Recording - October 2011 - 8

New Interfaces From PreSonus Add Software Integration
Three new USB 2.0 audio/MIDI interfaces from PreSonus combine features from its popular signal processing hardware with native versions of DSP effects found in the StudioLive digital consoles. Each interface includes XMAX preamps, A/D and D/A conversion at up to 24-bit/96 kHz, and high-quality headphone amplification. The interfaces are not only bundled with PreSonus’ Studio One Artist crossplatform DAW software, but also with Virtual StudioLive, a software package that provides bus-based reverb and delay and Fat Channel dynamics control, 3-band semi-parametric eq, and highpass filtering, all at latencies low enough to allow for live tracking and monitoring with effects in place. The three interfaces are: the AudioBox 22VSL, a 1/3-rackspace 2-in/2-out bus-powered interface with two combo mic/instrument inputs and balanced stereo outputs on 1/4" TRS; the AudioBox 44VSL, a 4-in/4-out 1 /2-rackspace interface with 8x4 software mixing, four combo inputs (two mic/instrument and two mic/line), L/R balanced outputs on 1/4" TRS plus four 1/4" TRS balanced line outputs; and the full-rackspace AudioBox 1818VSL, with eight combo inputs (2 mic/instrument and 6 mic/line), L/R balanced outputs on 1/4" TRS plus eight 1/4" TRS balanced line outputs, 8-channel ADAT optical input and output (4 channels at 88.2 or 96 kHz), stereo S/PDIF I/O, word clock output, and 26x18 software mixing. All three interfaces offer MIDI I/O as well. Prices (street): AudioBox 22VSL, $199; AudioBox 44VSL, $299; AudioBox 1818VSL, $499 More from: PreSonus, www.presonus.com

Slate Pro Audio’s New Preamp Has Multiple Personalities
The Fox is the new mic preamp from Slate Pro Audio. This 1U rackmount preamp has two unique preamp circuits on each of its two channels: “vintage”, designed in homage to British preamps like the Neve 1073, and “modern”, which is designed for clean accuracy. In addition, each channel has a “combo” switch, which allows the input stage of one preamp type to be combined with the output of the other, e.g. vintage in/modern out. This provides a total of four unique sonic signatures per preamp channel. The Fox includes a 1/4" instrument input on each channel as well. Price: $1799.99 More from: Slate Pro Audio, www.slateproaudio.com

Equator’s New Monitors Offer Affordable Quality
Equator Audio Research has announced the new D5 Reference Studio Monitors, designed for professionals in need of a small, accurate studio monitor. These active monitors are 9.75 x 7 x 8.5 inches in size and offer a coaxially designed 5.25" woofer and center-mounted 1" silk tweeter with a 2 x 50 Watt RMS digital amplifier rated to 103 dB SPL at 1 meter. Frequency response is 53 Hz–20 kHz. The D5 uses technology from the Equator Q Series monitors, including the Zero Point Reference coaxial design with internal DSP to provide accurate output matching and voicing, so its midrange reproduction does not suffer with respect to the highs and lows, as is often heard on other moderately priced monitors. Price: $299.99/pair More from: Equator Audio Research, www.equatoraudio.com
8
RECORDING OCTOBER 2011


http://www.presonus.com http://www.slateproaudio.com http://www.equatoraudio.com

Recording - October 2011

Table of Contents for the Digital Edition of Recording - October 2011

Recording - October 2011
Fade In
Contents
Talkback
Fast Forward
Postcards From The World Of Recording
Grace Design m103
Adobe Audition CS5.5
Radial Engineering Workhorse and 500-Series Modules: JDV-Pre, Shuttle, EXTC, and PhazeQ
Blue Reactor Multi-Pattern Condenser Mic
Great River Electronics / Harrison 32EQ 500-Series Equalizer Module
Millennia Media HV-35 500-Series Mic Preamp
Telefunken Elektroakustik AK-47 MkII Tube Condenser Mic
Pulse Techniques EQP-1A3
Audix CX212B Multi-Pattern Condenser Mic
A-Designs HM2 Compressor “The Nail”
It’s Your Music—Know Your Rights. Chapter 19: Album Release Checklist
Electro-Voice RE320 Dynamic Mic
Alesis iO Dock
Putting Together The Pieces
Reviewed & Revisited: Fable Sounds Broadway Big Band Kontakt Edition and Broadway Lites
Readers’ Tapes
Advertiser Index
Fade Out
Recording - October 2011 - Recording - October 2011
Recording - October 2011 - Cover2
Recording - October 2011 - 1
Recording - October 2011 - Fade In
Recording - October 2011 - 3
Recording - October 2011 - Contents
Recording - October 2011 - 5
Recording - October 2011 - Talkback
Recording - October 2011 - 7
Recording - October 2011 - Fast Forward
Recording - October 2011 - 9
Recording - October 2011 - 10
Recording - October 2011 - 11
Recording - October 2011 - Postcards From The World Of Recording
Recording - October 2011 - 13
Recording - October 2011 - 14
Recording - October 2011 - 15
Recording - October 2011 - 16
Recording - October 2011 - 17
Recording - October 2011 - 18
Recording - October 2011 - 19
Recording - October 2011 - 20
Recording - October 2011 - 21
Recording - October 2011 - 22
Recording - October 2011 - 23
Recording - October 2011 - 24
Recording - October 2011 - 25
Recording - October 2011 - Grace Design m103
Recording - October 2011 - 27
Recording - October 2011 - 28
Recording - October 2011 - 29
Recording - October 2011 - Adobe Audition CS5.5
Recording - October 2011 - 31
Recording - October 2011 - 32
Recording - October 2011 - 33
Recording - October 2011 - 34
Recording - October 2011 - 35
Recording - October 2011 - 36
Recording - October 2011 - 37
Recording - October 2011 - Radial Engineering Workhorse and 500-Series Modules: JDV-Pre, Shuttle, EXTC, and PhazeQ
Recording - October 2011 - 39
Recording - October 2011 - 40
Recording - October 2011 - 41
Recording - October 2011 - 42
Recording - October 2011 - 43
Recording - October 2011 - 44
Recording - October 2011 - 45
Recording - October 2011 - Blue Reactor Multi-Pattern Condenser Mic
Recording - October 2011 - 47
Recording - October 2011 - Great River Electronics / Harrison 32EQ 500-Series Equalizer Module
Recording - October 2011 - 49
Recording - October 2011 - 50
Recording - October 2011 - 51
Recording - October 2011 - Millennia Media HV-35 500-Series Mic Preamp
Recording - October 2011 - 53
Recording - October 2011 - Telefunken Elektroakustik AK-47 MkII Tube Condenser Mic
Recording - October 2011 - 55
Recording - October 2011 - Pulse Techniques EQP-1A3
Recording - October 2011 - 57
Recording - October 2011 - Audix CX212B Multi-Pattern Condenser Mic
Recording - October 2011 - 59
Recording - October 2011 - A-Designs HM2 Compressor “The Nail”
Recording - October 2011 - 61
Recording - October 2011 - It’s Your Music—Know Your Rights. Chapter 19: Album Release Checklist
Recording - October 2011 - 63
Recording - October 2011 - 64
Recording - October 2011 - 65
Recording - October 2011 - Electro-Voice RE320 Dynamic Mic
Recording - October 2011 - 67
Recording - October 2011 - 68
Recording - October 2011 - 69
Recording - October 2011 - 70
Recording - October 2011 - 71
Recording - October 2011 - 72
Recording - October 2011 - 73
Recording - October 2011 - Alesis iO Dock
Recording - October 2011 - 75
Recording - October 2011 - Putting Together The Pieces
Recording - October 2011 - 77
Recording - October 2011 - Reviewed & Revisited: Fable Sounds Broadway Big Band Kontakt Edition and Broadway Lites
Recording - October 2011 - 79
Recording - October 2011 - Readers’ Tapes
Recording - October 2011 - Advertiser Index
Recording - October 2011 - 82
Recording - October 2011 - 83
Recording - October 2011 - 84
Recording - October 2011 - 85
Recording - October 2011 - 86
Recording - October 2011 - 87
Recording - October 2011 - Fade Out
Recording - October 2011 - Cover3
Recording - October 2011 - Cover4
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