Recording - October 2010 - 58
11
7
Recording audio Let’s say that I now want to record a second track with some live audio, perhaps sounds from one of my outboard synthesizers. This is just as easy. First I create a new track, the same way I form larger takes, snap and unsnap things to a grid, edit only parts of takes (called “areas”), bounce virtual instruments to audio to free up CPU cycles (and unbounce them again later if you want to reedit any of their MIDI performance data), etc. There are too many capabilities to list here. I am confident even the most die-hard fan of high end DAW software will find the REAPER tool set to be very practical for nearly any task. Mix it up, mix it down Once I have tracked everything I want, the next step in the composing process is to mix it all down. There are many ways to do this; I like to drop an eq and compressor plug-in onto each track that I think needs a little touching up, and then record the volume automation envelopes that capture the mix the way I want it. Let’s look at each one of these steps in sequence. First, let’s turn away from the track area and head down to the mixer area, since I am going to work there from now on—again, this preference of mine is by no means the only way to work. I first minimize all tracks down 9 vertically to give me some more screen space, and then drag the mixing area border up to make the mixer bigger (Figure 9). This gives me a bird’s-eye view of my song. From here I can manipulate the plug-ins in my FX chain, adjust the mix and pan of my tracks, etc.. First, I am not happy with the tone and dynamics of that audio track I recorded, so I am going to add some plug-ins to the FX chains. I could do this through the FX chain pop-up window as I did earlier, or I can add them directly to slots in the mixer view (Figures 10 and 11). Now I can tweak the eq and dynamics settings for any number of tracks simultaneously, in real time, until I have each track sounding the way I want them to. Volume envelopes The next step in completing my song is to mix it down by recording volume envelopes for each track. First, I simply need to create a new volume envelope for each track, by clicking on the “ENV” button on each track. This gives me a pop-up window with a wealth of controls on it (Figure 12). We don’t have space to examine everything you can do from this window, so for this example I’m simply going to check the “Volume” envelope, arm that envelope for recording, and select “Write” as the automation mode. I will repeat this process for every track in my song. Note that in the mixer view, the “ENV” icons turned into “WR” icons, plus there is now a volume envelope below each track with a green “AR” icon (Figure 13). This tells me I am recording envelopes for each track in “Write” mode and that each track’s envelope is armed for recording.
created the first one. This time, instead of choosing plug-ins to install in the FX chain for the track, I simply right-click the Record Arm/Disarm icon and tell REAPER to record this track straight from the audio input (Figure 7).
8
Once I arm the track for record, the meters immediately begin to register the audio signal that is being sent into the computer. Now I can begin to record a take for my second track, and the first track will play back along with it while I record. Once I am done recording, I can manipulate the new audio take using the same non-linear editing capabilities I used for the MIDI track, including repeating the take over and over again as a loop (Figure 8). In this example, we are using only the simplest of the tools REAPER provides for manipulating takes. With REAPER, you can split takes into smaller takes, glue takes together to
10
58
RECORDING OCTOBER 2010
Recording - October 2010
Table of Contents for the Digital Edition of Recording - October 2010
Recording - October 2010
Fade In
Contents
Talkback
Fast Forward
Cakewalk V-Studio 20
Abbey Road Sessions—Good Reasons To Be Prepared
AKG Perception 820 Tube Microphone
A Basement Conversion—The Borla/Mouse Basement Studio
DAW Details
SM Pro Audio P-Control, DiDock, and CT-3
Green Glue
Alesis PalmTrack
It’s Your Music—Know Your Rights. Chapter 7: Income Earned By Songs—Part 2
Reviewed and Revisited
Plug-In Outlet
Do It Yourself: Rack Panels For Under Four Dollars
Cockos REAPER—A Walking Tour
Recording’s Showcase of Sounds
Readers' Tapes
Advertiser Index
Fade Out
Recording - October 2010 - Recording - October 2010
Recording - October 2010 - Cover2
Recording - October 2010 - 1
Recording - October 2010 - Fade In
Recording - October 2010 - 3
Recording - October 2010 - Contents
Recording - October 2010 - 5
Recording - October 2010 - Talkback
Recording - October 2010 - 7
Recording - October 2010 - Fast Forward
Recording - October 2010 - 9
Recording - October 2010 - Cakewalk V-Studio 20
Recording - October 2010 - 11
Recording - October 2010 - 12
Recording - October 2010 - 13
Recording - October 2010 - Abbey Road Sessions—Good Reasons To Be Prepared
Recording - October 2010 - 15
Recording - October 2010 - 16
Recording - October 2010 - 17
Recording - October 2010 - 18
Recording - October 2010 - 19
Recording - October 2010 - 20
Recording - October 2010 - 21
Recording - October 2010 - AKG Perception 820 Tube Microphone
Recording - October 2010 - 23
Recording - October 2010 - A Basement Conversion—The Borla/Mouse Basement Studio
Recording - October 2010 - 25
Recording - October 2010 - 26
Recording - October 2010 - 27
Recording - October 2010 - DAW Details
Recording - October 2010 - 29
Recording - October 2010 - 30
Recording - October 2010 - 31
Recording - October 2010 - SM Pro Audio P-Control, DiDock, and CT-3
Recording - October 2010 - 33
Recording - October 2010 - Green Glue
Recording - October 2010 - 35
Recording - October 2010 - Alesis PalmTrack
Recording - October 2010 - 37
Recording - October 2010 - It’s Your Music—Know Your Rights. Chapter 7: Income Earned By Songs—Part 2
Recording - October 2010 - 39
Recording - October 2010 - 40
Recording - October 2010 - 41
Recording - October 2010 - Reviewed and Revisited
Recording - October 2010 - 43
Recording - October 2010 - Plug-In Outlet
Recording - October 2010 - 45
Recording - October 2010 - 46
Recording - October 2010 - 47
Recording - October 2010 - Do It Yourself: Rack Panels For Under Four Dollars
Recording - October 2010 - 49
Recording - October 2010 - 50
Recording - October 2010 - 51
Recording - October 2010 - 52
Recording - October 2010 - 53
Recording - October 2010 - 54
Recording - October 2010 - 55
Recording - October 2010 - Cockos REAPER—A Walking Tour
Recording - October 2010 - 57
Recording - October 2010 - 58
Recording - October 2010 - 59
Recording - October 2010 - 60
Recording - October 2010 - 61
Recording - October 2010 - Recording’s Showcase of Sounds
Recording - October 2010 - 63
Recording - October 2010 - Readers' Tapes
Recording - October 2010 - Advertiser Index
Recording - October 2010 - 66
Recording - October 2010 - 67
Recording - October 2010 - 68
Recording - October 2010 - 69
Recording - October 2010 - 70
Recording - October 2010 - 71
Recording - October 2010 - Fade Out
Recording - October 2010 - Cover3
Recording - October 2010 - Cover4
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