Imagine Magazine - Johns Hopkins - November/December 2012 - (Page 6)

in my own words drawn to story Catherine Burns artistic Director, the Moth On hot summer nights on a screened porch in Georgia, a group of friends passed the time telling stories. They dubbed themselves “The Moths” after the insects that were drawn to the porch light. Today, some 15 years later, the New York-based Moth storytelling series has featured storytelling greats Malcolm Gladwell and Annie Proulx, as well as a hot dog eating champion and a pickpocket. In 30 sold-out shows each year, storytellers have 10 minutes each to tell their story on a theme—onstage, without notes, to a live audience. The Moth has spawned an open mic storytelling competition, a Peabody Award-winning radio show, and a community education program that teaches storytelling as a means of providing a voice to the disenfranchised. After attending her first Moth show 12 years ago, Catherine Burns signed on as a volunteer, and hasn’t looked back. smitten with story after getting my bachelor’s degree in broadcasting and film from Boston University, i directed and produced a number of independent feature films before moving to new York, where a friend took me to the moth. i was smitten. i loved that the stories were so complex even though each storyteller only had 10 minutes to speak. they were sometimes hilarious and other times heartbreaking. i also loved the variety of storytellers. that first show featured a prison guard from sing sing. Where else could you hear that perspective? i volunteered to help teach their mothshoP Community education Program and ended up joining the staff—which at the time consisted of only one other person—to help them out for a few months. now, as artistic director, i weigh in on the creative aspects of the moth programs. one of my primary roles is to help produce our public radio show, which features some of our favorite stories and is carried by over 250 stations nationwide. i put together the lineup, approve the scripts, and host some of the shows. i also help program our podcasts. each other and to hear what has happened in another person’s life from their point of view. storytelling gives you that. it provides a very basic human connection. good storytellers have to be vulnerable, to be willing to share with an audience something that matters deeply to them. the listener is much more likely to care if the storyteller cares. the best storytellers— even if they’re just telling you about some crazy thing that happened—are able to convey what the meaning of an event was for them. success story almost all great stories involve some big change in the storyteller. one of my favorite storytellers, alan rabinowitz, is a big cat expert who negotiates with developing countries to protect big cats from extinction. alan told a story about establishing the first jaguar preserve in Belize. he had to go before parliament to convince them—and this was long before ecotourism—to preserve the cats’ habitat and to bring tourists in. that’s a pretty compelling story, but it’s much more compelling if you know that alan had a stutter so debilitating that he didn’t speak a full sentence until he was 22 years old. alan related to animals because he saw that, like him, they had no voice. he promised his pets that if he ever found his voice, he would speak for them. so there’s alan, in front of the government of Belize, and the stakes go through the roof: if he stutters, they’re probably not going to take him seriously. Can he do it? he does, and the triumph is so much bigger when you know his personal story. stories can connect us to important issues and help us begin to have conversations about things that otherwise seem overwhelming. that tigers could go extinct in my lifetime or my son’s lifetime feels overwhelming to me, but listening to alan’s very personal story gives me a way in to think about the problem. on finding the story People call us with story ideas, and we also seek out storytellers. We have a team of talented and compassionate directors who interview potential storytellers. recently, we worked with damien echols, one of the “West memphis three,” the teens who were wrongly accused of a triple murder in 1993. he had just been the value of storytelling We live in a world where people interact in person less and less. Communication takes place through the computer and over cell phones. as human beings, we have a fundamental need to connect, to listen to 6 imagine nov/dec 2012

Table of Contents for the Digital Edition of Imagine Magazine - Johns Hopkins - November/December 2012

Imagine Magazine - Johns Hopkins - November/december 2012
Contents
Big Picture
In My Own Words
Well of Dreams
Making History Personal
A World Full of Stories
The Month of Writing Dangerously
Japan Adventures
Storytelling 2.0
On the Frontline of Digital Journalism
Once Upon a Summer
Awakening the Storyteller
Selected Opportunities & Resources
On the Doorstep of Discovery
When You’re Ready to Do Research
Off the Shelf
Word Wise
Exploring Career Options
One Step Ahead
Planning Ahead for College
Students Review
Mark Your Calendar
Knossos Games

Imagine Magazine - Johns Hopkins - November/December 2012

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