Recording - June 2012 - 29
There are no new virtual instruments in S1v2’s bundled content, but the Ampire guitar-effects plug-in has been significantly improved (it’s now called Ampire XT), and there is a gorgeous new convolution reverb called OpenAIR that comes with over a Gigabyte of Impulse Responses, as well as a plug-in called IR Maker that allows you to create your own IRs... not only for OpenAIR but also for the cabinet simulator in Ampire XT, for exceptionally realistic tones. This is a big win for users, as convolution reverbs are a whole new realm of realistic and beautiful spatial simulation from which almost any track can benefit. See Figure 6. All of these features are in Studio One’s Song page... the Project Page, where you can assemble Songs into complete CDs, has some nice additions as well, including industry-standard DDP export for CD pressing, loudness analysis tools, easy placement of CD track markers, and more. Just before we went to press, version 2.0.5 of Studio One shipped with a number of bug fixes and enhancements, including one I spotted immediately—a dialog box that pops up if you try to quit without saving your work, in which a full file list of everything you’ll lose is presented for you to scan. The two biggest additions in version 2.0.5 are Macro buttons, which let you assemble sequences of commands into a single button press, and full MIDI mapping of all controls and parameters, so any MIDI device can control any function in Studio One. Four versions Now that we’ve had a look at features, the dividing lines between the four versions of Studio One version 2 will be easier to understand. There’s a comparison chart on the PreSonus website that gives all the details, but here’s a quick summation. Studio One Professional works in 32-bit and 64-bit modes, has both the Song and Project Pages, all features and content, and a full Melodyne singletrack license. Considering the power of the Project Page, the quality of OpenAIR, and the value of Melodyne, I consider this version by far the best value even though it costs most. Studio One Producer is 32-bit only, loses the Project Page, SoundCloud integration, QuickTime video playback/sync, and five of the fanciest bundled effects (including OpenAIR and IR Maker). Melodyne singletrack is a 30-day upgradable trial. If you’re quite sure you’ll never want the Project Page, Producer may prove a good value for you. Studio One Artist is available at low cost and comes bundled with every PreSonus hardware interface. It’s very similar to Producer but can’t import or export MP3s and doesn’t let you use ReWire or third-party plug-ins (aside from Melodyne, included as a trial).
Studio One Free is free of charge, and has almost all of Artist’s editing and recording features. It only comes with eight plug-ins and one virtual instrument, doesn’t support Melodyne, and lacks several of the newest features, like Audio Bend and Folder Tracks, but is a great way to learn about the Studio One workflow without spending a dime. Final notes During the review process, both PreSonus and Celemony shipped updates to Studio One and Melodyne singletrack (to versions 2.0.5 and 2.0.1 respectively). Both updates were launched, downloaded, installed, and authorized from within Studio One, making use of an Internet connection. For Melodyne, there was one cut-and-paste of an authorization code from the Celemony website, and for Studio One, there wasn’t even that. It all just worked. And that’s been my refrain since I started working with Studio One two years ago. Everything just works. It’s clear, easy to navigate, well-organized, and ridiculously fast, and with version 2, there are very few things I could ask for that it doesn’t have waiting under the hood. None of version 2’s new features has added complexity or bloat to the program; in fact, I would argue that those features which do have an impact on work speed have made Studio One faster, not slower. And in months of hard work with this program, I have had exactly zero crashes. Put all that together, and you’ll understand why—although I still love and rely upon Ableton Live for loop-based composition and interactive live performance— Studio One Professional has become my everyday DAW of choice. I could use any DAW; I use Studio One. Choosing a DAW is a tricky process; you have to consider whom you’ll be sharing files with, what kind of work you’ll be doing, which features are vital to you and which are irrelevant, and how the DAW feels to you as you use it. There are lots of great products out there, and their supporters can reel off long lists of reasons why they think their DAW of choice is the only choice. But you always have a choice, and if you find yourself wishing that you could do all the cool stuff that DAW software promises with less menu-surfing and fumbling around, you need to go get Studio One Free, or the 30-day demo version of Studio One Professional, and try it for yourself. Prices: Studio One Professional, $399; Studio One Producer, $199; Studio One Artist, $99 or bundled with PreSonus audio interfaces; Studio One Free... well, duh. More from: PreSonus, studioone.presonus.com.
RECORDING JUNE 2012
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Recording - June 2012
Table of Contents for the Digital Edition of Recording - June 2012
Recording - June 2012
Fade In
Contents
Talkback
Fast Forward
Finale 2012 As A Tool For Sample Playback
Mark De Clive-Lowe
Applied Acoustics Systems Chromaphone.
Reviewed and Revisited: PreSonus Studio One 2.0.
Toontrack EZkeys Grand Piano
Recording Fundamentals. Chapter 6: Introduction to Microphones—Part Three (From Proximity To Plosives)
Recording’s Showcase Of Sounds
Steven Slate Drums 4.0.
Sample Magic Electro and Hed Kandi: Disco House Samples
MOTU MachFive3
Reviewed and Revisited: audiobro LA Scoring Strings 2.0.
Milab DC-96B and DC-96C Condenser Microphones
Sennheiser MK 4 Condenser Microphone
Olympus LS-20M and LS-100 Portable Recorders
Readers’ Tapes
Advertiser Index
Fade Out
Recording - June 2012 - Recording - June 2012
Recording - June 2012 - Cover2
Recording - June 2012 - 1
Recording - June 2012 - 2
Recording - June 2012 - 3
Recording - June 2012 - Fade In
Recording - June 2012 - 5
Recording - June 2012 - Contents
Recording - June 2012 - 7
Recording - June 2012 - Talkback
Recording - June 2012 - 9
Recording - June 2012 - Fast Forward
Recording - June 2012 - 11
Recording - June 2012 - Finale 2012 As A Tool For Sample Playback
Recording - June 2012 - 13
Recording - June 2012 - 14
Recording - June 2012 - 15
Recording - June 2012 - 16
Recording - June 2012 - 17
Recording - June 2012 - 18
Recording - June 2012 - 19
Recording - June 2012 - Mark De Clive-Lowe
Recording - June 2012 - 21
Recording - June 2012 - 22
Recording - June 2012 - 23
Recording - June 2012 - Applied Acoustics Systems Chromaphone.
Recording - June 2012 - 25
Recording - June 2012 - Reviewed and Revisited: PreSonus Studio One 2.0.
Recording - June 2012 - 27
Recording - June 2012 - 28
Recording - June 2012 - 29
Recording - June 2012 - Toontrack EZkeys Grand Piano
Recording - June 2012 - 31
Recording - June 2012 - 32
Recording - June 2012 - 33
Recording - June 2012 - Recording Fundamentals. Chapter 6: Introduction to Microphones—Part Three (From Proximity To Plosives)
Recording - June 2012 - 35
Recording - June 2012 - 36
Recording - June 2012 - 37
Recording - June 2012 - Recording’s Showcase Of Sounds
Recording - June 2012 - 39
Recording - June 2012 - 40
Recording - June 2012 - 41
Recording - June 2012 - 42
Recording - June 2012 - 43
Recording - June 2012 - 44
Recording - June 2012 - 45
Recording - June 2012 - Steven Slate Drums 4.0.
Recording - June 2012 - 47
Recording - June 2012 - Sample Magic Electro and Hed Kandi: Disco House Samples
Recording - June 2012 - 49
Recording - June 2012 - MOTU MachFive3
Recording - June 2012 - 51
Recording - June 2012 - Reviewed and Revisited: audiobro LA Scoring Strings 2.0.
Recording - June 2012 - 53
Recording - June 2012 - Milab DC-96B and DC-96C Condenser Microphones
Recording - June 2012 - 55
Recording - June 2012 - Sennheiser MK 4 Condenser Microphone
Recording - June 2012 - 57
Recording - June 2012 - 58
Recording - June 2012 - 59
Recording - June 2012 - 60
Recording - June 2012 - 61
Recording - June 2012 - Olympus LS-20M and LS-100 Portable Recorders
Recording - June 2012 - 63
Recording - June 2012 - Readers’ Tapes
Recording - June 2012 - Advertiser Index
Recording - June 2012 - 66
Recording - June 2012 - 67
Recording - June 2012 - 68
Recording - June 2012 - 69
Recording - June 2012 - 70
Recording - June 2012 - 71
Recording - June 2012 - Fade Out
Recording - June 2012 - Cover3
Recording - June 2012 - Cover4
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