Gamache,
Romain Fabre, Antonin Sorel, Max-Otto

The Canadian Exhibition explored the
relationship between a designer's individuality and the collaborative nature of
working in theatre. It asked the viewer to
consider the designer's work as it relates
to their identity within a broader social,
political, and cultural context.
The Exhibition was organized as
a meditation on the theme of transformation. This was the component of the
Golden Triga, which the Exhibition of
Counties and Regions was meant to encompass. This included looking at the
transformation of an artist within a collective, within society, and within their
country or state in these times of global
migration, and how this shaped their
work.
The Canadian exhibition was presented by the Associated Designers of
Canada, and curated by Serbian-Canadian scenographer Snezana Pesic. It
featured the work of Michael Levine, Jay
Gower Taylor, Nancy Bryant, Tom Visser,
Owen Belton, Alessandro Juliani, Meg

16 |

THEATRE DESIGN & TECHNOLOGY

|

FALL 2019

Québec: Après / After

Mexico's exhibition was based on a
laboratory showing the process of the
exhibiting designers. It encourages
consideration of the memory of the
creator juxtaposed with the ephemeral
nature of the work. The work gathered
in this pavilion represented a type of
"autopsy on the biographical body of
our work." Designers dissected the
work that supported their processes,
inspected what remained from the
design, and reinterpreted the archive
they created to construct a visual essay
about the transformation of the scenic
universe.
The Mexican exhibition was presented by the Organization Secretaria
de Cultura, Secretaria de Relaciones
Exteriores, Instituto Nacional de Bellas Artes y Literatura INBAL, Coordinación Nacional de Teatro, Embajada
de México en la República Checa. It
was curated by Auda Caraza, Associate Curator Angel Hernández, and Producer Carolina Jiménez. It featured the
work of Jorge Ballina, Jerildy Bosch,
Eloise Kazan, La LIga-Teatro Elástico,
Lagartijas Tiradas Al Sol, and Teatro
Ojo.
Ian Garrett is a designer,
producer, educator, and
researcher in the field of
sustainability in arts and
culture. He is the director of
the Centre for Sustainable Practice in the
Arts, associate professor of ecological design
for Performance at York University
(Toronto), and producer for Toasterlab. He
maintains a design practice focused on
ecology, technology, and scenography. His
writing includes Arts, the Environment,
and Sustainability for Americans for the
Arts; "The Carbon Footprint of Theatrical
Production" in Readings in Performance
and Ecology, and "Theatre is No Place for a
Plant" in Landing Stages from the Ashden
Directory. He serves on the board of directors
for Associated Designers of Canada, was the
curator for the U.S. for the 2019 Prague
Quadrennial, and is co-chair for World Stage
Design 2021 in Calgary.



Theatre Design & Technology - Fall 2019

Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 2019

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