Theatre Design & Technology - Fall 2020 - 38

View from north, 1961. | Photo
© Yoshio Watanabe; courtesy
Shozo Motosugi.

View from east, 2018. | Photo by Shozo Motosugi.

similar large glass surface and doorway,
respectively, so people can pass through
the building. To access the small hall, on
the other hand, people walk up a gentle
slope from the entrance hall to the foyer
on the second floor. There, visitors find
the outside garden linking to Ueno Park.
The auditorium wall facing the largehall foyer is formed with pre-cast slabs inlaid with crushed marble, which continue

38 | THEATRE DESIGN & TECHNOLOGY | FALL 2020

to the exterior walls that are finished in
the same manner. The spectators enter
through a passageway created between
this wall and a second inner wall to reach
their seats. Along the passageway, windows are set here and there. The visitors
can look out of the window into the foyer
of the large hall, the slope to the small
hall, etc. Audience members seated on
the upper levels in the large hall can exit

to a roof garden during an interval. The
auditorium is characterized by its hexagonal form, the shallow stacked balconies, the side walls that slope inwards,
the convex curve of the ceiling shaped to
improve the acoustics, and the wooden
diffusing panels on the side walls.
Maekawa loved music and often
went to the opera and concerts during his time in Paris while working at
Corbusier's office. Before designing the
Kanagawa Prefectural Concert Hall, he
visited and investigated the Royal Festival
Hall (1951, London), which had the latest design at that time. As an architect
who promoted the modern architecture
of humanism, he had to infuse the principle of a modern theatre in which everyone can enjoy music and drama equally
with fine sight-lines from any seat by also
removing the decorations and box seats
from the horseshoe-shaped opera houses
typical of the 19th century.
At the time TBK was designed, auditorium layouts worldwide were moving
away from the historic galleried, mulilevel rooms. This was partly influenced
by Wagner's Bayreuther Festspielhaus,
which accommodates the entire audience on one very large main floor. In
many countries, too, these designs were
inspired by a move away from the apparent elitism of multi-level galleried
theatres to seemingly more democratic



Theatre Design & Technology - Fall 2020

Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 2020

Contents
Theatre Design & Technology - Fall 2020 - Cover1
Theatre Design & Technology - Fall 2020 - Cover2
Theatre Design & Technology - Fall 2020 - 1
Theatre Design & Technology - Fall 2020 - Contents
Theatre Design & Technology - Fall 2020 - 3
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