Recording - May 2010 - 64

We enjoyed impeccable and thoughtfully arranged hospitality, with sightseeing in Hong Kong on arrival and again near Zhongshan after transferring there from Hong Kong, and with an unforgettable gala evening among a thousand or so workers. Most importantly, we spent a morning walking through the many halls on many floors of the many buildings housing the manufacturing and R&D facilities of Behringer City, a substantial complex near Zhongshan. On each floor we were welcomed by a section manager who explained what the workers in his section were doing, and we crisscrossed the halls, cameras in hand, watching the goings-on from up-close. The scale of the enterprise is impressive, with hundreds of uniformed worker bees in sight, performing their repetitive tasks under close supervision, as witnessed by the many productivity statistics and quality control

Editorial by Lorenz Rychner

My Behringer-in-China Trip
data posted on nearby walls of the bright and spotless walls. The average factory worker is young—as is the age of service workers elsewhere in the region, from hotels to shops to restaurants. I talked to Costa Lakoumentas, who recently came on board with Behringer to head up a big worldwide push in the Install market, and I asked him about the labor situation. He said that once the region had begun to develop, young people flocked there from near and far, as foreign investment kept flowing in. Of late, there had been a downturn in new jobs—Costa attributes that to the worldwide slowdown—and many young people went back to their homelands. It seems that once they’ve gone home, they’re not coming back. Costa can only speculate about the reasons why—whether the experiences gained make them eligible to go elsewhere, or go to school, or if another family member is designated to make the trip? He said that staff turnover can be rapid, a big problem for a company that insists on minute-by-minute quality checks. A young person who came here, not with a career in mind, just for the short-term wages that represent a big step up from back home where there may be no jobs, such a person may switch employers for just a tiny bit more cash. The only way to slow down such turnover, Costa said, is to offer more than just competitive wages: Dorms with free accommodation, free food, free recreation and sports, plus creating team-spirit and fostering personal pride in the work, with awards and recognition of good work and such. This entire area has undergone an enormous transformation. Being chauffeured around in our buses we could see highrise upon highrise, mostly looking very new, some downright ostentatious in their design, interspersed with what looked like middle-class (U.S.-style) residential developments. That is not to say that the average living standard approaches that of the U.S., of course—a working man’s taxi in Zhongshan is the backseat of a moped, and a rider plus two passengers on a tiny little bike is not an uncommon sight. Then again, young people with a bit of spending money are being wooed by huge posters advertising western goods like Coca Cola, Shaquille O’Neal-branded sporting clothes, fashion names, and—yes—the golden arches... It was with great interest that I saw the factories, met Uli Behringer and several of his top inner circle, and got to see the area where the company operates. An entirely new Behringer City is on the drawing board, and with big plans like the Install market expansion, with Midas Consoles having come into the Behringer fold, and with intensified distribution in many areas, Uli Behringer made it clear that the company is forging ahead. I invite you to read my extensive blog with dozens of pictures that—I hope—help in telling the story. The first of my six chapters starts at www.recordingmag.com/blogs/post/98.html. Lorenz Rychner is the Editor of Recording.

The Zhongshan Torch High-Tech Industrial Development Zone is situated in the Pearl River Delta in China’s Guangdong Province, to the west of and across open waters from Hong Kong, or directly north of Macau. The ferry from Hong Kong takes about 90 minutes. In 1991 the Chinese government decreed that the area would become a state-level development zone. Chinese industries were being developed and encouraged to follow western production methods, and foreign investment was sought and soon poured in. Not quite twenty years into this development, the area now boasts brand names like Canon, Sandoz (pharma), Thyssenkrupp (elevators), Sumitomo Electric, Minyang Group (electrical appliances), and—among many more—the company that was the reason for my recent quick trip to the region: Behringer Group. I joined a throng of about 105 visitors from the world over, with just a handful of press folk among them, the vast majority either employed by Behringer in various global locations or working for distributors of Behringer.
64
RECORDING MAY 2010


http://www.recordingmag.com/blogs/post/98.html

Recording - May 2010

Table of Contents for the Digital Edition of Recording - May 2010

Recording - May 2010
Fade In.
Contents
Talkback.
Fast Forward.
Keb’Mo’ And His Home Studio.
When Your Studio Meets Your Wallet.
Pragmatic Design For Project Studios.
CAD Audio E100S.
Universal Audio UAD-2 SOLO/Laptop.
Recording’s Guitar Column.
Square State Solid State EQUALIZER model one b.
Akai LPK25 and LPD8.
Recording’s Keyboard Column.
Know Your Audio Interface.
SXSW 2010 Report.
Readers’ Tapes.
Advertiser Index.
Classified Ads
Fade Out.
Recording - May 2010 - Recording - May 2010
Recording - May 2010 - Cover2
Recording - May 2010 - 1
Recording - May 2010 - Fade In.
Recording - May 2010 - 3
Recording - May 2010 - Contents
Recording - May 2010 - 5
Recording - May 2010 - Talkback.
Recording - May 2010 - 7
Recording - May 2010 - Fast Forward.
Recording - May 2010 - 9
Recording - May 2010 - 10
Recording - May 2010 - 11
Recording - May 2010 - Keb’Mo’ And His Home Studio.
Recording - May 2010 - 13
Recording - May 2010 - 14
Recording - May 2010 - 15
Recording - May 2010 - When Your Studio Meets Your Wallet.
Recording - May 2010 - 17
Recording - May 2010 - 18
Recording - May 2010 - 19
Recording - May 2010 - Pragmatic Design For Project Studios.
Recording - May 2010 - 21
Recording - May 2010 - 22
Recording - May 2010 - 23
Recording - May 2010 - 24
Recording - May 2010 - 25
Recording - May 2010 - CAD Audio E100S.
Recording - May 2010 - 27
Recording - May 2010 - Universal Audio UAD-2 SOLO/Laptop.
Recording - May 2010 - 29
Recording - May 2010 - 30
Recording - May 2010 - 31
Recording - May 2010 - Recording’s Guitar Column.
Recording - May 2010 - 33
Recording - May 2010 - Square State Solid State EQUALIZER model one b.
Recording - May 2010 - 35
Recording - May 2010 - Akai LPK25 and LPD8.
Recording - May 2010 - 37
Recording - May 2010 - Recording’s Keyboard Column.
Recording - May 2010 - 39
Recording - May 2010 - 40
Recording - May 2010 - 41
Recording - May 2010 - 42
Recording - May 2010 - 43
Recording - May 2010 - 44
Recording - May 2010 - 45
Recording - May 2010 - Know Your Audio Interface.
Recording - May 2010 - 47
Recording - May 2010 - 48
Recording - May 2010 - 49
Recording - May 2010 - 50
Recording - May 2010 - 51
Recording - May 2010 - 52
Recording - May 2010 - 53
Recording - May 2010 - SXSW 2010 Report.
Recording - May 2010 - 55
Recording - May 2010 - Readers’ Tapes.
Recording - May 2010 - Advertiser Index.
Recording - May 2010 - Classified Ads
Recording - May 2010 - 59
Recording - May 2010 - 60
Recording - May 2010 - 61
Recording - May 2010 - 62
Recording - May 2010 - 63
Recording - May 2010 - Fade Out.
Recording - May 2010 - Cover3
Recording - May 2010 - Cover4
https://www.nxtbook.com/musicmaker/musicmaker/recording_202405
https://www.nxtbook.com/musicmaker/musicmaker/recording_202404
https://www.nxtbook.com/musicmaker/musicmaker/recording_202403
https://www.nxtbook.com/musicmaker/musicmaker/recording_202402
https://www.nxtbook.com/musicmaker/musicmaker/recording_202401
https://www.nxtbook.com/musicmaker/musicmaker/recording_202312
https://www.nxtbook.com/musicmaker/musicmaker/recording-november-2023
https://www.nxtbook.com/musicmaker/musicmaker/recording_202310
https://www.nxtbook.com/musicmaker/musicmaker/recording_202309
https://www.nxtbook.com/musicmaker/musicmaker/recording_202308
https://www.nxtbook.com/musicmaker/musicmaker/recording_202307
https://www.nxtbook.com/musicmaker/musicmaker/recording_202306
https://www.nxtbook.com/musicmaker/musicmaker/recording_202305
https://www.nxtbook.com/musicmaker/musicmaker/recording_202304
https://www.nxtbook.com/musicmaker/musicmaker/recording_202303
https://www.nxtbook.com/musicmaker/musicmaker/recording_202302
https://www.nxtbook.com/musicmaker/musicmaker/recording_202301
https://www.nxtbook.com/musicmaker/musicmaker/recording_202212
https://www.nxtbook.com/musicmaker/musicmaker/recording_202211
https://www.nxtbook.com/musicmaker/musicmaker/recording_202210
https://www.nxtbook.com/musicmaker/musicmaker/recording_202209
https://www.nxtbook.com/musicmaker/musicmaker/recording_202208
https://www.nxtbook.com/musicmaker/musicmaker/recording_202207
https://www.nxtbook.com/musicmaker/musicmaker/recording_202206
https://www.nxtbook.com/musicmaker/musicmaker/recording_202205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202204
https://www.nxtbook.com/musicmaker/musicmaker/recording_202203
https://www.nxtbook.com/musicmaker/musicmaker/recording_202202
https://www.nxtbook.com/musicmaker/musicmaker/recording_202201
https://www.nxtbook.com/musicmaker/musicmaker/recording_202112
https://www.nxtbook.com/musicmaker/musicmaker/recording_202111
https://www.nxtbook.com/musicmaker/musicmaker/recording_202110
https://www.nxtbook.com/musicmaker/musicmaker/recording_202109
https://www.nxtbook.com/musicmaker/musicmaker/recording_202108
https://www.nxtbook.com/musicmaker/musicmaker/recording_202107
https://www.nxtbook.com/musicmaker/musicmaker/recording_202106
https://www.nxtbook.com/musicmaker/musicmaker/recording_202105
https://www.nxtbook.com/musicmaker/musicmaker/recording_202104
https://www.nxtbook.com/musicmaker/musicmaker/recording_202103
https://www.nxtbook.com/musicmaker/musicmaker/recording_202102
https://www.nxtbook.com/musicmaker/musicmaker/recording_202101
https://www.nxtbook.com/musicmaker/musicmaker/recording_202012
https://www.nxtbook.com/musicmaker/musicmaker/recording_202011
https://www.nxtbook.com/musicmaker/musicmaker/recording_202010
https://www.nxtbook.com/musicmaker/musicmaker/recording_202009
https://www.nxtbook.com/musicmaker/musicmaker/recording_202008
https://www.nxtbook.com/musicmaker/musicmaker/recording_202007
https://www.nxtbook.com/musicmaker/musicmaker/recording_202006
https://www.nxtbook.com/musicmaker/musicmaker/recording_20205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202004
https://www.nxtbook.com/musicmaker/musicmaker/recording_202003
https://www.nxtbook.com/musicmaker/musicmaker/recording_202002
https://www.nxtbook.com/musicmaker/musicmaker/recording_202001
https://www.nxtbook.com/musicmaker/musicmaker/recording_201912
https://www.nxtbook.com/musicmaker/musicmaker/recording_201911
https://www.nxtbook.com/musicmaker/musicmaker/recording_201910
https://www.nxtbook.com/musicmaker/musicmaker/recording_201909
https://www.nxtbook.com/musicmaker/musicmaker/recording_201908
https://www.nxtbook.com/musicmaker/musicmaker/recording_201907
https://www.nxtbook.com/musicmaker/musicmaker/recording_201906
https://www.nxtbook.com/musicmaker/musicmaker/recording_201905
https://www.nxtbook.com/musicmaker/musicmaker/recording_201904
https://www.nxtbook.com/musicmaker/musicmaker/recording_201903
https://www.nxtbook.com/musicmaker/musicmaker/recording_201902
https://www.nxtbook.com/musicmaker/musicmaker/recording_201901
https://www.nxtbook.com/musicmaker/musicmaker/recording_201812
https://www.nxtbook.com/musicmaker/musicmaker/recording_201811
https://www.nxtbook.com/musicmaker/musicmaker/recording_201810
https://www.nxtbook.com/musicmaker/musicmaker/recording_201809
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201808
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201807
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201806
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201805
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201804
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201803
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201802
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201801
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201712
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201711
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201710
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201709
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201708
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201707
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201706
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201705
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201704
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201703
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201702
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201701
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201612
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201611
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201610
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201609
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201608
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201607
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201606
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201605
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201604
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201603
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201602
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201601
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201512
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201511
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201510
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201509
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201508
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201507
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201506
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201505
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201504
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201503
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201502
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201501
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201412
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201411
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201410
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201409
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201408
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201407
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201406
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201405
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201404
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201403
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201402
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201401
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201312
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201311
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201310
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201309
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201308
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201307
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201306
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201305
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201304
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201303
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201302
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201301
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201212
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201211
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201210
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201209
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201208
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201207
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201206
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201205
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201204
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201203
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201202
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201201
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201112
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201111
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201110
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201109
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201108
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201107
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201106
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201105
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201104
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201103
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201102
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201101
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201012
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201011
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201010
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201009
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201008
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201007
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201006
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201005
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201004
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201003
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201002
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201001
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200912
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200911
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200910
https://www.nxtbook.com/nxtbooks/musicmaker/nxtd
https://www.nxtbookmedia.com