Recording - July 2011 - 2

PUBLISHER: Thomas Hawley ASSOCIATE PUBLISHER: Brent Heintz

EDITOR: Lorenz Rychner ASSOCIATE EDITOR: Mike Metlay MÚSICO PRO EDITOR: Fernando Curiel

EDITORIAL

Guitars The ancient Greeks called it kithara, you may call it an axe; B.B. King calls his Lucille, and Les Paul’s invention was The Log. You can go see The Log, in Nashville, TN, in the The Country Music Hall of Fame and Museum—if you haven’t been, start making plans, it’s worth a trip and a long visit. And just as fascinating, with many more significant guitars on display, is the Experience Music Project in Seattle, WA, but pack your gumboots and umbrella before you board the plane... Playing an instrument with strings on a resonating body is an idea that has been around for so long, its origins are shrouded in the mist of time immemorial. And if that’s the ’60s for you, you know who you are (if you can remember them, you weren’t really there...). In some ways things haven’t changed all that much for guitar slingers. In ancient Greece they had strict rules about what scales were appropriate for which occasions—woe to the kitharist who played a happy mode for a solemn event, Zeus was sure to strike him down with a thunderbolt. Nowadays, the thunderbolt might come from an inadequately grounded amp, and it’s only the chickenwire that saves the hapless picker from getting hit by beer bottles if he plays “Louie Louie” in the wrong key. Recording guitars is the topic of this issue. We promised to cater to the needs of recording guitarists and those who record guitars. What are those needs? Well, to begin with, it’s about tones and sounds: the more the merrier. If you own an amp of brand X, you’re lusting after another of brand Y, and why not the one of brand Z? Ditto with the guitars, and with the effects. They all sound different, and you want them all. Now you can have them all, without maxing out your credit card and renting a warehouse for storage. Read this issue of Recording and be amazed. Some dedicated people spent many hours evaluating products for you, and here are the results. Paul Vnuk Jr. and Christopher Short burned the midnight oil to audit and describe close to a hundred amps, cabs, and effects that you can get for a few dollars each, modeled by IK Multimedia as part of the Amplitube 3.5 collection, which now is free, as in zero dollars. Read on page 46 what you get for nothing— it’s a lot, and then be amazed at what you can get if you actually spend a few dollars! Our Mike Metlay and Darwin Grosse took over Subterranean Scumbarge Studio A and Dizzy Heights Audio for days-long sessions, and checked out not just three TC Electronic pedals but 14 miscellaneous products that are quite amazing. Mike also looked at a number of guitar-related products for the iPod and iPad—there’s some serious gear for a variety of tasks. That’s not all. We bring you a few more product reviews, and since it’s not just about what you have but about how you use it, we offer you these articles on studio techniques: Har shares his insights into the best use of effects pedals, how to string them together and how to keep the chain noise-free—no mean feat at your feet. And Brian Tarquin looks at ways to avoid the muddy low end that can come from ill-advised use of the oh-so-trendy 7- and 8-string guitars. He flushes that mud right out of the studio! Our Brent Heintz visited the ASCAP “I Create Music” EXPO 2011 and reports on the Fade Out page—mark your calendar for next year; having attended a couple of these ASCAP EXPO events myself I can join in with Brent in recommending that you put it on your agenda. Happy trails, and— Happy Recording.

CONTRIBUTORS Har, Darwin Grosse, Brian Tarquin, Paul Vnuk Jr., Todd Gascon, Bruce Kaphan, Allen Goodman, Marty Peters, Brent Heintz
ART DIRECTOR: Scott Simmonds PRODUCTION MANAGER: Colin Courtney WEB GOALIE: Colin Courtney

ART & PRODUCTION

EDITOR/PRODUCER:

PLAYBACK PLATINUM SERIES Lorenz Rychner CIRCULATION Tiffany Sepe

CIRCULATION MANAGER:

ADVERTISING SALES AND MARKETING DIRECTOR: Brent Heintz CLASSIFIEDS MANAGER: Stephanie King
ACCOUNTS RECEIVABLE:

ADMINISTRATION Stephanie King

PRESIDENT: Thomas Hawley VICE PRESIDENT: Brent Heintz

EXECUTIVE OFFICERS

SUBSCRIPTIONS/ADDRESS CHANGES: 1-800-582-8326 832-886-1126 ADVERTISING/CLASSIFIEDS/MAIN OFFICE: (303) 516-9118 RECORDING MAGAZINE (ISSN 1078-8352; USPS 002-298) is published monthly, 12 times per year, by Music Maker Publications, Inc., 5408 Idylwild Trail, Boulder, CO 80301-3523. Tel: (303) 516-9118 Fax: (303) 516-9119 email: info@recordingmag.com
Periodicals Postage is paid at Boulder, CO and at additional mailing offices. POSTMASTER: Send address changes to RECORDING, Subscriber Services, P.O. Box 334, Stafford, TX, 77497. Tel: 1-800-582-8326 or 832-886-1126. Subscription rate: $19.95 per year. All material is subject to worldwide copyright protection, and reproduction or imitation in whole or in part is expressly forbidden without written consent from the publishers. All reasonable care is taken to ensure accuracy in the preparation of the magazine, but Music Maker Publications, Inc. cannot be held legally responsible for its contents. The publishers cannot assume responsibility for the return of unsolicited manuscripts, photographs or materials. All trademarked names, whether indicated as such or not, are owned by their respective companies. Canada Post: Publications Mail Agreement #41491032. Canada Returns to be sent to Bleuchip International, P.O. Box 25542, London, ON N6C 6B2

© Copyright 2011 Music Maker Publications, Inc.

PRINTED IN THE U.S.A.

2

RECORDING JULY 2011



Recording - July 2011

Table of Contents for the Digital Edition of Recording - July 2011

Recording - July 2011
Fade In
Contents
Talkback
Fast Forward
Put Your Foot Down!
A Guitar Gear Grab Bag
Fat Guitar Tones Without The Mud
Rupert Neve Designs Portico 5017
iOS Music Tools For Guitarists
Reviewed and Revisited: BOSS RC-30 Loop Station
Reviewed and Revisited: IK Multimedia AmpliTube 3.5
Tech21 Blonde
It’s Your Music—Know Your Rights. Chapter 16: Licensing Music For Video Games
Eventide Space
Recording’s Showcase of Sounds
TC Electronic Flashback, Shaker, and Hall Of Fame
Readers’ Tapes
Advertiser Index
Fade Out
Recording - July 2011 - Recording - July 2011
Recording - July 2011 - Cover2
Recording - July 2011 - 1
Recording - July 2011 - Fade In
Recording - July 2011 - 3
Recording - July 2011 - Contents
Recording - July 2011 - 5
Recording - July 2011 - Talkback
Recording - July 2011 - 7
Recording - July 2011 - Fast Forward
Recording - July 2011 - 9
Recording - July 2011 - 10
Recording - July 2011 - 11
Recording - July 2011 - Put Your Foot Down!
Recording - July 2011 - 13
Recording - July 2011 - 14
Recording - July 2011 - 15
Recording - July 2011 - 16
Recording - July 2011 - 17
Recording - July 2011 - 18
Recording - July 2011 - 19
Recording - July 2011 - 20
Recording - July 2011 - 21
Recording - July 2011 - A Guitar Gear Grab Bag
Recording - July 2011 - 23
Recording - July 2011 - 24
Recording - July 2011 - 25
Recording - July 2011 - 26
Recording - July 2011 - 27
Recording - July 2011 - 28
Recording - July 2011 - 29
Recording - July 2011 - 30
Recording - July 2011 - 31
Recording - July 2011 - 32
Recording - July 2011 - 33
Recording - July 2011 - Fat Guitar Tones Without The Mud
Recording - July 2011 - 35
Recording - July 2011 - 36
Recording - July 2011 - 37
Recording - July 2011 - Rupert Neve Designs Portico 5017
Recording - July 2011 - 39
Recording - July 2011 - iOS Music Tools For Guitarists
Recording - July 2011 - 41
Recording - July 2011 - 42
Recording - July 2011 - 43
Recording - July 2011 - Reviewed and Revisited: BOSS RC-30 Loop Station
Recording - July 2011 - 45
Recording - July 2011 - Reviewed and Revisited: IK Multimedia AmpliTube 3.5
Recording - July 2011 - 47
Recording - July 2011 - 48
Recording - July 2011 - 49
Recording - July 2011 - Tech21 Blonde
Recording - July 2011 - 51
Recording - July 2011 - 52
Recording - July 2011 - 53
Recording - July 2011 - 54
Recording - July 2011 - 55
Recording - July 2011 - It’s Your Music—Know Your Rights. Chapter 16: Licensing Music For Video Games
Recording - July 2011 - 57
Recording - July 2011 - Eventide Space
Recording - July 2011 - 59
Recording - July 2011 - Recording’s Showcase of Sounds
Recording - July 2011 - 61
Recording - July 2011 - TC Electronic Flashback, Shaker, and Hall Of Fame
Recording - July 2011 - 63
Recording - July 2011 - Readers’ Tapes
Recording - July 2011 - Advertiser Index
Recording - July 2011 - 66
Recording - July 2011 - 67
Recording - July 2011 - 68
Recording - July 2011 - 69
Recording - July 2011 - 70
Recording - July 2011 - 71
Recording - July 2011 - Fade Out
Recording - July 2011 - Cover3
Recording - July 2011 - Cover4
https://www.nxtbook.com/musicmaker/musicmaker/recording_202108
https://www.nxtbook.com/musicmaker/musicmaker/recording_202107
https://www.nxtbook.com/musicmaker/musicmaker/recording_202106
https://www.nxtbook.com/musicmaker/musicmaker/recording_202105
https://www.nxtbook.com/musicmaker/musicmaker/recording_202104
https://www.nxtbook.com/musicmaker/musicmaker/recording_202103
https://www.nxtbook.com/musicmaker/musicmaker/recording_202102
https://www.nxtbook.com/musicmaker/musicmaker/recording_202101
https://www.nxtbook.com/musicmaker/musicmaker/recording_202012
https://www.nxtbook.com/musicmaker/musicmaker/recording_202011
https://www.nxtbook.com/musicmaker/musicmaker/recording_202010
https://www.nxtbook.com/musicmaker/musicmaker/recording_202009
https://www.nxtbook.com/musicmaker/musicmaker/recording_202008
https://www.nxtbook.com/musicmaker/musicmaker/recording_202007
https://www.nxtbook.com/musicmaker/musicmaker/recording_202006
https://www.nxtbook.com/musicmaker/musicmaker/recording_20205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202004
https://www.nxtbook.com/musicmaker/musicmaker/recording_202003
https://www.nxtbook.com/musicmaker/musicmaker/recording_202002
https://www.nxtbook.com/musicmaker/musicmaker/recording_202001
https://www.nxtbook.com/musicmaker/musicmaker/recording_201912
https://www.nxtbook.com/musicmaker/musicmaker/recording_201911
https://www.nxtbook.com/musicmaker/musicmaker/recording_201910
https://www.nxtbook.com/musicmaker/musicmaker/recording_201909
https://www.nxtbook.com/musicmaker/musicmaker/recording_201908
https://www.nxtbook.com/musicmaker/musicmaker/recording_201907
https://www.nxtbook.com/musicmaker/musicmaker/recording_201906
https://www.nxtbook.com/musicmaker/musicmaker/recording_201905
https://www.nxtbook.com/musicmaker/musicmaker/recording_201904
https://www.nxtbook.com/musicmaker/musicmaker/recording_201903
https://www.nxtbook.com/musicmaker/musicmaker/recording_201902
https://www.nxtbook.com/musicmaker/musicmaker/recording_201901
https://www.nxtbook.com/musicmaker/musicmaker/recording_201812
https://www.nxtbook.com/musicmaker/musicmaker/recording_201811
https://www.nxtbook.com/musicmaker/musicmaker/recording_201810
https://www.nxtbook.com/musicmaker/musicmaker/recording_201809
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201808
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201807
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201806
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201805
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201804
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201803
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201802
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201801
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201712
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201711
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201710
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201709
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201708
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201707
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201706
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201705
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201704
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201703
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201702
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201701
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201612
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201611
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201610
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201609
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201608
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201607
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201606
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201605
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201604
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201603
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201602
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201601
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201512
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201511
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201510
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201509
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201508
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201507
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201506
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201505
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201504
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201503
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201502
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201501
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201412
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201411
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201410
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201409
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201408
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201407
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201406
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201405
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201404
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201403
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201402
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201401
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201312
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201311
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201310
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201309
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201308
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201307
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201306
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201305
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201304
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201303
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201302
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201301
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201212
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201211
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201210
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201209
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201208
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201207
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201206
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201205
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201204
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201203
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201202
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201201
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201112
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201111
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201110
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201109
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201108
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201107
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201106
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201105
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201104
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201103
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201102
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201101
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201012
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201011
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201010
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201009
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201008
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201007
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201006
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201005
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201004
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201003
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201002
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201001
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200912
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200911
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200910
https://www.nxtbook.com/nxtbooks/musicmaker/nxtd
https://www.nxtbookmedia.com