Recording - May 2012 - 23
violin and adjusting its levels, I kept thinking, “Wow, this sounds great, nice tone with great space and depth!” Imagine my surprise when I noticed the mics were patched in wrong and the mic I was auditioning was actually the HM-3C! While I was fiddling with the other mic (that wasn’t turned up), the Kel just happened to be sitting a few feet in front of the violin, actually just above waist level as it had most recently been set up as a part of the aforementioned Glyn Johns drum setup. As such, it was nowhere near the violin’s f-hole/sweet spot, and still sounded phenomenal. Guess which mic we used for the session? It sounded even better when properly placed. The two things I did not like the HM-3C on were surprisingly my favorite sources for the HM-7U: electric guitar cabinet and voice. In both instances I want weight, sheen and a touch of vibe, and that’s not the HM-3C’s thing.
Electric guitar is perhaps my favorite use for the HM-7U— Full, thick, and modern, blending nicely with your standard SM57.
Conclusions As with the Song Sparrow, these two Kel mics impress me. Their sound is unique, their build is solid and their prices are just shocking. The HM-7U is a mere $449 to American buyers, a bargain for a mic that offers a great mix of the classic FET sound with a slightly more extended range than the originals for a unique character of its own. The HM-3C is frankly a steal at $299, which is good because if you do acoustic string instruments of any kind or want natural classic sounding drums, you will need at least two! Hats off to Kel Audio for two marvelous designs. I can’t wait to hear what they come up with next. Prices: HM-7U, $449; HM-3C, $299 More from: Kel Audio, www.kelaudio.com Paul Vnuk Jr. (vnuk@recordingmag.com) is a recording and live-sound engineer, producer, sound designer, and musician working in the Milwaukee area. His clients range from local bands and churches all the way up to Sony, for whom his most recent sound library is Continental Drift. Learn more about Paul’s current projects at www.majale.com.
RECORDING MAY 2012
23
http://www.primacoustic.com
http://www.kelaudio.com
http://www.majale.com
http://www.primacoustic.com
Recording - May 2012
Table of Contents for the Digital Edition of Recording - May 2012
Recording - May 2012
Fade In
Contents
Talkback
Fast Forward
Lynne Arriale’s Solo—A Piano Solo Recording Of Note
Kel Audio HM-7U amd HM-3C Microphones
Fanny Franklin’s Get Wet—A Conversation With Producer/Engineer Jason Gutierrez
AKG Perception 120 USB Microphone
Miking Instruments: The Lost Art
Earthworks SR20 Microphone
SXSW 2012
Radial Engineering MC3 Passive Monitor Switcher
Readers’ Tapes
Recording Fundamentals. Chapter 5: Introduction To Microphones—Part Two (Directionality).
Miking A Symphony Orchestra For A Commercial
Audio-Technica AT4050ST Stereo Microphone
Alclair Reference In-Ear Monitors
RME Fireface UCX
Advertiser Index
Fade Out
Recording - May 2012 - Recording - May 2012
Recording - May 2012 - Cover2
Recording - May 2012 - 1
Recording - May 2012 - 2
Recording - May 2012 - 3
Recording - May 2012 - Fade In
Recording - May 2012 - 5
Recording - May 2012 - Contents
Recording - May 2012 - 7
Recording - May 2012 - Talkback
Recording - May 2012 - 9
Recording - May 2012 - Fast Forward
Recording - May 2012 - 11
Recording - May 2012 - Lynne Arriale’s Solo—A Piano Solo Recording Of Note
Recording - May 2012 - 13
Recording - May 2012 - 14
Recording - May 2012 - 15
Recording - May 2012 - 16
Recording - May 2012 - 17
Recording - May 2012 - 18
Recording - May 2012 - 19
Recording - May 2012 - 20
Recording - May 2012 - 21
Recording - May 2012 - Kel Audio HM-7U amd HM-3C Microphones
Recording - May 2012 - 23
Recording - May 2012 - Fanny Franklin’s Get Wet—A Conversation With Producer/Engineer Jason Gutierrez
Recording - May 2012 - 25
Recording - May 2012 - 26
Recording - May 2012 - 27
Recording - May 2012 - 28
Recording - May 2012 - 29
Recording - May 2012 - 30
Recording - May 2012 - 31
Recording - May 2012 - 32
Recording - May 2012 - 33
Recording - May 2012 - AKG Perception 120 USB Microphone
Recording - May 2012 - 35
Recording - May 2012 - Miking Instruments: The Lost Art
Recording - May 2012 - 37
Recording - May 2012 - Earthworks SR20 Microphone
Recording - May 2012 - 39
Recording - May 2012 - SXSW 2012
Recording - May 2012 - 41
Recording - May 2012 - Radial Engineering MC3 Passive Monitor Switcher
Recording - May 2012 - 43
Recording - May 2012 - Readers’ Tapes
Recording - May 2012 - 45
Recording - May 2012 - Recording Fundamentals. Chapter 5: Introduction To Microphones—Part Two (Directionality).
Recording - May 2012 - 47
Recording - May 2012 - 48
Recording - May 2012 - 49
Recording - May 2012 - 50
Recording - May 2012 - 51
Recording - May 2012 - 52
Recording - May 2012 - 53
Recording - May 2012 - 54
Recording - May 2012 - 55
Recording - May 2012 - Miking A Symphony Orchestra For A Commercial
Recording - May 2012 - 57
Recording - May 2012 - Audio-Technica AT4050ST Stereo Microphone
Recording - May 2012 - 59
Recording - May 2012 - Alclair Reference In-Ear Monitors
Recording - May 2012 - 61
Recording - May 2012 - RME Fireface UCX
Recording - May 2012 - 63
Recording - May 2012 - 64
Recording - May 2012 - Advertiser Index
Recording - May 2012 - 66
Recording - May 2012 - 67
Recording - May 2012 - 68
Recording - May 2012 - 69
Recording - May 2012 - 70
Recording - May 2012 - 71
Recording - May 2012 - Fade Out
Recording - May 2012 - Cover3
Recording - May 2012 - Cover4
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