Recording - March 2011 - 47
limitations. There is now full OMF/ AAF/MXF file interchange support, so projects can be exchanged/created in other audio and video software with Pro Tools and vice versa. More tracks, more pan depth Pro Tools 9 (the native version is no longer called “LE”) supports up to 96 simultaneous audio tracks, 64 instrument tracks, 512 MIDI tracks, 256 internal busses, and 128 auxiliary tracks. Finally—enough tracks to do a jazz album.... Pan depth in Pro Tools has never been as deep in the sound field as some of the classic English analog desks. Now there are several options.
uses harmonic manipulation and is built into the actual Pro Tools mixer. The intent is to make the Pro Tools mixer sound more like an analog console. Of course there is a 30-day free demo. If you’re an HD user, check it out. The nail on the head Well, that’s about it. Avid hit the nail on the head and finally gave us a lot of the features many of us have been asking about for a long time. If you’re not already a user, the freedom to work with any interface should be enough to get you to at least check out Pro Tools 9. Prices: Pro Tools 9, $599; Complete Production Toolkit 2, $1995 More from: Avid, www.avid.com. Mark Hornsby (hornsby@recordingmag.com) is a producer/ engineer based out of Java Jive Studio in Nashville, TN. For more information, check out www.markhornsby.com.
Automatic Delay Compensation is finally available in Pro Tools 9 (see figure above).
Pro Tools 9 lets you select the pan depth for stereo output paths. This can be done in the Session Setup window. This lets you set the amount of signal attenuation when a track is routed to a stereo output and panned to center. More money buys still more With all this, it would appear that the wall between Pro Tools 9 and Pro Tools HD has finally come down. Well, not exactly. If you really want all the features of Pro Tools 9 HD, you have to buy the Complete Production Tool Kit 2. It enables even more features, which users may or may not find vital. These include: • Up to 192 simultaneous audio tracks on playback • Exchange sessions with Pro Tools|HD users without ever losing any session information • Shifting pitch and time with the XForm plug-in • Mixing in different formats up to and including 7.1 surround • Full VCA mixing capabilities and support for up to 64 video tracks • Some additional advanced automation, audio, and video editing tools Optional purchase One other option (for purchase) that is activated in the form of a plugin asset and is new for Pro Tools HD 9 is HEAT, developed by Dave Hill (Crane Song, Dave Hill Designs). It
RECORDING MARCH 2011
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http://www.avid.com
http://www.markhornsby.com
http://www.hhb.co.uk
http://www.hhb.co.uk
http://www.sennheiserusa.com
Recording - March 2011
Table of Contents for the Digital Edition of Recording - March 2011
Recording - March 2011
Fade In
Contents
Talkback
2010 Winter NAMM Show Report
Tom Silverman: On Songwriters and the New Reality of the Music Business
Shure KSM44A and KSM42 Microphones
Songwriter/Producer—A Hit-Making Combination: An Interview with Sebastian Arocha Morton
The 3 “Ps” of Songwriting: Present, Protect, Promote
Plug-In Outlet
MOTU UltraLite-mk3 Hybrid Audio Interface
Daking Audio FET III Compressor
Reviewed and Revisited: Sony Sound Forge Pro 10
It’s Your Music—Know Your Rights. Chapter 12: The Role of the Agent
Reviewed and Revisited: Avid Pro Tools 9
Readers’ Tapes
In the Studio: Recording Not Forgotten: Three Scenes for Violin and Piano
Roland Juno-Gi
DAW Details
Advertiser Index
Fade Out
Recording - March 2011 - Recording - March 2011
Recording - March 2011 - Cover2
Recording - March 2011 - 1
Recording - March 2011 - Fade In
Recording - March 2011 - 3
Recording - March 2011 - Contents
Recording - March 2011 - 5
Recording - March 2011 - Talkback
Recording - March 2011 - 7
Recording - March 2011 - 2010 Winter NAMM Show Report
Recording - March 2011 - 9
Recording - March 2011 - 10
Recording - March 2011 - 11
Recording - March 2011 - 12
Recording - March 2011 - 13
Recording - March 2011 - 14
Recording - March 2011 - 15
Recording - March 2011 - 16
Recording - March 2011 - 17
Recording - March 2011 - 18
Recording - March 2011 - 19
Recording - March 2011 - Tom Silverman: On Songwriters and the New Reality of the Music Business
Recording - March 2011 - 21
Recording - March 2011 - 22
Recording - March 2011 - 23
Recording - March 2011 - Shure KSM44A and KSM42 Microphones
Recording - March 2011 - 25
Recording - March 2011 - Songwriter/Producer—A Hit-Making Combination: An Interview with Sebastian Arocha Morton
Recording - March 2011 - 27
Recording - March 2011 - 28
Recording - March 2011 - 29
Recording - March 2011 - The 3 “Ps” of Songwriting: Present, Protect, Promote
Recording - March 2011 - 31
Recording - March 2011 - 32
Recording - March 2011 - 33
Recording - March 2011 - Plug-In Outlet
Recording - March 2011 - 35
Recording - March 2011 - 36
Recording - March 2011 - 37
Recording - March 2011 - MOTU UltraLite-mk3 Hybrid Audio Interface
Recording - March 2011 - 39
Recording - March 2011 - Daking Audio FET III Compressor
Recording - March 2011 - 41
Recording - March 2011 - Reviewed and Revisited: Sony Sound Forge Pro 10
Recording - March 2011 - 43
Recording - March 2011 - It’s Your Music—Know Your Rights. Chapter 12: The Role of the Agent
Recording - March 2011 - 45
Recording - March 2011 - Reviewed and Revisited: Avid Pro Tools 9
Recording - March 2011 - 47
Recording - March 2011 - Readers’ Tapes
Recording - March 2011 - 49
Recording - March 2011 - In the Studio: Recording Not Forgotten: Three Scenes for Violin and Piano
Recording - March 2011 - 51
Recording - March 2011 - Roland Juno-Gi
Recording - March 2011 - 53
Recording - March 2011 - 54
Recording - March 2011 - 55
Recording - March 2011 - 56
Recording - March 2011 - 57
Recording - March 2011 - 58
Recording - March 2011 - 59
Recording - March 2011 - DAW Details
Recording - March 2011 - 61
Recording - March 2011 - 62
Recording - March 2011 - 63
Recording - March 2011 - 64
Recording - March 2011 - Advertiser Index
Recording - March 2011 - 66
Recording - March 2011 - 67
Recording - March 2011 - 68
Recording - March 2011 - 69
Recording - March 2011 - 70
Recording - March 2011 - 71
Recording - March 2011 - Fade Out
Recording - March 2011 - Cover3
Recording - March 2011 - Cover4
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