Recording - December 2009 - 62

Recording’s Drum Column Mar Is Less the new More? Jun The decision to simplify—or not Sep Editing Drums in Pro Tools, Part 1 Oct Editing Drums in Pro Tools, Part 2 INTERVIEWS Feb East Indian producer Ragani records world music at home Mar Jeffrey Wood (Fantasy Studios) on the production process Apr Chris Cox remixes Christina Aguilera May Rob Chiarelli on capturing top performances Sebastian Arocha Morton, Grammynominated songwriter/producer Jun Dan Vickrey of Counting Crows on great guitar tones and more Jul Kendra Shank: a vocalist on vocal recording Aug DJ Lynnwood on beats and remixes Sep Jan Stevens composes for TV from a home studio Oct Joe Chiccarelli on the Perfect Mix Bob Katz on the dos and don’ts of mastering Nov Les Paul on his beginnings and great discoveries FEATURES Jan 2008 AES Convention Report Sonic Reality Drum Sampling Sessions Getting Ready to PLAY The Death of Giga Feb Getting Live Sound In Your Studio (And Vice Versa) Re-Amplifying The Piano The Kontakt 2 Player: Origins and Advantages Keeping Your Hand In, Part 2 (hand injuries) DIY: Build Your Own Miniature Omni Mic Mar 2009 Winter NAMM Report, Part 1 New Uses For Old Gear Upgrading Your Gear Apr 2009 Winter NAMM Report, Part 2 Beyond the CD—music distribution without CDs Music Libraries—an introduction May South By SouthWest 2009 Report Live Recording for the Working Musician Jun In The Studio: Recreating a Prog Rock Classic Jul Vocal Recording—Notes From The Studio Aug Catch A Groove—working with loop libraries Long-Distance Drumming and Music Production Sep The DAWs of 2009: software and OS overview Oct What the Heck IS Mastering? Nov The Hybrid Guitar Recording Method, Part 1 Dec Recording Keyboards in a DAW Age, Part 1 (new Keyboard column) Good as New (or maybe better)— gear repair and refurbishing More Boom, Less Muck The Colton7 Vocal BoothRECORDING DECEMBER 2009 Recording’s Vocal Column Jan Recording children’s vocals Feb Big and little contributors to great vocals Jul Recording vocals in an Internet world Dec The Engineer/Producer’s Guide to Working With Vocalists DAW Details Feb USB microphones explained Apr Spectral editing in Adobe Audition 3 Sep Using OMF to migrate projects from Cubase to Pro Tools The Mixing Workshop Feb Part 2: Rock Guitars Rule Jul Part 3: Guitar Effects—Reverb, Delay, Compression Oct Part 4: Mixing Bass Guitar 1 COLUMNS Recording’s Guitar and Bass Columns Jan Famous Bass Tracks 4: “I’ll Take You There” Feb Multiband dynamics Part 1 Famous Bass Tracks 5: “Crazy” Mar Multiband dynamics Part 2 Apr Wireless guitar in the studio Famous Bass Tracks 6: “The Lamb Lies Down On Broadway” May Layered guitars in pop recordings— getting that sound Jun Famous Guitar Tones 1: Eric Clapton Famous Bass Tracks 7: “Feelin’ Alright” Jul Famous Guitar Tones 2: Stevie Ray Vaughan Famous Bass Tracks 8: “The Way We Were” Aug Famous Guitar Tones 3: the Beatles/Byrds “jangle” Sep Famous Guitar Tones 4: Mark Knopfler/Robert Cray Strat Nov Eric Johnson, Joe Satriani, and Ted Nugent on great tone The Wisdom of Scott Dorsey (and other Fade Outs, too) Jan The TAXI Road Rally: A Young Songwriter’s-Eye View, by Alex Hawley Feb Why Is Phantom Power Called That?, by Scott Dorsey Mar The China Syndrome, by Scott Dorsey Apr Life After Death, by Scott Dorsey May Ground Loops De-Mystified, by Scott Dorsey Jun The Future of Bass Control?, by Scott Dorsey Jul The Wireless World is Changing, by Scott Dorsey Aug Musings on the Future of Music, by Lorenz Rychner Sep Tears of Blood and Rage, by Mike Metlay Oct Dereverberation, by Scott Dorsey Nov The New Now of Music, by Marc Urselli Dec Creating a Holiday CD, by David Summer
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Recording - December 2009

Table of Contents for the Digital Edition of Recording - December 2009
