Recording - January 2011 - 25
scene of your crime you already have to share the file, maybe with your band members, or for an internet upload. Now you can share the quickie MP3 and take the serious WAV file home without having to make a copy and convert it. The R-05 can play back 16-bit and 24bit WAV files at 32/44.1/48/88.2/96 kHz, and MP3 files of 32-320 kbps, plus variable bit rate, at 32/44.1/48 kHz. While we’re on the topic of seriously helpful functions: a Pre-Rec function, once enabled in the menus, will always buffer sound for two seconds before you press record. Never miss the start of a sound event, not if you can jump to and hit Record within two seconds... Another helpful function is the Auto Rec Start. You can either set a timer (2/5/10 seconds) or a level (–60 dB/–30 dB/–20 dB) to trigger the Record function. You can press Record, place the R-05 in its position, and have a clean start to your recording instead of recording handling clunks and scratching noises. And—for some people—I saved the potentially best function for last: Rehearsal. If you hate AGC and limiter recordings with their pumping and unrealistic volume boosts during soft passages, but—without a remote—don’t dare to touch the recorder during recording to make level adjustments because that creates contact noises, you’ll love the Rehearsal function! It works like this: You disable the AGC, go into Menu mode and select a rehearsal time length (or Manual—you’ll decide when enough is enough), then, back on the main screen, have your intended audio source play (as in “tell the band to play a loud passage from a song”) while you press the Rehearsal button and point the R05 towards the sound source. It reads the loudest passage and adjusts the input level accordingly. If the mic gain is set wrong, you get an alert on the screen. Neat, eh? All in all The R-05 is a thoughtfully designed and eminently practical recorder that addresses the real-world problems of a recordist. It gets around the problem inherent in all small recorders that lack a remote, that of the recording of handling noises when the user had to touch controls during the recording, and it does that with the three features of auto-start, pre-record, and rehearsal mode. The microphones on the R-05 captured my sound sources very well, including an exquisite large chamber orchestra in a fine concert hall, with all the subtle tonal shadings and suprisingly rich bass. It was a joy to use and I can highly recommend it. Price: $299 More from: Roland Corp. US, www.rolandus.com.
RECORDING JANUARY 2011
25
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http://www.rolandus.com
Recording - January 2011
Table of Contents for the Digital Edition of Recording - January 2011
Recording - January 2011
Fade In
Contents
Talkback
Fast Forward
PreSonus StudioLive 24.4.2
Recording Live Performances—Your Options
Audio-Technica AT4080 and AT4081 Ribbon Microphones
Roland R-05 Portable Recorder
DAW Details
Yamaha Pocketrak W24
Reviewed and Revisited: Zoom R24 Recorder/Interface/Controller/Sampler
JoeCo BBR1 BlackBox Recorder
Korg MR-2 High Resolution Mobile Recorder
Acoustic Live Recording
Capturing Live Music For The Internet
It's Your Music—Know Your Rights. Chapter 10: Managers—Part 1
Readers' Tapes
Advertiser Index
2010 Annual Index
Fade Out
Recording - January 2011 - Recording - January 2011
Recording - January 2011 - Cover2
Recording - January 2011 - 1
Recording - January 2011 - Fade In
Recording - January 2011 - 3
Recording - January 2011 - Contents
Recording - January 2011 - 5
Recording - January 2011 - Talkback
Recording - January 2011 - 7
Recording - January 2011 - Fast Forward
Recording - January 2011 - 9
Recording - January 2011 - 10
Recording - January 2011 - 11
Recording - January 2011 - PreSonus StudioLive 24.4.2
Recording - January 2011 - 13
Recording - January 2011 - 14
Recording - January 2011 - 15
Recording - January 2011 - Recording Live Performances—Your Options
Recording - January 2011 - 17
Recording - January 2011 - 18
Recording - January 2011 - 19
Recording - January 2011 - Audio-Technica AT4080 and AT4081 Ribbon Microphones
Recording - January 2011 - 21
Recording - January 2011 - 22
Recording - January 2011 - 23
Recording - January 2011 - Roland R-05 Portable Recorder
Recording - January 2011 - 25
Recording - January 2011 - DAW Details
Recording - January 2011 - 27
Recording - January 2011 - 28
Recording - January 2011 - 29
Recording - January 2011 - 30
Recording - January 2011 - 31
Recording - January 2011 - 32
Recording - January 2011 - 33
Recording - January 2011 - Yamaha Pocketrak W24
Recording - January 2011 - 35
Recording - January 2011 - Reviewed and Revisited: Zoom R24 Recorder/Interface/Controller/Sampler
Recording - January 2011 - 37
Recording - January 2011 - 38
Recording - January 2011 - 39
Recording - January 2011 - JoeCo BBR1 BlackBox Recorder
Recording - January 2011 - 41
Recording - January 2011 - 42
Recording - January 2011 - 43
Recording - January 2011 - 44
Recording - January 2011 - 45
Recording - January 2011 - Korg MR-2 High Resolution Mobile Recorder
Recording - January 2011 - 47
Recording - January 2011 - Acoustic Live Recording
Recording - January 2011 - 49
Recording - January 2011 - Capturing Live Music For The Internet
Recording - January 2011 - 51
Recording - January 2011 - It's Your Music—Know Your Rights. Chapter 10: Managers—Part 1
Recording - January 2011 - 53
Recording - January 2011 - Readers' Tapes
Recording - January 2011 - Advertiser Index
Recording - January 2011 - 56
Recording - January 2011 - 57
Recording - January 2011 - 58
Recording - January 2011 - 59
Recording - January 2011 - 60
Recording - January 2011 - 61
Recording - January 2011 - 2010 Annual Index
Recording - January 2011 - 63
Recording - January 2011 - Fade Out
Recording - January 2011 - Cover3
Recording - January 2011 - Cover4
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