Theatre Design & Technology - Spring 2019 - Public - 15

cal to the London production.
Similar to Parker's experience
with costumes in Japan, Allen learned
that different regions had different approaches to creating the scenery and
these different approaches would have
to be accommodated. The fullness of
the many drapes in the production is
one example. "Fullness" refers to the
extra cloth folded across the width of
the drape to give it shape and dimension. For the original production of
The Phantom of the Opera, Björnson
designed drapes that had to be custom
printed for the show. Under strict supervision, the New York production created
its own drapes based on Björnson's design. "In Britain, we use what we call
continuous fullness, so it's continuously
gathered. In America, the standard
fullness is box pleating, which means
it looks different," says Allen. "It's still
full; it's still just the same shape, but it
doesn't quite have the same feel. But
Hudson [Scenic Studio] did a fabulous
job on the scenic clothes; they're great."
It's a subtle regional difference, but one
the creative team behind The Phantom

It was her constant
appreciation of the little
details and their part in
the bigger picture that
made Björnson such an
accomplished designer.
of the Opera had to consider.
When faced with a challenging
space, Allen is not averse to using new
or unconventional methods. The Phantom of the Opera came to Vienna in
1988, and the team knew that the famous elliptical chandelier had to hang
from the Theatre an der Wien's round
dome. In an amusing turn of events,
Allen admitted that he did not do the
drawing for this unique chandelier,
but asked his father, an architect, if he

FABRICS

would. "Would you just take this oval
one and just redraw it round for me?" he
recalled asking his father with a chuckle. To date, this is the only time the
show's chandelier has been anything
other than Bjornson's original ellipse. "I
can't recall if I told her about my father
or not," Allen explains. "I probably did
as it was unusual. If I did, I am sure she
would have been delighted."
Another interesting consideration
is what Allen calls "variations on a

PROJECTION
SUPPORTING THE

ENTERTAINMENT

I N D U S T RY
FOR OVER 70 YEARS

FLOORING

(800) 369-3695
www.gerriets.us
info@gerriets.us

EQUIPMENT
SPRING 2019

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THEATRE DESIGN & TECHNOLOGY

| 15



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Theatre Design & Technology - Spring 2019 - Public

Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 2019 - Public

Contents
Theatre Design & Technology - Spring 2019 - Public - Cover1
Theatre Design & Technology - Spring 2019 - Public - Cover2
Theatre Design & Technology - Spring 2019 - Public - 1
Theatre Design & Technology - Spring 2019 - Public - Contents
Theatre Design & Technology - Spring 2019 - Public - 3
Theatre Design & Technology - Spring 2019 - Public - 4
Theatre Design & Technology - Spring 2019 - Public - 5
Theatre Design & Technology - Spring 2019 - Public - 6
Theatre Design & Technology - Spring 2019 - Public - 7
Theatre Design & Technology - Spring 2019 - Public - 8
Theatre Design & Technology - Spring 2019 - Public - 9
Theatre Design & Technology - Spring 2019 - Public - 10
Theatre Design & Technology - Spring 2019 - Public - 11
Theatre Design & Technology - Spring 2019 - Public - 12
Theatre Design & Technology - Spring 2019 - Public - 13
Theatre Design & Technology - Spring 2019 - Public - 14
Theatre Design & Technology - Spring 2019 - Public - 15
Theatre Design & Technology - Spring 2019 - Public - 16
Theatre Design & Technology - Spring 2019 - Public - 17
Theatre Design & Technology - Spring 2019 - Public - 18
Theatre Design & Technology - Spring 2019 - Public - 19
Theatre Design & Technology - Spring 2019 - Public - 20
Theatre Design & Technology - Spring 2019 - Public - 21
Theatre Design & Technology - Spring 2019 - Public - 22
Theatre Design & Technology - Spring 2019 - Public - 23
Theatre Design & Technology - Spring 2019 - Public - 24
Theatre Design & Technology - Spring 2019 - Public - 25
Theatre Design & Technology - Spring 2019 - Public - 26
Theatre Design & Technology - Spring 2019 - Public - 27
Theatre Design & Technology - Spring 2019 - Public - 28
Theatre Design & Technology - Spring 2019 - Public - 29
Theatre Design & Technology - Spring 2019 - Public - 30
Theatre Design & Technology - Spring 2019 - Public - 31
Theatre Design & Technology - Spring 2019 - Public - 32
Theatre Design & Technology - Spring 2019 - Public - 33
Theatre Design & Technology - Spring 2019 - Public - 34
Theatre Design & Technology - Spring 2019 - Public - 35
Theatre Design & Technology - Spring 2019 - Public - 36
Theatre Design & Technology - Spring 2019 - Public - 37
Theatre Design & Technology - Spring 2019 - Public - 38
Theatre Design & Technology - Spring 2019 - Public - 39
Theatre Design & Technology - Spring 2019 - Public - 40
Theatre Design & Technology - Spring 2019 - Public - 41
Theatre Design & Technology - Spring 2019 - Public - 42
Theatre Design & Technology - Spring 2019 - Public - 43
Theatre Design & Technology - Spring 2019 - Public - 44
Theatre Design & Technology - Spring 2019 - Public - 45
Theatre Design & Technology - Spring 2019 - Public - 46
Theatre Design & Technology - Spring 2019 - Public - 47
Theatre Design & Technology - Spring 2019 - Public - 48
Theatre Design & Technology - Spring 2019 - Public - 49
Theatre Design & Technology - Spring 2019 - Public - 50
Theatre Design & Technology - Spring 2019 - Public - 51
Theatre Design & Technology - Spring 2019 - Public - 52
Theatre Design & Technology - Spring 2019 - Public - 53
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Theatre Design & Technology - Spring 2019 - Public - 55
Theatre Design & Technology - Spring 2019 - Public - 56
Theatre Design & Technology - Spring 2019 - Public - 57
Theatre Design & Technology - Spring 2019 - Public - 58
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Theatre Design & Technology - Spring 2019 - Public - 60
Theatre Design & Technology - Spring 2019 - Public - 61
Theatre Design & Technology - Spring 2019 - Public - 62
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Theatre Design & Technology - Spring 2019 - Public - 64
Theatre Design & Technology - Spring 2019 - Public - Cover3
Theatre Design & Technology - Spring 2019 - Public - Cover4
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
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