Recording - June 2012 - 28

&
Figure 2 shows a comped vocal from seven takes, with individual sections edited for level and start/endpoint fades. This fairly simple example took me only a minute or two to create, with very musical results.

3
The comping system doesn’t just work for single tracks. If you’ve grouped two or more tracks together, you can comp one of them and the other tracks in the group will follow your movements and assemble comp tracks that perfectly match what you’ve done. Folder Tracks and the Track List Speaking of grouping tracks... One of the make-or-break features of any DAW is how it lets you organize very large or complex sets of tracks so it’s easy to see where you are and what you’re doing. S1v2 adds two new features that greatly simplify and clarify track display. Folder Tracks are exactly what they sound like... sets of tracks that have been gathered into a single folder. At first, this folder is simply an organizational item, placing a bunch of tracks into a single lane to get them out of the way. But you can also turn these tracks into a group with a single click, and then create a group bus for them in the Mix window just as easily. The Track List is a special window that shows tracks, layers, automation lanes, and folders. Within this list you can hide and show tracks to clarify what you’re looking at, and even save sets of tracks as presets that you can quickly call up or send away. Work on all your drums, then hide them and work on all your vocals... all with a click or two. Bending audio Another place where grouped tracks can be worked with quickly in S1v2 is with the new Audio Bend toolset for quantization, beat matching, groove extraction, and editing. Once again, a minimal number of clicks produces a very powerful set of beat cleanup tools. Using Audio Bend on a track or group of tracks is as simple as rightclicking and asking for transient detection. Once the track has been analyzed, you can then use a special tool to drag transient markers back and forth, with clear graphics highlighting sections of the waveform that have been compressed or stretched. See Figure 3. The time stretching/compression algorithm in Studio One version 2 sounds great, and a Slice option is available if you’d prefer to move beats around ReCycle-style. You can also drag and drop a track into the Groove window and create a groove file that can be applied to other tracks, and as hinted at earlier, entire groups of tracks can be quantized in one pass.
28
RECORDING JUNE 2012

Bringing the world into your studio You’d have to be living under a rock to not appreciate the impact of social media and networking on the creative process these days; it seems that as soon as they’re recorded, tracks are being uploaded, shared, tweeted about, and so forth. Studio One version 2 brings the online world into the music-creation workflow in two very interesting ways. First of all, while it was already possible to upload tracks directly from Studio One Pro to SoundCloud (www.sound cloud.com) to share with friends, version 2 of Studio One makes the process bi-directional and seamless. SoundCloud now appears as a Server in the Browser window, and you can open subfolders and directly access materials in your own folder and in the shared folders of SoundCloud users you’re following. Highlighting an item brings up a mini preview window for auditioning, and bringing materials into your Song is as easy as drag-and-drop. See Figure 4. The second new feature of Studio One version 2 is called PreSonus Exchange, shown in the Browser in Figure 5. It’s an online shared database of useful items for Studio One, everything from FX Chains and Pitchnames to complete Soundsets and Extensions (added features for the DAW). These items are instantly available in the Browser window and can be selected, downloaded, updated, etc. for immediate use, You can also log into the PreSonus website’s Exchange portal and upload your own creations, rate and comment upon products you’ve tried (the ratings show in the Browser in Studio One), and more. This is a really effective way of sharing resources and building community among Studio One users. The site and all of its content is free of charge. Other new features Every distinct section of a track is called an Event, and the new Studio One allows each Event to have its own insert effects. That means you can process just one bar of a vocal track with a powerful reverb for dub effects, or isolate different types of compression by song section... not just changing parameter settings but actually changing the effect itself. This amount of flexibility is a significant step beyond straightforward automation. Track Transform is S1v2’s take on “freezing”, where tracks can be rendered in place as audio files, removing plug-ins and virtual instruments in favor of a fixed audio file, thus freeing up CPU power for use elsewhere. You can always revert the transformed track into its original form for further editing. As a novel twist on 5 this, transformed instrument tracks can be edited as audio files, then turned back into instrument tracks, edits still in place.

4

6


http://www.soundcloud.com http://www.soundcloud.com

Recording - June 2012

Table of Contents for the Digital Edition of Recording - June 2012

Recording - June 2012
Fade In
Contents
Talkback
Fast Forward
Finale 2012 As A Tool For Sample Playback
Mark De Clive-Lowe
Applied Acoustics Systems Chromaphone.
Reviewed and Revisited: PreSonus Studio One 2.0.
Toontrack EZkeys Grand Piano
Recording Fundamentals. Chapter 6: Introduction to Microphones—Part Three (From Proximity To Plosives)
Recording’s Showcase Of Sounds
Steven Slate Drums 4.0.
Sample Magic Electro and Hed Kandi: Disco House Samples
MOTU MachFive3
Reviewed and Revisited: audiobro LA Scoring Strings 2.0.
Milab DC-96B and DC-96C Condenser Microphones
Sennheiser MK 4 Condenser Microphone
Olympus LS-20M and LS-100 Portable Recorders
Readers’ Tapes
Advertiser Index
Fade Out
Recording - June 2012 - Recording - June 2012
Recording - June 2012 - Cover2
Recording - June 2012 - 1
Recording - June 2012 - 2
Recording - June 2012 - 3
Recording - June 2012 - Fade In
Recording - June 2012 - 5
Recording - June 2012 - Contents
Recording - June 2012 - 7
Recording - June 2012 - Talkback
Recording - June 2012 - 9
Recording - June 2012 - Fast Forward
Recording - June 2012 - 11
Recording - June 2012 - Finale 2012 As A Tool For Sample Playback
Recording - June 2012 - 13
Recording - June 2012 - 14
Recording - June 2012 - 15
Recording - June 2012 - 16
Recording - June 2012 - 17
Recording - June 2012 - 18
Recording - June 2012 - 19
Recording - June 2012 - Mark De Clive-Lowe
Recording - June 2012 - 21
Recording - June 2012 - 22
Recording - June 2012 - 23
Recording - June 2012 - Applied Acoustics Systems Chromaphone.
Recording - June 2012 - 25
Recording - June 2012 - Reviewed and Revisited: PreSonus Studio One 2.0.
Recording - June 2012 - 27
Recording - June 2012 - 28
Recording - June 2012 - 29
Recording - June 2012 - Toontrack EZkeys Grand Piano
Recording - June 2012 - 31
Recording - June 2012 - 32
Recording - June 2012 - 33
Recording - June 2012 - Recording Fundamentals. Chapter 6: Introduction to Microphones—Part Three (From Proximity To Plosives)
Recording - June 2012 - 35
Recording - June 2012 - 36
Recording - June 2012 - 37
Recording - June 2012 - Recording’s Showcase Of Sounds
Recording - June 2012 - 39
Recording - June 2012 - 40
Recording - June 2012 - 41
Recording - June 2012 - 42
Recording - June 2012 - 43
Recording - June 2012 - 44
Recording - June 2012 - 45
Recording - June 2012 - Steven Slate Drums 4.0.
Recording - June 2012 - 47
Recording - June 2012 - Sample Magic Electro and Hed Kandi: Disco House Samples
Recording - June 2012 - 49
Recording - June 2012 - MOTU MachFive3
Recording - June 2012 - 51
Recording - June 2012 - Reviewed and Revisited: audiobro LA Scoring Strings 2.0.
Recording - June 2012 - 53
Recording - June 2012 - Milab DC-96B and DC-96C Condenser Microphones
Recording - June 2012 - 55
Recording - June 2012 - Sennheiser MK 4 Condenser Microphone
Recording - June 2012 - 57
Recording - June 2012 - 58
Recording - June 2012 - 59
Recording - June 2012 - 60
Recording - June 2012 - 61
Recording - June 2012 - Olympus LS-20M and LS-100 Portable Recorders
Recording - June 2012 - 63
Recording - June 2012 - Readers’ Tapes
Recording - June 2012 - Advertiser Index
Recording - June 2012 - 66
Recording - June 2012 - 67
Recording - June 2012 - 68
Recording - June 2012 - 69
Recording - June 2012 - 70
Recording - June 2012 - 71
Recording - June 2012 - Fade Out
Recording - June 2012 - Cover3
Recording - June 2012 - Cover4
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