Theatre Design & Technology - Fall 2020 - 50

customizing a beard block. The wig
chapter also now covers creating and
using hairpieces, covering a canvas
block, making a pattern for a natural
hairline, and fronting a wig. The section
on HD technology includes revisions on
how to approach makeup, information
about products designed for film and
television, as well as industry standard
procedures for working with a makeup
department and working on set.
As our art form and industry evolve,
a movement toward inclusion is also
evident in this latest edition. Makeup
is about the depiction of identity, and
our awareness has hopefully increased
about what it means to appropriate an
ethnicity in a performance. In the earlier 20th century versions of this text,
most protocols were demonstrated
on light-skinned models. Glavan and
Norcross have moved toward more equitable representation in their model
selections. Protocols for medium and
darker- skinned performers are no longer treated within a single chapter. Di-

verse examples of skin tone protocols
and techniques are present throughout
the book; 10 out of 22 new demonstrations relating to skin color are created
on models who are people of color. The
authors discuss diverse issues related
to various skin tones without the language of ethnic labels.
The only concern that might be
raised in the mind of the reader, performer, or makeup student is the inclusion of so many specific products. The
Sources of Makeup Materials appendix
is a useful and necessary guide. Specific brands are shown in demo pictures
and are discussed in the text. Currently,
this product information is incredibly
helpful. However, some students or theatre schools may not have the budget to
purchase all or many of the suggested
products. As time moves forward and
some brands become unavailable, the
authors will be faced with tedious revisions of substitutions, and indeed some
students and performers may need
alternative suggestions sooner rather
than later.

Wherever you find yourself...

50 | THEATRE DESIGN & TECHNOLOGY | FALL 2020

Creating a book that is a highly
detailed nuts and bolts manual and
an inspirational guide is a true balancing act. The monumental logistics of
working with collaborator experts and
multiple models, of documenting complicated processes, while honoring
the work of the original author are to
be commended. This edition includes
Richard Corson's preface; new readers
can hear in his own words how he wanted performers, designers, and directors
and makeup artists to use his book. The
contemporary practice of makeup design and application has been left in capable hands, ensuring that the legacy of
Corson's classic work reaches forward
to future generations through James
Glavan and Beverly Gore Norcross.
Margaret Mitchell is a professor of theatre
at the University of the Incarnate Word and
a freelance costume designer. She is the coauthor of Making the Scene, which received
the Golden Pen Award in 2011 and she has
been the recipient of two Herbert Greggs
Awards.


http://usitt.org

Theatre Design & Technology - Fall 2020

Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 2020

Contents
Theatre Design & Technology - Fall 2020 - Cover1
Theatre Design & Technology - Fall 2020 - Cover2
Theatre Design & Technology - Fall 2020 - 1
Theatre Design & Technology - Fall 2020 - Contents
Theatre Design & Technology - Fall 2020 - 3
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