Recording - June 2010 - 38

BY LORENZ RYCHNER

Zoom

Q3 Video Recorder
Who says portable video has to have lousy sound?
Why does Recording write up a video recorder, you wonder? Because the Zoom Q3 is touted as doing a better job at audio recording than your average pocket-sized video recorder, that’s why. With video content becoming more of a focus for every music project thanks to sites like YouTube and Facebook, there’s a real need for a video recorder that delivers the goods on the audio side of things. What it is Look at your average pocket-sized video recorder and the last thing that stands out is the microphone. It’s usually hard to find, hidden behind tiny holes in the body, and produces horrible sound that’s prone to breakup, and worse, at sane levels—let alone at realistic band-performance levels. Enter the Zoom Q3. Take a look at the picture: The round grey mesh behind the protective blue slats covers a pair of stereo condenser mics, mounted in X/Y configuration. Turn the unit on and record something, play it back, and it becomes immediately obvious that this unit is designed to record audio. So much so that, to my way of thinking, the video takes the consolation prize—the unit can indeed be switched to record only audio! For a full guided tour, download the owners’ manual in PDF format, from www.samsontech.com/products/product page.cfm?prodID=2020. Outer practicalities Hold the Q3 upright, and face the generous screen. The controls couldn’t be simpler: A Play button, a MENU button, and a Trash button, in a row above the multi-function control with the big red RECORD button in the center. Turn the unit on (from the top button on the left side as you face the screen) and this bad boy is ready to record with a press of the red button—it is in “READY” mode as soon as you power it up, with the mic levels showing on the meters. Also on the left is a three-way selector for the record levels—high, low, or auto. You may miss an on-thefly record-level adjustment—it’s not there, not on the unit, nor is there a remote control. Next to that is the switch that selects audio-only or video (always with audio recording active), followed by the combined headphone-or-line mini output and a connector for the optional AC adapter. (There is no line input.) On the opposite narrow side is a TV (AV) output, and the slot for the SD card. On the underside (as the unit stands upright) is a tripod/mic-stand thread and a recess for a USB plug on a short flexible cable for easy computer connection,
38
RECORDING JUNE 2010

and on the side facing away from you is the camera and lid of the battery well (2 AA cells). That’s it! The Q3 comes with batteries, a 2 GB SD card, an AV connection cable, a windscreen, and a carrying pouch. It accepts up to 32 GB SDHC cards, using roughly 2 GB per hour of recording time. There’s also software included to help upload your videos easily to YouTube. Inner practicalities After you press the MENU button you get access to setup parameters like date and time, battery type, scene select (auto or concert lighting), lowcut filter on or off, TV out (PAL or NTSC). The unit records MPEG4 SP video at 640 x 480 resolution, 30 frames per second. It is here, too, that you select a Sound Quality setting: There are 12 MP3 settings (from 48 kbps to 320 kbps), PCM 44.1/16, 44.1/24, 48/16, 48/24, and—only available in audio-only mode—96/16 and 96/24. In use After using the Q3 casually in a variety of settings, from the supermarket to a car ride to a nature reserve (where it gave me great bird samples!), I grew to like this recorder in


http://www.samsontech.com/products/productpage.cfm?prodID=2020 http://www.samsontech.com/products/productpage.cfm?prodID=2020

Recording - June 2010

Table of Contents for the Digital Edition of Recording - June 2010

Recording - June 2010
Fade In
Contents
Talkback
Fast Forward
Cloud Microphones JRS-34-P, JRS-34, and Cloudlifter
Mics, Mechanisms, and Myths—A Meditation
DPA Microphones 4099 Series
Chandler Limited Little Devils
A Studio Miking Primer
Sontronics Orpheus and Sigma
Zoom Q3 Video Recorder
Superscope Elevation—A Walking Tour
Recording’s Guitar Column
Reviewed and Revisited: Ableton Live Intro
Recording’s Keyboard Column
Avid M-Audio Fast Track and Pro Tools M-Powered Essential
It’s Your Music—Know Your Rights. Chapter 3: Recording Issues
ART M-Three and M-Five Microphones
Shure SRH440 and SRH840 Headphones
Readers' Tapes
Advertiser Index
Fade Out
Recording - June 2010 - Recording - June 2010
Recording - June 2010 - Cover2
Recording - June 2010 - 1
Recording - June 2010 - Fade In
Recording - June 2010 - 3
Recording - June 2010 - Contents
Recording - June 2010 - 5
Recording - June 2010 - Talkback
Recording - June 2010 - 7
Recording - June 2010 - Fast Forward
Recording - June 2010 - 9
Recording - June 2010 - 10
Recording - June 2010 - 11
Recording - June 2010 - Cloud Microphones JRS-34-P, JRS-34, and Cloudlifter
Recording - June 2010 - 13
Recording - June 2010 - 14
Recording - June 2010 - 15
Recording - June 2010 - Mics, Mechanisms, and Myths—A Meditation
Recording - June 2010 - 17
Recording - June 2010 - 18
Recording - June 2010 - 19
Recording - June 2010 - 20
Recording - June 2010 - 21
Recording - June 2010 - 22
Recording - June 2010 - 23
Recording - June 2010 - DPA Microphones 4099 Series
Recording - June 2010 - 25
Recording - June 2010 - Chandler Limited Little Devils
Recording - June 2010 - 27
Recording - June 2010 - A Studio Miking Primer
Recording - June 2010 - 29
Recording - June 2010 - 30
Recording - June 2010 - 31
Recording - June 2010 - 32
Recording - June 2010 - 33
Recording - June 2010 - 34
Recording - June 2010 - 35
Recording - June 2010 - Sontronics Orpheus and Sigma
Recording - June 2010 - 37
Recording - June 2010 - Zoom Q3 Video Recorder
Recording - June 2010 - 39
Recording - June 2010 - Superscope Elevation—A Walking Tour
Recording - June 2010 - 41
Recording - June 2010 - Recording’s Guitar Column
Recording - June 2010 - 43
Recording - June 2010 - Reviewed and Revisited: Ableton Live Intro
Recording - June 2010 - 45
Recording - June 2010 - Recording’s Keyboard Column
Recording - June 2010 - 47
Recording - June 2010 - Avid M-Audio Fast Track and Pro Tools M-Powered Essential
Recording - June 2010 - 49
Recording - June 2010 - 50
Recording - June 2010 - 51
Recording - June 2010 - 52
Recording - June 2010 - 53
Recording - June 2010 - It’s Your Music—Know Your Rights. Chapter 3: Recording Issues
Recording - June 2010 - 55
Recording - June 2010 - 56
Recording - June 2010 - 57
Recording - June 2010 - 58
Recording - June 2010 - 59
Recording - June 2010 - ART M-Three and M-Five Microphones
Recording - June 2010 - 61
Recording - June 2010 - Shure SRH440 and SRH840 Headphones
Recording - June 2010 - 63
Recording - June 2010 - Readers' Tapes
Recording - June 2010 - Advertiser Index
Recording - June 2010 - 66
Recording - June 2010 - 67
Recording - June 2010 - 68
Recording - June 2010 - 69
Recording - June 2010 - 70
Recording - June 2010 - 71
Recording - June 2010 - Fade Out
Recording - June 2010 - Cover3
Recording - June 2010 - Cover4
https://www.nxtbook.com/musicmaker/musicmaker/recording_202405
https://www.nxtbook.com/musicmaker/musicmaker/recording_202404
https://www.nxtbook.com/musicmaker/musicmaker/recording_202403
https://www.nxtbook.com/musicmaker/musicmaker/recording_202402
https://www.nxtbook.com/musicmaker/musicmaker/recording_202401
https://www.nxtbook.com/musicmaker/musicmaker/recording_202312
https://www.nxtbook.com/musicmaker/musicmaker/recording-november-2023
https://www.nxtbook.com/musicmaker/musicmaker/recording_202310
https://www.nxtbook.com/musicmaker/musicmaker/recording_202309
https://www.nxtbook.com/musicmaker/musicmaker/recording_202308
https://www.nxtbook.com/musicmaker/musicmaker/recording_202307
https://www.nxtbook.com/musicmaker/musicmaker/recording_202306
https://www.nxtbook.com/musicmaker/musicmaker/recording_202305
https://www.nxtbook.com/musicmaker/musicmaker/recording_202304
https://www.nxtbook.com/musicmaker/musicmaker/recording_202303
https://www.nxtbook.com/musicmaker/musicmaker/recording_202302
https://www.nxtbook.com/musicmaker/musicmaker/recording_202301
https://www.nxtbook.com/musicmaker/musicmaker/recording_202212
https://www.nxtbook.com/musicmaker/musicmaker/recording_202211
https://www.nxtbook.com/musicmaker/musicmaker/recording_202210
https://www.nxtbook.com/musicmaker/musicmaker/recording_202209
https://www.nxtbook.com/musicmaker/musicmaker/recording_202208
https://www.nxtbook.com/musicmaker/musicmaker/recording_202207
https://www.nxtbook.com/musicmaker/musicmaker/recording_202206
https://www.nxtbook.com/musicmaker/musicmaker/recording_202205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202204
https://www.nxtbook.com/musicmaker/musicmaker/recording_202203
https://www.nxtbook.com/musicmaker/musicmaker/recording_202202
https://www.nxtbook.com/musicmaker/musicmaker/recording_202201
https://www.nxtbook.com/musicmaker/musicmaker/recording_202112
https://www.nxtbook.com/musicmaker/musicmaker/recording_202111
https://www.nxtbook.com/musicmaker/musicmaker/recording_202110
https://www.nxtbook.com/musicmaker/musicmaker/recording_202109
https://www.nxtbook.com/musicmaker/musicmaker/recording_202108
https://www.nxtbook.com/musicmaker/musicmaker/recording_202107
https://www.nxtbook.com/musicmaker/musicmaker/recording_202106
https://www.nxtbook.com/musicmaker/musicmaker/recording_202105
https://www.nxtbook.com/musicmaker/musicmaker/recording_202104
https://www.nxtbook.com/musicmaker/musicmaker/recording_202103
https://www.nxtbook.com/musicmaker/musicmaker/recording_202102
https://www.nxtbook.com/musicmaker/musicmaker/recording_202101
https://www.nxtbook.com/musicmaker/musicmaker/recording_202012
https://www.nxtbook.com/musicmaker/musicmaker/recording_202011
https://www.nxtbook.com/musicmaker/musicmaker/recording_202010
https://www.nxtbook.com/musicmaker/musicmaker/recording_202009
https://www.nxtbook.com/musicmaker/musicmaker/recording_202008
https://www.nxtbook.com/musicmaker/musicmaker/recording_202007
https://www.nxtbook.com/musicmaker/musicmaker/recording_202006
https://www.nxtbook.com/musicmaker/musicmaker/recording_20205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202004
https://www.nxtbook.com/musicmaker/musicmaker/recording_202003
https://www.nxtbook.com/musicmaker/musicmaker/recording_202002
https://www.nxtbook.com/musicmaker/musicmaker/recording_202001
https://www.nxtbook.com/musicmaker/musicmaker/recording_201912
https://www.nxtbook.com/musicmaker/musicmaker/recording_201911
https://www.nxtbook.com/musicmaker/musicmaker/recording_201910
https://www.nxtbook.com/musicmaker/musicmaker/recording_201909
https://www.nxtbook.com/musicmaker/musicmaker/recording_201908
https://www.nxtbook.com/musicmaker/musicmaker/recording_201907
https://www.nxtbook.com/musicmaker/musicmaker/recording_201906
https://www.nxtbook.com/musicmaker/musicmaker/recording_201905
https://www.nxtbook.com/musicmaker/musicmaker/recording_201904
https://www.nxtbook.com/musicmaker/musicmaker/recording_201903
https://www.nxtbook.com/musicmaker/musicmaker/recording_201902
https://www.nxtbook.com/musicmaker/musicmaker/recording_201901
https://www.nxtbook.com/musicmaker/musicmaker/recording_201812
https://www.nxtbook.com/musicmaker/musicmaker/recording_201811
https://www.nxtbook.com/musicmaker/musicmaker/recording_201810
https://www.nxtbook.com/musicmaker/musicmaker/recording_201809
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201808
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201807
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201806
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201805
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201804
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201803
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201802
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201801
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201712
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201711
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201710
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201709
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201708
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201707
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201706
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201705
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201704
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201703
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201702
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201701
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201612
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201611
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201610
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201609
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201608
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201607
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201606
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201605
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201604
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201603
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201602
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201601
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201512
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201511
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201510
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201509
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201508
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201507
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201506
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201505
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201504
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201503
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201502
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201501
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201412
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201411
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201410
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201409
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201408
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201407
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201406
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201405
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201404
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201403
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201402
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201401
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201312
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201311
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201310
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201309
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201308
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201307
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201306
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201305
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201304
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201303
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201302
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201301
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201212
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201211
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201210
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201209
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201208
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201207
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201206
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201205
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201204
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201203
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201202
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201201
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201112
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201111
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201110
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201109
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201108
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201107
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201106
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201105
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201104
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201103
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201102
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201101
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201012
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201011
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201010
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201009
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201008
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201007
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201006
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201005
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201004
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201003
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201002
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201001
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200912
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200911
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200910
https://www.nxtbook.com/nxtbooks/musicmaker/nxtd
https://www.nxtbookmedia.com