Recording - May 2010 - 39

of the hardware that are ‘problematic’, etc. Again, do your homework. Read lots of auction listings, read fan pages, do a lot of digging. Some synths have versions that are more desirable than others, and only a lot of reading starts to unearth those issues. Make sure to find out the return policy on gear when you buy it. Buying from reputable used-gear places who’ve been around for decades can bring peace of mind if you’re worried about buying from a possibly dishonest person you spotted on Ebay. When you get it home Old gear is just that—old. Consider this checklist: • There may be no preset memory; • There may be preset memory, but only loadable off of data cassettes (which was iffy even in the days when it was considered state-of-the-art!); • Dead or leaky batteries will need to be replaced, and on some synths they are only replaceable by desoldering/soldering them in place, which can make them explode if you don’t know what you’re doing; • Accessories are long gone or hard to come by—not a problem for decades-old standards like sustain pedals, possibly a huge problem for things like proprietary memory cartridges; • Backlights on screens, or the screens themselves, might be dead or have problems; • Inputs and outputs might be flaky or dead—listen for crackles or dead channels; • Knobs/faders are no longer smooth or add crackles to the sound; • Floppy drives can be dirty, flaky, or just dead, and for old samplers that’s a big deal... Some of these things may be fixable— are you willing and able to do that? Paying someone else might defeat the whole notion of “cheap”. (The right can of DeoxIT can be your friend, but get the right type for the job.) The more you know up front, the more you might be able to catch an auction and ask the right questions to avoid getting burned. In that regard, synths are no different than any other used audio gear you’re looking into buying. Conclusion There’s a lot of great old gear out there that’s just begging to be used. Pretty much the vast majority of it is very affordable because it’s not the “Synth Of The Moment”. Regardless, with a little work (and sometimes with a lot of work) you’ll have a plethora of sounds at your fingertips that you won’t be able to get anywhere else. As they say, one man’s trash is another man’s treasure. Now get treasure hunting, matey! Arrrgh! Devon Brent (devon@recordingmag.com) promises no more pirate references if he can help it.
RECORDING MAY 2010

39


http://extremeheadphones.com http://www.superscopetechnologies.com http://www.superscopetechnologies.com

Recording - May 2010

Table of Contents for the Digital Edition of Recording - May 2010

Recording - May 2010
Fade In.
Contents
Talkback.
Fast Forward.
Keb’Mo’ And His Home Studio.
When Your Studio Meets Your Wallet.
Pragmatic Design For Project Studios.
CAD Audio E100S.
Universal Audio UAD-2 SOLO/Laptop.
Recording’s Guitar Column.
Square State Solid State EQUALIZER model one b.
Akai LPK25 and LPD8.
Recording’s Keyboard Column.
Know Your Audio Interface.
SXSW 2010 Report.
Readers’ Tapes.
Advertiser Index.
Classified Ads
Fade Out.
Recording - May 2010 - Recording - May 2010
Recording - May 2010 - Cover2
Recording - May 2010 - 1
Recording - May 2010 - Fade In.
Recording - May 2010 - 3
Recording - May 2010 - Contents
Recording - May 2010 - 5
Recording - May 2010 - Talkback.
Recording - May 2010 - 7
Recording - May 2010 - Fast Forward.
Recording - May 2010 - 9
Recording - May 2010 - 10
Recording - May 2010 - 11
Recording - May 2010 - Keb’Mo’ And His Home Studio.
Recording - May 2010 - 13
Recording - May 2010 - 14
Recording - May 2010 - 15
Recording - May 2010 - When Your Studio Meets Your Wallet.
Recording - May 2010 - 17
Recording - May 2010 - 18
Recording - May 2010 - 19
Recording - May 2010 - Pragmatic Design For Project Studios.
Recording - May 2010 - 21
Recording - May 2010 - 22
Recording - May 2010 - 23
Recording - May 2010 - 24
Recording - May 2010 - 25
Recording - May 2010 - CAD Audio E100S.
Recording - May 2010 - 27
Recording - May 2010 - Universal Audio UAD-2 SOLO/Laptop.
Recording - May 2010 - 29
Recording - May 2010 - 30
Recording - May 2010 - 31
Recording - May 2010 - Recording’s Guitar Column.
Recording - May 2010 - 33
Recording - May 2010 - Square State Solid State EQUALIZER model one b.
Recording - May 2010 - 35
Recording - May 2010 - Akai LPK25 and LPD8.
Recording - May 2010 - 37
Recording - May 2010 - Recording’s Keyboard Column.
Recording - May 2010 - 39
Recording - May 2010 - 40
Recording - May 2010 - 41
Recording - May 2010 - 42
Recording - May 2010 - 43
Recording - May 2010 - 44
Recording - May 2010 - 45
Recording - May 2010 - Know Your Audio Interface.
Recording - May 2010 - 47
Recording - May 2010 - 48
Recording - May 2010 - 49
Recording - May 2010 - 50
Recording - May 2010 - 51
Recording - May 2010 - 52
Recording - May 2010 - 53
Recording - May 2010 - SXSW 2010 Report.
Recording - May 2010 - 55
Recording - May 2010 - Readers’ Tapes.
Recording - May 2010 - Advertiser Index.
Recording - May 2010 - Classified Ads
Recording - May 2010 - 59
Recording - May 2010 - 60
Recording - May 2010 - 61
Recording - May 2010 - 62
Recording - May 2010 - 63
Recording - May 2010 - Fade Out.
Recording - May 2010 - Cover3
Recording - May 2010 - Cover4
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