Recording - January 2011 - 63

2010
Columns
Jan Mar Apr May Jun Aug

Recording’s Guitar and Bass Columns

It’s Your Music—Know Your Rights
Mar Apr Jun Jul Aug Sep Oct Nov Dec Chapter Chapter Chapter Chapter Chapter Chapter Chapter Chapter Chapter 1: 2: 3: 4: 5: 6: 7: 8: 9: Copyright basics Filing a Copyright claim Recording issues The business end, Part 1 The business end, Part 2 Income earned by songs, Part 1 Income earned by songs, Part 2 Digital distribution Trademark basics

Guitar preamps and tone Dynamics control and tone Mic choice and tone Steve Morse records Angelfire Miking guitar cabinets Steve Lipson on recording Jeff Beck

Recording’s Vocal Column
Feb Mar

Living dangerously Celldweller’s vocal tricks

Fade Out
Jan Feb Hype: An Engineer’s Perspective, by Scott Dorsey It Starts With A Handshake, by Mike Metlay Mar The Ukulele Factor, by Mike Metlay Apr Loudness—It’s The Law!, by Mike Metlay May My Behringer-In-China Trip, by Lorenz Rychner Jun The $5 Preamp Urban Legend, by Paul J. Stamler Jul IC Replacement, by Scott Dorsey Aug What, Me Upgrade? No!, by Devon Brent Sep AES: Calling All Students, by Scott Dorsey Oct Thoughts From the sE Clean Room, by Mike Metlay Nov Tube Story—A Lament, by Scott Dorsey Dec Becoming the “Pro” in “Producer”, by Frank Gryner

Annual Index

Recording’s Keyboard Column
Feb

Rackmounting, cabling, and patch bays May Building a synth rack on the cheap Jun Miking your electric keyboard— why and how Nov MIDI in the modern studio

DAW Details
Apr

Creating choir and brass parts from DAW libraries Jun Working with a click track Oct Sharing material between studios, Part 1 Nov Sharing material between studios, Part 2

Reviews
Dec Sonoma Wire Works GuitarJack Model 1 Apogee ONE Steinberg CI1 and CI2+ M-Audio Axiom Controllers Alesis MultiMix 8 USB FX Line 6 FBV MkII Pedalboards Akai APC20 Mackie Onyx Blackjack Blue Icicle

Soundware (including Recording’s Showcase Of Sounds)
Jan Feb Apr Dark Side Of The Tune Queen’s English Camel Audio Alchemy Apple Jam Pack: Voices Spectrasonics Trilian Jul Big Fish Audio Cinematic Percussion, Elemental Studio Percussion, and Epic Drums Sony Continental Drift and Continental Drift: Aftershocks Aug SONiVOX Playa Sep FXpansion DCAM: Synth Squad audiobro LA Scoring Strings Oct Waldorf Largo Nov Vienna Imperial realsamples Editions Beurmann keyboard libraries Dec Modartt Pianoteq PLAY Beta Monkey Drum Werks Volumes XV–XVIII Dark Side Of The Tune Twisted Cistern

Computer Software and Plug-Ins (including Plug-In Outlet)
Jan Apple Logic Pro 9* and GarageBand ’09 Empress Tremolo Plug-in Mar Vienna Suite Softube Tube-Tech CL 1B May Universal Audio UAD plug-ins: Cooper, Moog, EMT Jun Avid M-Audio Pro Tools M-Powered Essential Superscope Elevation—A Walking Tour Ableton Live Intro* Jul Toontrack Superior Drummer 2.0—A Walking Tour FXpansion BFD Eco Aug PreSonus Studio One Pro Cakewalk SONAR 8.5* brainworx bx_digital V2 PSP Audioware oldTimer Sep iZotope Alloy Oct Acoustica Mixcraft 5* Cockos REAPER—A Walking Tour Lexicon PCM Native Reverb Plug-in Bundle Sonnox Oxford Transient Modulator and Inflator Nov Waves Tony Maserati Artist Signature Collection Dec Sonoma Wire Works FourTrack Sonnox Oxford Reverb Abbey Road RS 124 Peterson iStroboSoft PSP Audioware PSP 85

Miscellaneous
Jan

Peavey MSDI Furman Classic Series Power Conditioners Keith McMillen Batt-O-Meter Mar Three books for the recording songwriter Apr Roland Fantom-G Jun Zoom Q3 video/audio recorder Jul Old Jersey Music Lab Drum Wallet Aug Muse Research Receptor 2 Pro Oct SM Pro Audio P-Control, DiDock, and CT-3 Nov Roland GAIA SH-01 Korg microSTATION Dec Avenson Audio IsoDI Primacoustic IsoTools Yamaha AvantGrand SM Pro Audio Q-Series MOTU ZBox Godlyke Power-Grip pedal tape

RECORDING JANUARY 2011

AI
63
Recording - January 2011

Table of Contents for the Digital Edition of Recording - January 2011
