Recording - November 2011 - 34

50% return on your investment, then you can’t spend more than $9750 recording and manufacturing the album. This means that has to cover CD replication, graphic design, mastering, etc. Roughly, those things could eat up $2500, leaving you roughly $7250 to burn on studio time. And there you go: now you and/or your client have a budget. Why is all of this important? It’s not—if money is no object. But, if you’re like most artists and are scraping together money from multiple sources and borrowing money from your friends and family, then it’s important to be able to show a formula, a process, or a business plan for what you’re doing with the money—not only for them, but for yourselves. Does everyone plan this way? No. Do successful bands/artists plan this way? If they don’t themselves, someone on their team most certainly does. Should everyone plan exactly like this? Not necessarily, every situation is different. The above example simply illustrates that you can be a lot more effective and accountable by starting with the end goal and working backwards from there... which is certainly a preferable option to just spending money with no end in sight. Maximizing relationships I’m sure some of us are familiar with the movie Jerry Maguire. Throughout the film, Tom Cruise’s character has a mentor named Dicky Fox, who periodically shows up with

Back to social networking. The movie Jerry Maguire likes to focus on quality over quantity, which is not a bad thing. If you have several thousand friends in your online social network, how many of them do you actually know? How many of them are you taking the time to get to know? Just having them as a “friend” means nothing. Reach out, connect, strike up a conversation, find out what they have going on. Sure, it takes time! But guess what, if you can’t commit to doing at least a little bit of this on a regular basis, they might as well not even be there. If you don’t take the time to focus on the relationships you already have in your life and then build from there, then how will you ever get in the habit of doing this? Critical Success Factors Remember those things called Critical Success Factors? When you make long-range plans, you need to know your Critical Success Factors (CSF) and their associated measures. Measures should tell you priorities. If a measure is not where it is supposed to be, then it is a priority. Let’s say a CSF is to have 1000 meaningful contacts in your online social network, and a measure may be the number of people you interact with on a somewhat regular basis. If the number of people you are currently in contact with is 200, but the Goal is 1000, then obviously this is a priority. As you can see, the whole process directly relates to priorities and organization.

If you’re not out there shaking hands and kissing babies, how do you ever expect to move ahead in your career?
some motivating words of wisdom. One of those is: “The key to this business is personal relationships.” And it couldn’t be truer, especially in the music business. But how do we cultivate business relationships on a personal level? Networking is and always will be an important thing. If you’re not out there shaking hands and kissing babies, how do you ever expect to move ahead in your career? However, since the advent of social media, there has been an assumption that if you have a lot of friends, fans, or contacts on your favorite networking site, then you’re “networking”. I hate to break it to you, but this couldn’t be further from the truth. Hold that thought... Okay, forget the Internet for a minute and look around you. Who do you already personally know? Some of you might be thinking: “I don’t know anybody that can really help my career.” Okay—you have goals, right? Is there a studio you want to record at but don’t have the money? Is there a club you want to play at that won’t give you the time of day? Then my question is: What have you done for them lately? If you’re in a working band (and by working I mean working the scene, playing out, etc.) then chances are good you know a lot of musicians. Ever think about cutting a deal with the local studio or club that if you bring them “XYZ” in business then they will give you some of their time and/or facilities? If you’re going to build relationships, put the best foot forward and help someone else first with their goals or needs. I guarantee you’ll see results. Now, those results might be a mutually beneficial relationship, or they could be that you realize you really don’t want to work with that person or company. But it’s all results, and you’re building forward momentum.
34
RECORDING NOVEMBER 2011

According to Stephen Covey (author of, among others, The 7 Habits of Highly Effective People), you divide a circle into four equal parts and make what’s called four quadrants, each containing two factors, where one factor is Important and the other is Urgent. Something is truly Important if it relates directly to your Mission. Something being Urgent, however, simply means that you believe it needs to be done right away. So, Quadrant One contains those things that are both Important and Urgent. In Quadrant Two are those things that are Important but Not Urgent. Quadrant Three has those things that are not Important but Urgent. Finally, in Quadrant Four are those things that are Not Important and Not Urgent. Unfortunately, people spend a lot of time in all four quadrants. The true secret to time management is to spend most of the time in Quadrant Two, on those things that are Important but Not Urgent. This relates to things such as personal development, empowerment, and effectiveness within your creative team. I know, I know—deep stuff if you happen to be reading this on a Monday morning.... So, now that we have addressed some of what I call the “personal skill set”, next time we’ll look at some of the professional resources we can use to go out and conquer the world... or at least take our music to the next level. See you then. Mark Hornsby (hornsby@recordingmag.com) is a music producer, audio engineer, musician and marketing consultant based out of Nashville, TN. For more information, check out: www.markhornsby.com.


http://www.markhornsby.com

Recording - November 2011

Table of Contents for the Digital Edition of Recording - November 2011

Recording - November 2011
Fade In
Contents
Talkback
Fast Forward
PreSonus StudioLive 16.0.2
Mixing And The Stereo Field
TASCAM US-2000 USB 2.0 Audio Interface
The Mixing Workshop: Better Mixes Through Creative Editing—Part 1
Roll Music RMS216 Folcrom
Sonnox Fraunhofer Pro-Codec
How To Be Successful In Today’s Music Business—Part 1
Plug-In Outlet
Mid-Side Stereo Recording
iOS Music Tools: For Composers
For Your Bookshelf
Organize Your Mix Session
Reviewed And Revisited: iZotope RX 2
Shure SRH940 Headphones
Readers’ Tapes
Advertiser Index
Fade Out
Recording - November 2011 - Recording - November 2011
Recording - November 2011 - Cover2
Recording - November 2011 - 1
Recording - November 2011 - Fade In
Recording - November 2011 - 3
Recording - November 2011 - Contents
Recording - November 2011 - 5
Recording - November 2011 - Talkback
Recording - November 2011 - 7
Recording - November 2011 - Fast Forward
Recording - November 2011 - 9
Recording - November 2011 - 10
Recording - November 2011 - 11
Recording - November 2011 - PreSonus StudioLive 16.0.2
Recording - November 2011 - 13
Recording - November 2011 - 14
Recording - November 2011 - 15
Recording - November 2011 - Mixing And The Stereo Field
Recording - November 2011 - 17
Recording - November 2011 - 18
Recording - November 2011 - 19
Recording - November 2011 - TASCAM US-2000 USB 2.0 Audio Interface
Recording - November 2011 - 21
Recording - November 2011 - The Mixing Workshop: Better Mixes Through Creative Editing—Part 1
Recording - November 2011 - 23
Recording - November 2011 - 24
Recording - November 2011 - 25
Recording - November 2011 - Roll Music RMS216 Folcrom
Recording - November 2011 - 27
Recording - November 2011 - Sonnox Fraunhofer Pro-Codec
Recording - November 2011 - 29
Recording - November 2011 - How To Be Successful In Today’s Music Business—Part 1
Recording - November 2011 - 31
Recording - November 2011 - 32
Recording - November 2011 - 33
Recording - November 2011 - 34
Recording - November 2011 - 35
Recording - November 2011 - 36
Recording - November 2011 - 37
Recording - November 2011 - Plug-In Outlet
Recording - November 2011 - 39
Recording - November 2011 - Mid-Side Stereo Recording
Recording - November 2011 - 41
Recording - November 2011 - 42
Recording - November 2011 - 43
Recording - November 2011 - iOS Music Tools: For Composers
Recording - November 2011 - 45
Recording - November 2011 - 46
Recording - November 2011 - 47
Recording - November 2011 - 48
Recording - November 2011 - 49
Recording - November 2011 - For Your Bookshelf
Recording - November 2011 - 51
Recording - November 2011 - 52
Recording - November 2011 - 53
Recording - November 2011 - 54
Recording - November 2011 - 55
Recording - November 2011 - Organize Your Mix Session
Recording - November 2011 - 57
Recording - November 2011 - Reviewed And Revisited: iZotope RX 2
Recording - November 2011 - 59
Recording - November 2011 - 60
Recording - November 2011 - 61
Recording - November 2011 - Shure SRH940 Headphones
Recording - November 2011 - 63
Recording - November 2011 - Readers’ Tapes
Recording - November 2011 - Advertiser Index
Recording - November 2011 - 66
Recording - November 2011 - 67
Recording - November 2011 - 68
Recording - November 2011 - 69
Recording - November 2011 - 70
Recording - November 2011 - 71
Recording - November 2011 - Fade Out
Recording - November 2011 - Cover3
Recording - November 2011 - Cover4
https://www.nxtbook.com/musicmaker/musicmaker/recording_202405
https://www.nxtbook.com/musicmaker/musicmaker/recording_202404
https://www.nxtbook.com/musicmaker/musicmaker/recording_202403
https://www.nxtbook.com/musicmaker/musicmaker/recording_202402
https://www.nxtbook.com/musicmaker/musicmaker/recording_202401
https://www.nxtbook.com/musicmaker/musicmaker/recording_202312
https://www.nxtbook.com/musicmaker/musicmaker/recording-november-2023
https://www.nxtbook.com/musicmaker/musicmaker/recording_202310
https://www.nxtbook.com/musicmaker/musicmaker/recording_202309
https://www.nxtbook.com/musicmaker/musicmaker/recording_202308
https://www.nxtbook.com/musicmaker/musicmaker/recording_202307
https://www.nxtbook.com/musicmaker/musicmaker/recording_202306
https://www.nxtbook.com/musicmaker/musicmaker/recording_202305
https://www.nxtbook.com/musicmaker/musicmaker/recording_202304
https://www.nxtbook.com/musicmaker/musicmaker/recording_202303
https://www.nxtbook.com/musicmaker/musicmaker/recording_202302
https://www.nxtbook.com/musicmaker/musicmaker/recording_202301
https://www.nxtbook.com/musicmaker/musicmaker/recording_202212
https://www.nxtbook.com/musicmaker/musicmaker/recording_202211
https://www.nxtbook.com/musicmaker/musicmaker/recording_202210
https://www.nxtbook.com/musicmaker/musicmaker/recording_202209
https://www.nxtbook.com/musicmaker/musicmaker/recording_202208
https://www.nxtbook.com/musicmaker/musicmaker/recording_202207
https://www.nxtbook.com/musicmaker/musicmaker/recording_202206
https://www.nxtbook.com/musicmaker/musicmaker/recording_202205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202204
https://www.nxtbook.com/musicmaker/musicmaker/recording_202203
https://www.nxtbook.com/musicmaker/musicmaker/recording_202202
https://www.nxtbook.com/musicmaker/musicmaker/recording_202201
https://www.nxtbook.com/musicmaker/musicmaker/recording_202112
https://www.nxtbook.com/musicmaker/musicmaker/recording_202111
https://www.nxtbook.com/musicmaker/musicmaker/recording_202110
https://www.nxtbook.com/musicmaker/musicmaker/recording_202109
https://www.nxtbook.com/musicmaker/musicmaker/recording_202108
https://www.nxtbook.com/musicmaker/musicmaker/recording_202107
https://www.nxtbook.com/musicmaker/musicmaker/recording_202106
https://www.nxtbook.com/musicmaker/musicmaker/recording_202105
https://www.nxtbook.com/musicmaker/musicmaker/recording_202104
https://www.nxtbook.com/musicmaker/musicmaker/recording_202103
https://www.nxtbook.com/musicmaker/musicmaker/recording_202102
https://www.nxtbook.com/musicmaker/musicmaker/recording_202101
https://www.nxtbook.com/musicmaker/musicmaker/recording_202012
https://www.nxtbook.com/musicmaker/musicmaker/recording_202011
https://www.nxtbook.com/musicmaker/musicmaker/recording_202010
https://www.nxtbook.com/musicmaker/musicmaker/recording_202009
https://www.nxtbook.com/musicmaker/musicmaker/recording_202008
https://www.nxtbook.com/musicmaker/musicmaker/recording_202007
https://www.nxtbook.com/musicmaker/musicmaker/recording_202006
https://www.nxtbook.com/musicmaker/musicmaker/recording_20205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202004
https://www.nxtbook.com/musicmaker/musicmaker/recording_202003
https://www.nxtbook.com/musicmaker/musicmaker/recording_202002
https://www.nxtbook.com/musicmaker/musicmaker/recording_202001
https://www.nxtbook.com/musicmaker/musicmaker/recording_201912
https://www.nxtbook.com/musicmaker/musicmaker/recording_201911
https://www.nxtbook.com/musicmaker/musicmaker/recording_201910
https://www.nxtbook.com/musicmaker/musicmaker/recording_201909
https://www.nxtbook.com/musicmaker/musicmaker/recording_201908
https://www.nxtbook.com/musicmaker/musicmaker/recording_201907
https://www.nxtbook.com/musicmaker/musicmaker/recording_201906
https://www.nxtbook.com/musicmaker/musicmaker/recording_201905
https://www.nxtbook.com/musicmaker/musicmaker/recording_201904
https://www.nxtbook.com/musicmaker/musicmaker/recording_201903
https://www.nxtbook.com/musicmaker/musicmaker/recording_201902
https://www.nxtbook.com/musicmaker/musicmaker/recording_201901
https://www.nxtbook.com/musicmaker/musicmaker/recording_201812
https://www.nxtbook.com/musicmaker/musicmaker/recording_201811
https://www.nxtbook.com/musicmaker/musicmaker/recording_201810
https://www.nxtbook.com/musicmaker/musicmaker/recording_201809
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201808
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201807
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201806
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201805
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201804
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201803
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201802
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201801
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201712
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201711
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201710
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201709
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201708
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201707
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201706
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201705
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201704
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201703
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201702
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201701
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201612
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201611
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201610
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201609
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201608
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201607
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201606
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201605
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201604
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201603
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201602
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201601
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201512
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201511
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201510
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201509
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201508
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201507
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201506
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201505
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201504
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201503
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201502
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201501
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201412
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201411
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201410
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201409
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201408
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201407
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201406
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201405
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201404
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201403
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201402
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201401
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201312
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201311
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201310
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201309
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201308
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201307
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201306
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201305
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201304
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201303
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201302
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201301
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201212
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201211
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201210
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201209
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201208
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201207
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201206
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201205
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201204
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201203
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201202
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201201
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201112
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201111
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201110
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201109
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201108
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201107
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201106
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201105
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201104
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201103
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201102
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201101
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201012
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201011
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201010
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201009
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201008
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201007
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201006
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201005
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201004
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201003
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201002
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201001
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200912
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200911
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200910
https://www.nxtbook.com/nxtbooks/musicmaker/nxtd
https://www.nxtbookmedia.com