Recording - October 2010 - 26
Engineer John Larson on the sessions for From Every Angle
What equipment did you bring to the sessions? John Larson: I brought a couple of ProTools HD boxes, with Mytek A-to-D converters and TRUE Systems Precision 8 mic preamps. The piano was in the main room, as were the guitarist and trumpet player. I placed Lucite panels around the piano, about 2’ x 5’ and hinged together, to serve two purposes: to reduce the bleed into the piano, and to redirect the piano’s sound back into the piano mics. I also had tube traps in the corners, and more tube traps near Janice, who was standing near a window in the same room where I was recording. I monitored and mixed on headphones while they were playing, and I listened back on Genelec 1030s. I set up several headphone mixes for everybody, using Pro Tools buses. Jack with his drums was in a separate space he had built as a rehearsal space, not as high-ceilinged as I would have wished, but it has an angled door so it is workable. JM: Even when it was finished we still thought we’d need studio space elsewhere to go record. Then John Larson, a recording engineer and friend of ours, came and checked all the corners and hummed and said, “If you don’t record here, you’re nuts.” We’ve been in and out of recording studios our whole lives, so we had a subliminal thing that said “Let’s make it look like a recording studio.” But I told him we hadn’t built it as a recording studio. He said, “Good. You’d have probably screwed it up.” So musicians from Dallas to Kansas City gathered at our home over four days, lived in the five bedrooms and played on Janice’s jazz album From Every Angle while John recorded them! What mics did you use? The drums were miked with a spaced pair of Shure KSM32s for overheads and toms, an AKG D-112 on kick, and a DPA 4007 on snare. The bass was miked with a Lawson L-47, piano with DPA 4003s, horn and guitar with beyerdynamic ribbons, and Janice with a Lawson L-251. How would you rate the room on a scale from 1 (unusable) to 10 (perfect)? Jack and Janet’s basement was not acoustically perfect by any means, but it is an extremely pleasant space with lots of natural light and just felt good. We looked out over a lake, watching swans, it was very relaxing. So acoustically I’d give it a seven, but for ambiance a ten!
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Recording - October 2010
Table of Contents for the Digital Edition of Recording - October 2010
Recording - October 2010
Fade In
Contents
Talkback
Fast Forward
Cakewalk V-Studio 20
Abbey Road Sessions—Good Reasons To Be Prepared
AKG Perception 820 Tube Microphone
A Basement Conversion—The Borla/Mouse Basement Studio
DAW Details
SM Pro Audio P-Control, DiDock, and CT-3
Green Glue
Alesis PalmTrack
It’s Your Music—Know Your Rights. Chapter 7: Income Earned By Songs—Part 2
Reviewed and Revisited
Plug-In Outlet
Do It Yourself: Rack Panels For Under Four Dollars
Cockos REAPER—A Walking Tour
Recording’s Showcase of Sounds
Readers' Tapes
Advertiser Index
Fade Out
Recording - October 2010 - Recording - October 2010
Recording - October 2010 - Cover2
Recording - October 2010 - 1
Recording - October 2010 - Fade In
Recording - October 2010 - 3
Recording - October 2010 - Contents
Recording - October 2010 - 5
Recording - October 2010 - Talkback
Recording - October 2010 - 7
Recording - October 2010 - Fast Forward
Recording - October 2010 - 9
Recording - October 2010 - Cakewalk V-Studio 20
Recording - October 2010 - 11
Recording - October 2010 - 12
Recording - October 2010 - 13
Recording - October 2010 - Abbey Road Sessions—Good Reasons To Be Prepared
Recording - October 2010 - 15
Recording - October 2010 - 16
Recording - October 2010 - 17
Recording - October 2010 - 18
Recording - October 2010 - 19
Recording - October 2010 - 20
Recording - October 2010 - 21
Recording - October 2010 - AKG Perception 820 Tube Microphone
Recording - October 2010 - 23
Recording - October 2010 - A Basement Conversion—The Borla/Mouse Basement Studio
Recording - October 2010 - 25
Recording - October 2010 - 26
Recording - October 2010 - 27
Recording - October 2010 - DAW Details
Recording - October 2010 - 29
Recording - October 2010 - 30
Recording - October 2010 - 31
Recording - October 2010 - SM Pro Audio P-Control, DiDock, and CT-3
Recording - October 2010 - 33
Recording - October 2010 - Green Glue
Recording - October 2010 - 35
Recording - October 2010 - Alesis PalmTrack
Recording - October 2010 - 37
Recording - October 2010 - It’s Your Music—Know Your Rights. Chapter 7: Income Earned By Songs—Part 2
Recording - October 2010 - 39
Recording - October 2010 - 40
Recording - October 2010 - 41
Recording - October 2010 - Reviewed and Revisited
Recording - October 2010 - 43
Recording - October 2010 - Plug-In Outlet
Recording - October 2010 - 45
Recording - October 2010 - 46
Recording - October 2010 - 47
Recording - October 2010 - Do It Yourself: Rack Panels For Under Four Dollars
Recording - October 2010 - 49
Recording - October 2010 - 50
Recording - October 2010 - 51
Recording - October 2010 - 52
Recording - October 2010 - 53
Recording - October 2010 - 54
Recording - October 2010 - 55
Recording - October 2010 - Cockos REAPER—A Walking Tour
Recording - October 2010 - 57
Recording - October 2010 - 58
Recording - October 2010 - 59
Recording - October 2010 - 60
Recording - October 2010 - 61
Recording - October 2010 - Recording’s Showcase of Sounds
Recording - October 2010 - 63
Recording - October 2010 - Readers' Tapes
Recording - October 2010 - Advertiser Index
Recording - October 2010 - 66
Recording - October 2010 - 67
Recording - October 2010 - 68
Recording - October 2010 - 69
Recording - October 2010 - 70
Recording - October 2010 - 71
Recording - October 2010 - Fade Out
Recording - October 2010 - Cover3
Recording - October 2010 - Cover4
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