Theatre Design & Technology - Fall 2020 - 13

two arts disciplines such as theatre and
dance, then we are responsible for understanding the demand within the job market for that profession.
How can we reduce this problem of
supply and demand? If colleges cannot
function without large class sizes, then
a radical solution would be to reduce the
number of college stage management
programs. Some fields have sought this
solution by accreditation-only highquality, fully equipped programs can
produce students certified to work in the
field. This accreditation solution works
for some health professions, such as
nursing, to ensure a baseline of quality
among practitioners. Could it work for
stage management? Such an approach
would eliminate the weak departments
that only teach stage management as
a means of creating free labor for their
more valued programs. Not only would
there be fewer newly minted stage managers, but they would also be better
prepared. Implementing such a radical
solution would require the professional
field develop a certification process. The
lack of a governing body within the professional stage management community, as well as a lack of prerequisites for
membership applications to unions such
as Actors' Equity Association, makes this
process nearly impossible.

model, which historically has resulted
in mentors selecting only a couple of
apprentices each year and often with
similar backgrounds as themselves. It
should be noted that higher education
as a field has a history of failing to recruit and create equitable environments
for students of color, but some college
programs-often pressured by their own
students-have begun to remove barriers
and address inequality. Colleges and universities, as they attempt to recover from
pandemic enrollment declines as well
the anticipated drop in applications due
to low birthrates during the Recession
(Barshay 2018), can devote resources to
connect with a broader range of students
and schools. This effort will require work
from the entire American education system, as young students will need access
to high-quality art in grades K-12 grades
if they are to explore the performing arts
in college.
Diversity in stage management goes
beyond race and ethnicity. As much as
the STEM fields struggle to attract more
female-identifying candidates, stage
management has steadily seen a drop
in male-identifying professionals. In the

2019 survey, 23 percent of stage managers identified as male, a number that
has been steadily declining since the
2006 edition of the survey in which 34
percent identified as male (the survey
did not include non-binary gender classifications until 2013). Anecdotally, there
is an even greater gender divide among
college students studying stage management than professionals in the field;
faculty in an online discussion reported
more than 80 percent of their stage management students identifying as female.
Are there gender barriers or expectations that only certain gender identities
should work in stage management? In
the 2019 survey, 44 percent reported
identity discrimination impacted their
ability to get work (n=1,376). Within the
group of 600 participants who reported
hiring discrimination, 53 percent cited
gender discrimination. Cross-referencing
these reports of discrimination with
the gender identities of survey participants, two-thirds of non-binary/third
gender -identifying stage managers cited gender-based hiring discrimination
compared to 25 percent of female-identifying state managers and 13 percent

Wireless Systems

Challenge #4: Increase Diversity
in the Field Through Education

Despite some recent gains, stage management as a field still lags behind national workplace statistics for diversity
in race and ethnicity. In the 2017 survey,
91 percent of participants identified as
white. In 2019, 86 percent identified as
white (n=1,511). The SM2030 Project,
which has a lower number of participants
but also a higher percentage of participants from its representation of 2020 college graduates, reported 81 percent of its
sample pool identified as white (n=95).
While these three statistics are consistent with other industry studies (Cuyler
2015) and may indicate recent progress,
the 2018 American Community Survey
conducted by the U.S. Census Bureau
reported that 72 percent of the U.S
population identified as white. This underrepresentation, which contributes to
discrimination and workplace inequalities, can be better addressed by the educational systems than the apprenticeship

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FALL 2020 | THEATRE DESIGN & TECHNOLOGY

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Theatre Design & Technology - Fall 2020

Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 2020

Contents
Theatre Design & Technology - Fall 2020 - Cover1
Theatre Design & Technology - Fall 2020 - Cover2
Theatre Design & Technology - Fall 2020 - 1
Theatre Design & Technology - Fall 2020 - Contents
Theatre Design & Technology - Fall 2020 - 3
Theatre Design & Technology - Fall 2020 - 4
Theatre Design & Technology - Fall 2020 - 5
Theatre Design & Technology - Fall 2020 - 6
Theatre Design & Technology - Fall 2020 - 7
Theatre Design & Technology - Fall 2020 - 8
Theatre Design & Technology - Fall 2020 - 9
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