Recording - April 2012 - 14

DPA Microphones (dpamicrophones.com) announced two new 2000 Series capsules, the MMC2006 omni and MMC2011 cardioid ($475 each). The 2000 Series is intended to bring the famed 4000 Series capsule performance to a wider audience at an attractive price point; the capsule are interchangeable with 4000 Series bodies and capsules. Earthworks (earthworksaudio.com) demonstrated its PM40T PianoMic (reviewed September 2011) on a beautiful Ravenscroft piano, visited throughout the weekend by luminaries like Dave Grusin and Stevie Wonder. new: Lexicon’s MPX Native Reverb Plug-In ($199.95), offering seven reverb types from the famed MPX Series of Lexicon processors. DigiTech (digitech.com) premiered the iStomp ($149.95), an effects stompbox that can be turned into any of over 20 different effects by downloading a program from an attached iOS device. A free iStomp Shop app allows users to browse and buy stompbox programs—the pedal comes with a free delay and overdrive to get you started. iConnectivity (iconnectivity.com) premiered the iConnectMUSE ($249), a very small networkable audio mixing and routing device. The iConnectMUSE offers two 1/4" TRS balanced 24bit/48 kHz analog inputs and outputs and a 1/8" TRS headphone output, plus two more stereo/dual mono pairs over USB ports and two more pairs over Ethernet. It can be networked to create larger arrays of I/O for separate cue mixes, etc., all in a package only slightly larger than an iPhone. Emotiva Professional (emotivapro.com) showed its line of airmotiv biamplified monitors, with ribbon tweeters and woofers in three sizes: 4.5" on the airmotiv 4 ($399/pair), 5.25" on the airmotiv 5 ($599/pair), and 6.5" on the airmotiv 6 ($799/pair). New for the show: the prototype Stealth 8 (price TBA, projected around $1499/pair). Eventide (eventide.com) showed Blackhole ($99 introductory price), a native plug-in that offers the Blackhole reverb found on Eventide’s high-end processors and in the Space stompbox.

Fishman (fishman.com) offered the Triple Play (price TBA), a wireless guitar system that includes a hexaphonic pickup, controller, and USB receiver for Windows, OS X, and iOS. Installable on any guitar without permanent alteration, the Triple Play wirelessly sends audio and MIDI to your DAW for recording as well as virtual instrument control. Focusrite (focusrite.com) announced version 1.2 of the Virtual Reference Monitoring software for the VRM Box USB headphone interface, which includes new attenuation options, improved user interface graphics, and more. Harman (harmanpro.com) showed new products from dbx Professional (dbxpro.com), including the redesigned S Series rackmount signal processors like the 266xs 2-channel compressor/ gate ($209.95) and 166xs compressor/limiter/gate ($339.95), and Lexicon (lexiconpro.com), who announced the availability of 14 individual plug-ins from its PCM Native Effects and PCM Native Reverb bundles, allowing access to specific algorithms from these world-class reverb collections at more affordable prices. Also
14
RECORDING APRIL 2012

IK Multimedia (ikmultimedia.com) offered several new TRRSjack audio interfaces for iOS devices: the iRig MIX mobile DJ mixer ($99.99) with two inputs, crossfader, and headphone master/cue monitor out; the iRig MIC Cast clip-on interview mic with headphone out ($39.99); the iRig STOMP ($59.99), a floor pedal guitar interface with Hi-Z input and stereo outs; the iRig PRE XLR mic input/headphone output box ($39.99). Also new: iKlip Studio ($29.99), a folding desktop stand for the iPad. ILIO (ilio.com) showed new products from several of its represented soundware brands. Applied Acoustics Systems (appliedacoustics.com) was showing Chromaphone ($199), a virtual instrument that models many types of resonators—drum skins, wooden bars, metal bars and plates, etc.—and their interactions, allowing for very complex melodic and percussive timbres. Nomad Factory From top: iConnectivity iConnectMUSE; Emotiva Professional airmotiv 4, 5, and 6; Lexicon MPX Native Reverb Plug-In; dbx 266xs


http://www.dpamicrophones.com http://www.earthworksaudio.com http://www.digitech.com http://www.iconnectivity.com http://www.emotivapro.com http://www.eventide.com http://www.fishman.com http://www.ikmultimedia.com http://www.focusrite.com http://www.ilio.com http://www.appliedacoustics.com http://www.appliedacoustics.com http://www.harmanpro.com http://www.dbxpro.com http://www.lexiconpro.com

Recording - April 2012

Table of Contents for the Digital Edition of Recording - April 2012

Recording - April 2012
Fade In
Table of Contents
Talkback
2012 Winter NAMM Show Report
Sonodyne SM100Ak and SM50Ak Active Monitors
Shure SRH1440 Headphones
Noises In—Noises Out
Recording Fundamentals. Chapter 4: Introduction To Microphones—Part One (History and Design)
Reviewed and Revisited: iZotope Ozone 5 Advanced
Pelonis Model 42 Stereo Monitors
The Science And Art Of Ambisonics
Little Labs i-VOG Analog Bass Resonance Tool
Readers’ Tapes
Plug-In Outlet
Cerwin-Vega! XD3 Powered Desktop Speakers
Once Over—Reviews In Brief
Do It Yourself: Make Your Own Check Mix Monitor
Rob Papen eXplorer
Advertiser Index
Fade Out
Recording - April 2012 - Recording - April 2012
Recording - April 2012 - Cover2
Recording - April 2012 - 1
Recording - April 2012 - 2
Recording - April 2012 - 3
Recording - April 2012 - Fade In
Recording - April 2012 - 5
Recording - April 2012 - Table of Contents
Recording - April 2012 - 7
Recording - April 2012 - Talkback
Recording - April 2012 - 9
Recording - April 2012 - 2012 Winter NAMM Show Report
Recording - April 2012 - 11
Recording - April 2012 - 12
Recording - April 2012 - 13
Recording - April 2012 - 14
Recording - April 2012 - 15
Recording - April 2012 - 16
Recording - April 2012 - 17
Recording - April 2012 - 18
Recording - April 2012 - 19
Recording - April 2012 - 20
Recording - April 2012 - 21
Recording - April 2012 - Sonodyne SM100Ak and SM50Ak Active Monitors
Recording - April 2012 - 23
Recording - April 2012 - Shure SRH1440 Headphones
Recording - April 2012 - 25
Recording - April 2012 - Noises In—Noises Out
Recording - April 2012 - 27
Recording - April 2012 - Recording Fundamentals. Chapter 4: Introduction To Microphones—Part One (History and Design)
Recording - April 2012 - 29
Recording - April 2012 - 30
Recording - April 2012 - 31
Recording - April 2012 - 32
Recording - April 2012 - 33
Recording - April 2012 - Reviewed and Revisited: iZotope Ozone 5 Advanced
Recording - April 2012 - 35
Recording - April 2012 - 36
Recording - April 2012 - 37
Recording - April 2012 - Pelonis Model 42 Stereo Monitors
Recording - April 2012 - 39
Recording - April 2012 - The Science And Art Of Ambisonics
Recording - April 2012 - 41
Recording - April 2012 - Little Labs i-VOG Analog Bass Resonance Tool
Recording - April 2012 - 43
Recording - April 2012 - Readers’ Tapes
Recording - April 2012 - 45
Recording - April 2012 - Plug-In Outlet
Recording - April 2012 - 47
Recording - April 2012 - 48
Recording - April 2012 - 49
Recording - April 2012 - 50
Recording - April 2012 - 51
Recording - April 2012 - 52
Recording - April 2012 - 53
Recording - April 2012 - Cerwin-Vega! XD3 Powered Desktop Speakers
Recording - April 2012 - 55
Recording - April 2012 - Once Over—Reviews In Brief
Recording - April 2012 - 57
Recording - April 2012 - 58
Recording - April 2012 - 59
Recording - April 2012 - Do It Yourself: Make Your Own Check Mix Monitor
Recording - April 2012 - 61
Recording - April 2012 - Rob Papen eXplorer
Recording - April 2012 - 63
Recording - April 2012 - 64
Recording - April 2012 - Advertiser Index
Recording - April 2012 - 66
Recording - April 2012 - 67
Recording - April 2012 - 68
Recording - April 2012 - 69
Recording - April 2012 - 70
Recording - April 2012 - 71
Recording - April 2012 - Fade Out
Recording - April 2012 - Cover3
Recording - April 2012 - Cover4
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