Theatre Design & Technology - Fall 2019 - 63

Among the many useful areas that
Color and Light explains clearly is the
concept of color space. Like many terms
associated with color, this term has a variety of different interpretations. Taylor provides a clear definition of what this means
to the designer, and how it is useful in understanding and applying color to design
choices. Simultaneously, his definitions
provide insight on how to successfully use
the new technology available to designers
in both fixtures and consoles. He carefully
instructs us on the future of vocabulary
and color concepts as we develop a new
color language. Noting that our former
touchstone of color filter numbers is becoming obsolete, he writes: "The lighting
industry... shares a precise understanding
of color because of the worldwide ubiquity of these numbering systems." He also
rightfully calls our attention to the unique
language that is needed when discussing
color with our collaborative designers. By
highlighting the difference between "lighting color" and "local color," Taylor underscores the importance of this new way
of conversing about color and how it impacts sets and costumes, as well as light.
Probably the most important contribution of the book is its look to the future-its cautions and advice as we move
into the brave new world of LEDs and
redefined color spaces. Chapter 17 introduces us to Metamers and the important
concepts that revolve around how LEDs
mix colors to attain similar colors in light
but that have a dramatically different impact on surface color. As console manufacturers provide more complex methods
of color space management, understanding what a Metamer is and how to manipulate it has become essential for lighting
designers to understand.
As a fellow designer of dance performances, it's heartening to read how Taylor highlights the upcoming challenges
of working with LEDs, such as faithfully
recreating designs over time in multiple
venues and with a variety of equipment
and manufacturers. His cautionary advice
applies to not only the repertory dance
world, but to opera, theatrical touring, and
even live performance transferred to digi-

tal media. How we navigate this process
is still evolving, but Color and Light provides multiple examples of what we need
to know and how to apply that knowledge
in the future.
The book contains two valuable appendices: a glossary of color terms and
a suggested design for a basic light lab.
Given that color words are easily misused, this glossary provides the basis for
a common vocabulary that is essential
for any conversation about color. To truly
explore and experiment with color as the
book encourages, the diagrams for a light
lab and the ideal inventory will give any
lighting design program a valuable learning workspace to discover more about
color and its interaction with other design
disciplines.
Color and Light: Navigating Color
Mixing in the midst of an LED Revolution
is more than a "Handbook for Lighting

▾ Experience
▾ Ideas
▾ Solutions

OVER

Designers;" it is the first color book that
puts the vocabulary of color directly in
line with the needs and goals of a lighting
designer. The book bridges the science
and art of lighting design in a unique and
much-needed way and should become an
essential component in the library of both
beginning designers and seasoned professionals.
Mark Stanley is resident lighting designer
for the New York City Ballet and head of
the lighting design program at Boston
University, School of Theatre, and serves
on the board of The Hemsley Lighting
Programs. His design work is in the repertory of most major ballet companies
across the U.S. and Europe. He is also
the author of  The Color of Light Workbook.  Reach him at mwstanley.design@
gmail.com.

▾ Products
▾ Resources
▾ Possibilities

YEARS

Whether it's a sheet of gel or a building-wide lighting network. One thing remains constant:
Barbizon Lighting's dedication to understanding our customer's needs.

more@barbizon.com

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FALL 2019

|

THEATRE DESIGN & TECHNOLOGY

| 63



Theatre Design & Technology - Fall 2019

Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 2019

Contents
Theatre Design & Technology - Fall 2019 - Cover1
Theatre Design & Technology - Fall 2019 - Cover2
Theatre Design & Technology - Fall 2019 - 1
Theatre Design & Technology - Fall 2019 - Contents
Theatre Design & Technology - Fall 2019 - 3
Theatre Design & Technology - Fall 2019 - 4
Theatre Design & Technology - Fall 2019 - 5
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Theatre Design & Technology - Fall 2019 - Cover3
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