Recording - October 2010 - 44
Lexicon PCM Native Reverb Plug-in Bundle
By Paul Vnuk Jr.
Inevitably when we encounter reviews and discussions of reverb plug-ins, one comparison always rears its head: “Does it sound like a Lexicon?” The discussion may be moot with the release of Lexicon’s first entry into the native plug-in market, the PCM Native Reverb Plug-In Bundle. Based on Lexicon’s current PCM line of hardware boxes such as their flagship PCM96 and PCM92, the PCM Native Reverb The lower level of the window contains the virtual fader section. This window can contain up to 9 virtual faders each with its own LCD readout with the parameter name and its value. Along the bottom of the faders are the Edit, Compare, and Store buttons for creating your own tweaked reverbs. Engaging the Edit function opens an additional row of up to five additional edit layers for ultra-tweaky deep-level programming.
PLUG-IN OUTLET
Bundle comprises 7 reverb algorithms, most of which are a direct lift from said hardware. In your DAW each algorithm shows up as an individual and separate plug-in. They are: LexChamber, LexHall, LexRandom Hall, LexConcert Hall, LexPlate, LexVintage Plate, and LexRoom. Buried in these algorithms is a collection of 44 adjustable parameters, and while some are algorithm-specific, this is an obscene amount of control for any reverb. If you are not a tweaker, that’s OK too, as there are hundreds of simple and useful presets to get you going.
The LARC (virtual, that is) Each plug-in uses the same interface. Looking like a 21stCentury virtual LARC (remember the multi-fader remote control device used with older high-end Lexicon units?), this interface is divided into a top section primarily used for display purposes and a lower section that houses the virtual faders. The top section starts with a pair of LED-style level meters on the left. In the center is a large window, which contains a visual real-time analysis of the verbed signal in a choice of multiband, frequency, and impulse/waveform views. When disabled, it simply displays the selected plug-in’s name and saves on CPU cycles. To the right of that is the eq section, with a dual graphDelivery: Web download only ic display of both the input and output eq filters. There is a choice of 6 filters each: single-pole high/lowpass, douFormat: VST, AU, RTAS;Windows XP/Vista/7, Mac OS X 10.4.10+ ble-pole high/lowpass, full bandpass, and notch. Each Copy Protection: iLok USB key filter has its own parameters for level, frequency choice License: single iLok (multiple installs, one in use at a time) and shelf amount, while the bandpass and notch filters Documentation: PDF only add a band or Q control as well. Price: $1899 Also on the upper pane of the plug-in window is the More from: Lexicon, www.lexiconpro.com preset selector that is sorted by category and preset, i.e.: Vocal Plates – VoclEcho BPM.
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RECORDING OCTOBER 2010
Meet the LexVerbs Looking quickly at each algorithm/verb choice there is: • Chamber – Echo chamber to be precise, these were specialized rooms with ultra-reflective surfaces built specifically for reverb duty. This algorithm contains plenty of control over surface reflections as well as echoes; also note that any algorithm with the echo and/or reflection option allows you to change from timebased to tempo-based for synchronization to a project’s BPM. • Hall, Concert Hall, Random Hall – Essentially variations on a theme. These are the largest and purest of the Lexicon reverbs. While the Random and Concert versions are classic Lexicon staples, the Hall algorithm is brand new and is the smoothest of the bunch. Sound designers and electronic musicians need to take note of the reverb decay times. The Concert Hall, for instance, offers up to 156.5105 seconds of reverb time (that’s over 2.5 minutes of decay). Speaking of long decay—the PCM plug-in also features the PCM96’s Infinite function that, when toggled on, will grab the current verbed source and hold it for as long as the feature is engaged, so you could get up to a year of droning decay, should you choose... • Plate and Vintage Plate – Plate reverbs were historically one of the first electronic replacements for echo chambers. Instead of
http://www.lexiconpro.com
Recording - October 2010
Table of Contents for the Digital Edition of Recording - October 2010
Recording - October 2010
Fade In
Contents
Talkback
Fast Forward
Cakewalk V-Studio 20
Abbey Road Sessions—Good Reasons To Be Prepared
AKG Perception 820 Tube Microphone
A Basement Conversion—The Borla/Mouse Basement Studio
DAW Details
SM Pro Audio P-Control, DiDock, and CT-3
Green Glue
Alesis PalmTrack
It’s Your Music—Know Your Rights. Chapter 7: Income Earned By Songs—Part 2
Reviewed and Revisited
Plug-In Outlet
Do It Yourself: Rack Panels For Under Four Dollars
Cockos REAPER—A Walking Tour
Recording’s Showcase of Sounds
Readers' Tapes
Advertiser Index
Fade Out
Recording - October 2010 - Recording - October 2010
Recording - October 2010 - Cover2
Recording - October 2010 - 1
Recording - October 2010 - Fade In
Recording - October 2010 - 3
Recording - October 2010 - Contents
Recording - October 2010 - 5
Recording - October 2010 - Talkback
Recording - October 2010 - 7
Recording - October 2010 - Fast Forward
Recording - October 2010 - 9
Recording - October 2010 - Cakewalk V-Studio 20
Recording - October 2010 - 11
Recording - October 2010 - 12
Recording - October 2010 - 13
Recording - October 2010 - Abbey Road Sessions—Good Reasons To Be Prepared
Recording - October 2010 - 15
Recording - October 2010 - 16
Recording - October 2010 - 17
Recording - October 2010 - 18
Recording - October 2010 - 19
Recording - October 2010 - 20
Recording - October 2010 - 21
Recording - October 2010 - AKG Perception 820 Tube Microphone
Recording - October 2010 - 23
Recording - October 2010 - A Basement Conversion—The Borla/Mouse Basement Studio
Recording - October 2010 - 25
Recording - October 2010 - 26
Recording - October 2010 - 27
Recording - October 2010 - DAW Details
Recording - October 2010 - 29
Recording - October 2010 - 30
Recording - October 2010 - 31
Recording - October 2010 - SM Pro Audio P-Control, DiDock, and CT-3
Recording - October 2010 - 33
Recording - October 2010 - Green Glue
Recording - October 2010 - 35
Recording - October 2010 - Alesis PalmTrack
Recording - October 2010 - 37
Recording - October 2010 - It’s Your Music—Know Your Rights. Chapter 7: Income Earned By Songs—Part 2
Recording - October 2010 - 39
Recording - October 2010 - 40
Recording - October 2010 - 41
Recording - October 2010 - Reviewed and Revisited
Recording - October 2010 - 43
Recording - October 2010 - Plug-In Outlet
Recording - October 2010 - 45
Recording - October 2010 - 46
Recording - October 2010 - 47
Recording - October 2010 - Do It Yourself: Rack Panels For Under Four Dollars
Recording - October 2010 - 49
Recording - October 2010 - 50
Recording - October 2010 - 51
Recording - October 2010 - 52
Recording - October 2010 - 53
Recording - October 2010 - 54
Recording - October 2010 - 55
Recording - October 2010 - Cockos REAPER—A Walking Tour
Recording - October 2010 - 57
Recording - October 2010 - 58
Recording - October 2010 - 59
Recording - October 2010 - 60
Recording - October 2010 - 61
Recording - October 2010 - Recording’s Showcase of Sounds
Recording - October 2010 - 63
Recording - October 2010 - Readers' Tapes
Recording - October 2010 - Advertiser Index
Recording - October 2010 - 66
Recording - October 2010 - 67
Recording - October 2010 - 68
Recording - October 2010 - 69
Recording - October 2010 - 70
Recording - October 2010 - 71
Recording - October 2010 - Fade Out
Recording - October 2010 - Cover3
Recording - October 2010 - Cover4
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