Recording - June 2011 - 10

Radial Engineering Announces Two New 500 Series Modules
Radial Engineering Ltd. has announced two new 500 Series modules for its own Workhorse and other 500 Series rack systems. The Q3 is a 3-band passive induction-coil eq in the tradition of Pultec and Manley designs, with three 12-position switchable bands of eq for top boost, mid cut, and bass boost, plus makeup gain. It also features an effects loop insert point for users of the Workhorse rack’s Omniport I/O. The Shuttle is a multi-function effects insert module with three loops. Loop 1 is accessed on the unit’s front panel and offers 1/4" TRS balanced in and out; Loop 2 is an unbalanced front-panel insert for standard effects devices; and Loop 3 is a balanced loop accessible via the Workhorse Omniport. All three loops have insert switches to compare wet and dry signal paths, and can be used to feed signals into the Workhorse’s mix bus. The overall result is a flexible patching system for the Workhorse and for creative blending of effects in unusual ways, including adding older 500 Series modules into the Workhorse mix bus. Prices: Q3, $700; Shuttle 500, $160 More from: Radial Engineering, www.radialeng.com

New Waves Plug-ins Emphasize Simplicity
New from Waves Audio: the OneKnob Series of seven plug-ins with singleknob control of basic effects using Waves’ well-known audio processing. The seven plug-ins are: OneKnob Brighter, an intelligent treble booster; OneKnob Phatter, a bass boosting module; OneKnob Filter, a sweepable filter with switchable resonance modes; OneKnob Pressure, a dynamics processor intended for percussive sources that delivers everything from light parallel-style compression to full-on squash; OneKnob Louder, a peak limiter/low-level compressor with automatic makeup gain to boost track loudness by up to 24 dB; OneKnob Driver, a tunable distortion effect from light overdrive to full-on fuzz; and OneKnob Wetter, a depth/ambience plug-in adjustable from short/bright to long/dark spaces. Prices: $80 each, $400 for the bundle More from: Waves, www.waves.com.

KRK Debuts New Monitors And Subwoofers
KRK Systems rolled out three new products at the Frankfurt Musikmesse in April: the ROKIT RP10-3 midfield 3-way powered monitor and two powered subwoofers, the KRK12sHO and KRK12s. The ROKIT RP10-3 is a cost-effective 3-way design with accurate bass response down to 35 Hz, featuring a 10" Glass Aramid Composite woofer, 4" mid frequency driver, and waveguide-mounted tweeter, triamped with a 3-way crossover for accurate response out to 113 dB max SPL. The tweeter and midrange speaker are set in a rotating mount plate that allows them to be positioned properly for vertical or horizontal speaker placement. The KRK12sHO is designed for accurate bass reproduction down to 29 Hz and is intended to be paired with Exposé or VXT8 monitors for surround work and musical production in bass-critical music genres. It features a 12" Kevlar driver in a curved baffle front plate with front-firing port, 400W RMS power amp, and 116 dB peak SPL. The crossover is a fixed highpass filter at 80 Hz with a subwoofer lowpass filter variable from 60 to 160 Hz per the room and system’s needs. It comes with thermal and overload/clip protection, phase reverse/variable phase adjust, and combination input jacks. The KRK12s offers reproduction down to 34 Hz with a 12" Kevlar driver, 225W RMS power, 113 dB peak SPL, 80 Hz highpass crossover with lowpass filter variable from 50 to 130 Hz. It features XLR, 1/4" TRS, and RCA inputs, XLR and RCA outputs, system volume control, phase reverse, and ground lift. Prices: TBA More from: KRK Systems, www.krksys.com.
10
RECORDING JUNE 2011


http://www.radialeng.com http://www.waves.com http://www.krksys.com

Recording - June 2011

Table of Contents for the Digital Edition of Recording - June 2011

Recording - June 2011
Fade In.
Contents
Talkback.
Fast Forward.
Converting An Office Room Into A Studio.
JBL MSC1 Monitor System Controller.
Room Correction—An Overview.
Telefunken Elektroakustik CU-29 Copperhead Tube Condenser Mic.
Building A Recording Studio.
Primacoustic FlexiBooth.
RealTraps MegaTraps.
Plug-In Outlet.
SXSW 2011.
Auralex MudGuard.
DAW Details.
Sound Devices USBPre 2.
It’s Your Music—Know Your Rights. Chapter 15: Licensing Music for Motion Pictures and Television.
Readers’ Tapes.
Advertiser Index.
Fade Out.
Recording - June 2011 - Recording - June 2011
Recording - June 2011 - Cover2
Recording - June 2011 - 1
Recording - June 2011 - Fade In.
Recording - June 2011 - 3
Recording - June 2011 - Contents
Recording - June 2011 - 5
Recording - June 2011 - Talkback.
Recording - June 2011 - 7
Recording - June 2011 - Fast Forward.
Recording - June 2011 - 9
Recording - June 2011 - 10
Recording - June 2011 - 11
Recording - June 2011 - Converting An Office Room Into A Studio.
Recording - June 2011 - 13
Recording - June 2011 - 14
Recording - June 2011 - 15
Recording - June 2011 - 16
Recording - June 2011 - 17
Recording - June 2011 - 18
Recording - June 2011 - 19
Recording - June 2011 - 20
Recording - June 2011 - 21
Recording - June 2011 - 22
Recording - June 2011 - 23
Recording - June 2011 - JBL MSC1 Monitor System Controller.
Recording - June 2011 - 25
Recording - June 2011 - 26
Recording - June 2011 - 27
Recording - June 2011 - 28
Recording - June 2011 - 29
Recording - June 2011 - Room Correction—An Overview.
Recording - June 2011 - 31
Recording - June 2011 - 32
Recording - June 2011 - 33
Recording - June 2011 - Telefunken Elektroakustik CU-29 Copperhead Tube Condenser Mic.
Recording - June 2011 - 35
Recording - June 2011 - Building A Recording Studio.
Recording - June 2011 - 37
Recording - June 2011 - 38
Recording - June 2011 - 39
Recording - June 2011 - 40
Recording - June 2011 - 41
Recording - June 2011 - 42
Recording - June 2011 - 43
Recording - June 2011 - Primacoustic FlexiBooth.
Recording - June 2011 - 45
Recording - June 2011 - RealTraps MegaTraps.
Recording - June 2011 - 47
Recording - June 2011 - Plug-In Outlet.
Recording - June 2011 - 49
Recording - June 2011 - SXSW 2011.
Recording - June 2011 - 51
Recording - June 2011 - Auralex MudGuard.
Recording - June 2011 - 53
Recording - June 2011 - 54
Recording - June 2011 - 55
Recording - June 2011 - 56
Recording - June 2011 - 57
Recording - June 2011 - DAW Details.
Recording - June 2011 - 59
Recording - June 2011 - Sound Devices USBPre 2.
Recording - June 2011 - 61
Recording - June 2011 - It’s Your Music—Know Your Rights. Chapter 15: Licensing Music for Motion Pictures and Television.
Recording - June 2011 - 63
Recording - June 2011 - Readers’ Tapes.
Recording - June 2011 - Advertiser Index.
Recording - June 2011 - 66
Recording - June 2011 - 67
Recording - June 2011 - 68
Recording - June 2011 - 69
Recording - June 2011 - 70
Recording - June 2011 - 71
Recording - June 2011 - Fade Out.
Recording - June 2011 - Cover3
Recording - June 2011 - Cover4
https://www.nxtbook.com/musicmaker/musicmaker/recording_202405
https://www.nxtbook.com/musicmaker/musicmaker/recording_202404
https://www.nxtbook.com/musicmaker/musicmaker/recording_202403
https://www.nxtbook.com/musicmaker/musicmaker/recording_202402
https://www.nxtbook.com/musicmaker/musicmaker/recording_202401
https://www.nxtbook.com/musicmaker/musicmaker/recording_202312
https://www.nxtbook.com/musicmaker/musicmaker/recording-november-2023
https://www.nxtbook.com/musicmaker/musicmaker/recording_202310
https://www.nxtbook.com/musicmaker/musicmaker/recording_202309
https://www.nxtbook.com/musicmaker/musicmaker/recording_202308
https://www.nxtbook.com/musicmaker/musicmaker/recording_202307
https://www.nxtbook.com/musicmaker/musicmaker/recording_202306
https://www.nxtbook.com/musicmaker/musicmaker/recording_202305
https://www.nxtbook.com/musicmaker/musicmaker/recording_202304
https://www.nxtbook.com/musicmaker/musicmaker/recording_202303
https://www.nxtbook.com/musicmaker/musicmaker/recording_202302
https://www.nxtbook.com/musicmaker/musicmaker/recording_202301
https://www.nxtbook.com/musicmaker/musicmaker/recording_202212
https://www.nxtbook.com/musicmaker/musicmaker/recording_202211
https://www.nxtbook.com/musicmaker/musicmaker/recording_202210
https://www.nxtbook.com/musicmaker/musicmaker/recording_202209
https://www.nxtbook.com/musicmaker/musicmaker/recording_202208
https://www.nxtbook.com/musicmaker/musicmaker/recording_202207
https://www.nxtbook.com/musicmaker/musicmaker/recording_202206
https://www.nxtbook.com/musicmaker/musicmaker/recording_202205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202204
https://www.nxtbook.com/musicmaker/musicmaker/recording_202203
https://www.nxtbook.com/musicmaker/musicmaker/recording_202202
https://www.nxtbook.com/musicmaker/musicmaker/recording_202201
https://www.nxtbook.com/musicmaker/musicmaker/recording_202112
https://www.nxtbook.com/musicmaker/musicmaker/recording_202111
https://www.nxtbook.com/musicmaker/musicmaker/recording_202110
https://www.nxtbook.com/musicmaker/musicmaker/recording_202109
https://www.nxtbook.com/musicmaker/musicmaker/recording_202108
https://www.nxtbook.com/musicmaker/musicmaker/recording_202107
https://www.nxtbook.com/musicmaker/musicmaker/recording_202106
https://www.nxtbook.com/musicmaker/musicmaker/recording_202105
https://www.nxtbook.com/musicmaker/musicmaker/recording_202104
https://www.nxtbook.com/musicmaker/musicmaker/recording_202103
https://www.nxtbook.com/musicmaker/musicmaker/recording_202102
https://www.nxtbook.com/musicmaker/musicmaker/recording_202101
https://www.nxtbook.com/musicmaker/musicmaker/recording_202012
https://www.nxtbook.com/musicmaker/musicmaker/recording_202011
https://www.nxtbook.com/musicmaker/musicmaker/recording_202010
https://www.nxtbook.com/musicmaker/musicmaker/recording_202009
https://www.nxtbook.com/musicmaker/musicmaker/recording_202008
https://www.nxtbook.com/musicmaker/musicmaker/recording_202007
https://www.nxtbook.com/musicmaker/musicmaker/recording_202006
https://www.nxtbook.com/musicmaker/musicmaker/recording_20205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202004
https://www.nxtbook.com/musicmaker/musicmaker/recording_202003
https://www.nxtbook.com/musicmaker/musicmaker/recording_202002
https://www.nxtbook.com/musicmaker/musicmaker/recording_202001
https://www.nxtbook.com/musicmaker/musicmaker/recording_201912
https://www.nxtbook.com/musicmaker/musicmaker/recording_201911
https://www.nxtbook.com/musicmaker/musicmaker/recording_201910
https://www.nxtbook.com/musicmaker/musicmaker/recording_201909
https://www.nxtbook.com/musicmaker/musicmaker/recording_201908
https://www.nxtbook.com/musicmaker/musicmaker/recording_201907
https://www.nxtbook.com/musicmaker/musicmaker/recording_201906
https://www.nxtbook.com/musicmaker/musicmaker/recording_201905
https://www.nxtbook.com/musicmaker/musicmaker/recording_201904
https://www.nxtbook.com/musicmaker/musicmaker/recording_201903
https://www.nxtbook.com/musicmaker/musicmaker/recording_201902
https://www.nxtbook.com/musicmaker/musicmaker/recording_201901
https://www.nxtbook.com/musicmaker/musicmaker/recording_201812
https://www.nxtbook.com/musicmaker/musicmaker/recording_201811
https://www.nxtbook.com/musicmaker/musicmaker/recording_201810
https://www.nxtbook.com/musicmaker/musicmaker/recording_201809
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201808
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201807
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201806
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201805
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201804
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201803
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201802
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201801
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201712
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201711
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201710
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201709
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201708
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201707
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201706
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201705
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201704
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201703
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201702
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201701
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201612
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201611
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201610
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201609
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201608
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201607
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201606
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201605
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201604
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201603
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201602
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201601
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201512
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201511
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201510
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201509
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201508
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201507
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201506
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201505
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201504
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201503
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201502
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201501
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201412
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201411
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201410
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201409
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201408
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201407
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201406
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201405
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201404
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201403
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201402
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201401
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201312
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201311
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201310
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201309
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201308
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201307
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201306
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201305
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201304
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201303
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201302
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201301
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201212
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201211
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201210
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201209
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201208
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201207
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201206
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201205
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201204
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201203
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201202
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201201
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201112
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201111
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201110
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201109
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201108
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201107
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201106
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201105
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201104
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201103
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201102
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201101
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201012
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201011
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201010
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201009
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201008
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201007
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201006
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201005
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201004
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201003
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201002
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201001
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200912
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200911
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200910
https://www.nxtbook.com/nxtbooks/musicmaker/nxtd
https://www.nxtbookmedia.com