Recording - October 2011 - 44
Radial Workhorse And Modules
EXTC Shuttle
In simple terms, the Shuttle turns any piece of outboard equipment into a 500-Series module and, on the Workhorse, allows you to inject any external device into its mix bus. How does it do this? Connections and concepts The layout of the Shuttle is deceptively simple. You get a pair of unbalanced 1/4" (send and return) jacks for –10 dBV operation and a pair of balanced +4 dBu 1/4" jacks. Each has its own insert toggle button for taking the device in and out of the signal chain for audition purposes. The EXTC is similar to the Shuttle— another 1/4" send/return patching device, but this time with focus on Hi-Z guitar effects pedals. The EXTC is part HiZ direct box and part reamp device rolled into one. With this module you can now effortlessly (and better yet, correctly) blend stomp box effects into your mix. The EXTC is equipped with one 1/4" unbalanced send and one 1/4" return that interfaces directly with your pedals. Each has its own trim pot to allow you to correctly set gain staging with your pedals.
Radial’s website, in its description of the Dragster, explains the Drag function also found in the JDV-Pre: “The Dragster is a load-correction device designed to restore full, rich tone [...] whenever a guitar is connected to a buffered input [...] [It] lets you dial in the perfect impedance for the most natural sound. Result? Your guitar tone regains its warmth— it feels ‘right’ again and your performance sounds great!”
The Omniport on the Shuttle acts as a traditional channel insert with a standard TRS Y-cable. It is engaged via a frontpanel button and allows you to add an additional eq or compressor into the Shuttle’s chain, in other words adding an insert into an insert. Why would I want to do any of this? That was my first question, and the answer comes down to how you have your Workhorse set up and what its function is in your studio. In a tracking scenario you could use up to six mic pres for tracking, and then use a pair of Shuttles to take in a stereo mix feed from your DAW. With the Workhorse’s monitoring section and dual headphone outputs this would give you a latency-free submix for the musicians. Or, if you have a small 500-Series-based home studio you can use one or more Shuttles to insert additional 19" rackmount processors and effects into the 500 series chain without the hassle of a patchbay. Essentially this is a simple and elegant bridge between 500-Series racks and traditional audio gear, and allows easy access for external gear to the Workhorse’s bus system. In use In my studio I use a TT/D-sub-based patch bay, and as such hooking up some of my older 1/4" I/O effects, like my Alesis Wedge reverb, is usually a hassle. But with the Shuttle, my Wedge effortlessly became a 500-Series reverb unit. The Shuttle is one of those devices you may not know you need until you need it. If you are a 500Series fanatic, then this piece could be a real nobrainer for interfacing other traditional studio gear without patching acrobatics or potential level-mismatch hassles.
44
RECORDING OCTOBER 2011
The EXTC also has a master wet/dry Blend knob and a 180-degree phase switch. The EXTC’s Omniport functions similarly to the Shuttle’s and allows you to place an insert device into the signal chain with a standard TRS-Y cable. Personal EXTC After looking at the prototype at the NAMM show, I was excited to get my hands on an EXTC. As a sound designer and electronic musician, I love adding the uniqueness of stomp boxes into my mixes. With the EXTC I no longer need to pull out a separate DI and a Reamp box to get effects pedals into my DAW. Now if you are thinking, “Can’t I just use the send and returns on my mixer just like any other effect?”—the answer is: Yes, you could, but the gain staging and, worse yet, the impedance load would be wrong. While it may work, it just won’t sound as good as it could. When you use the EXTC with the Workhorse’s mix buss and channel feed design, you can record and track your guitar and stomp boxes normally, but by starting with the guitar into the JDV-Pre and fed into the EXTC and then followed into the
Recording - October 2011
Table of Contents for the Digital Edition of Recording - October 2011
Recording - October 2011
Fade In
Contents
Talkback
Fast Forward
Postcards From The World Of Recording
Grace Design m103
Adobe Audition CS5.5
Radial Engineering Workhorse and 500-Series Modules: JDV-Pre, Shuttle, EXTC, and PhazeQ
Blue Reactor Multi-Pattern Condenser Mic
Great River Electronics / Harrison 32EQ 500-Series Equalizer Module
Millennia Media HV-35 500-Series Mic Preamp
Telefunken Elektroakustik AK-47 MkII Tube Condenser Mic
Pulse Techniques EQP-1A3
Audix CX212B Multi-Pattern Condenser Mic
A-Designs HM2 Compressor “The Nail”
It’s Your Music—Know Your Rights. Chapter 19: Album Release Checklist
Electro-Voice RE320 Dynamic Mic
Alesis iO Dock
Putting Together The Pieces
Reviewed & Revisited: Fable Sounds Broadway Big Band Kontakt Edition and Broadway Lites
Readers’ Tapes
Advertiser Index
Fade Out
Recording - October 2011 - Recording - October 2011
Recording - October 2011 - Cover2
Recording - October 2011 - 1
Recording - October 2011 - Fade In
Recording - October 2011 - 3
Recording - October 2011 - Contents
Recording - October 2011 - 5
Recording - October 2011 - Talkback
Recording - October 2011 - 7
Recording - October 2011 - Fast Forward
Recording - October 2011 - 9
Recording - October 2011 - 10
Recording - October 2011 - 11
Recording - October 2011 - Postcards From The World Of Recording
Recording - October 2011 - 13
Recording - October 2011 - 14
Recording - October 2011 - 15
Recording - October 2011 - 16
Recording - October 2011 - 17
Recording - October 2011 - 18
Recording - October 2011 - 19
Recording - October 2011 - 20
Recording - October 2011 - 21
Recording - October 2011 - 22
Recording - October 2011 - 23
Recording - October 2011 - 24
Recording - October 2011 - 25
Recording - October 2011 - Grace Design m103
Recording - October 2011 - 27
Recording - October 2011 - 28
Recording - October 2011 - 29
Recording - October 2011 - Adobe Audition CS5.5
Recording - October 2011 - 31
Recording - October 2011 - 32
Recording - October 2011 - 33
Recording - October 2011 - 34
Recording - October 2011 - 35
Recording - October 2011 - 36
Recording - October 2011 - 37
Recording - October 2011 - Radial Engineering Workhorse and 500-Series Modules: JDV-Pre, Shuttle, EXTC, and PhazeQ
Recording - October 2011 - 39
Recording - October 2011 - 40
Recording - October 2011 - 41
Recording - October 2011 - 42
Recording - October 2011 - 43
Recording - October 2011 - 44
Recording - October 2011 - 45
Recording - October 2011 - Blue Reactor Multi-Pattern Condenser Mic
Recording - October 2011 - 47
Recording - October 2011 - Great River Electronics / Harrison 32EQ 500-Series Equalizer Module
Recording - October 2011 - 49
Recording - October 2011 - 50
Recording - October 2011 - 51
Recording - October 2011 - Millennia Media HV-35 500-Series Mic Preamp
Recording - October 2011 - 53
Recording - October 2011 - Telefunken Elektroakustik AK-47 MkII Tube Condenser Mic
Recording - October 2011 - 55
Recording - October 2011 - Pulse Techniques EQP-1A3
Recording - October 2011 - 57
Recording - October 2011 - Audix CX212B Multi-Pattern Condenser Mic
Recording - October 2011 - 59
Recording - October 2011 - A-Designs HM2 Compressor “The Nail”
Recording - October 2011 - 61
Recording - October 2011 - It’s Your Music—Know Your Rights. Chapter 19: Album Release Checklist
Recording - October 2011 - 63
Recording - October 2011 - 64
Recording - October 2011 - 65
Recording - October 2011 - Electro-Voice RE320 Dynamic Mic
Recording - October 2011 - 67
Recording - October 2011 - 68
Recording - October 2011 - 69
Recording - October 2011 - 70
Recording - October 2011 - 71
Recording - October 2011 - 72
Recording - October 2011 - 73
Recording - October 2011 - Alesis iO Dock
Recording - October 2011 - 75
Recording - October 2011 - Putting Together The Pieces
Recording - October 2011 - 77
Recording - October 2011 - Reviewed & Revisited: Fable Sounds Broadway Big Band Kontakt Edition and Broadway Lites
Recording - October 2011 - 79
Recording - October 2011 - Readers’ Tapes
Recording - October 2011 - Advertiser Index
Recording - October 2011 - 82
Recording - October 2011 - 83
Recording - October 2011 - 84
Recording - October 2011 - 85
Recording - October 2011 - 86
Recording - October 2011 - 87
Recording - October 2011 - Fade Out
Recording - October 2011 - Cover3
Recording - October 2011 - Cover4
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