Recording - September 2012 - 18

Just before the end of my review period, I was able to obtain a PreSonus AudioBox 1818VSL, which tops the list of approved USB 2.0 audio interfaces tested with Auria, and do some 18-track audio recording tests with it. While that part of the test period was short, I was able to confirm that Auria does in fact record at least that many tracks

of audio, and does so with very high recording quality. With that said, in this review I will concentrate on my tests with the provided audio files, which were certainly sufficient to see how Auria handles the many tasks done by a DAW after the audio is captured, i.e. editing, effects processing, and mixdown. Time to play... So what comes in the package? First and foremost, you get a 48-channel professional DAW—one that runs on an iPad, I might add. You get all of the features you would expect to receive in a DAW (except for MIDI) at audio quality up to 24bit/96 kHz. If you own an original iPad, the best you can do is 24 tracks at 48 kHz. The centerpiece of Auria is its track mixer. Along with faders, two aux sends, eight subgroups, pan (with adjustable pan laws), and transport readiness functions as well as track arming, solo and mute, each input channel provides a channel strip plug-in created by PSP Audioware, combining a 6-band equalizer (3-band parametric), an expander/ gate, and a compressor. Each subgroup and master channel strip provides the PSP Masterstrip which provides PSP’s new BussPressor as well as an eq and a mastering limiter. There are lots more plug-ins available both bundled with Auria and as options; see below. The app runs in landscape or portrait mode. If you rotate to portrait mode, fewer channels are visible but they’re larger and easier to work with (Auria says that in this mode the faders have a familiar 100 mm throw). Auria has an excellent transport section with complete facilities for auto punch, and dedicated subwindows for automation, track editing, etc. One of my first irritations when working with Auria was in performing actions on the mixing screen. Sometimes attempting to turn knobs on the mixer will allow the page to slide around. Fortunately there’s a simple fix: pressing and holding any of the fader tops locks the page in place, as does getting a grip on a knob (the screen won’t slide while you’re turning it). Editing and track export functions Auria gives you all of the general processing functions that any DAW should have, among them multiple controls over gain, selective normalization, control over DC offset, track reversing and silencing. From within Auria’s editor, you get probably the most easy to use and intuitive editing tools available in the industry—certainly on iOS, perhaps on any platform. Independently of the iOS-centric things Auria can do with audio, it incorporates a number of bread-n-butter edit functions. All of the standards are here: cut,

18

RECORDING September 2012



Recording - September 2012

Table of Contents for the Digital Edition of Recording - September 2012

Recording - September 2012
Fade In
Contents
Talkback
Fast Forward
State Of The DAW: 2012
WaveMachine Labs Auria
Cascade Microphones Fat Head II Active/Passive Ribbon Microphone
Jim Roach
Audio-Technica ATM25/LE Dynamic Microphone
Reviewed and Revisited: Yamaha 01V96i
Reviewed and Revisited: Adobe Audition for CS6
Recording Fundamentals. Chapter 9: Signal Flow
iOS Music Tools: IK Multimedia SampleTank for iOS
iOS Music Tools: Retronyms Tabletop
When A Musician Needs A Music Video
Focusrite Scarlett 2i2
iOS Music Tools: Camel Audio Alchemy Mobile
Recording’s Showcase of Sounds
Readers’ Tapes
Advertiser Index
Fade Out
Recording - September 2012 - intro
Recording - September 2012 - Recording - September 2012
Recording - September 2012 - Cover2
Recording - September 2012 - 1
Recording - September 2012 - 2
Recording - September 2012 - 3
Recording - September 2012 - Fade In
Recording - September 2012 - 5
Recording - September 2012 - Contents
Recording - September 2012 - 7
Recording - September 2012 - Talkback
Recording - September 2012 - 9
Recording - September 2012 - Fast Forward
Recording - September 2012 - 11
Recording - September 2012 - State Of The DAW: 2012
Recording - September 2012 - 13
Recording - September 2012 - 14
Recording - September 2012 - 15
Recording - September 2012 - WaveMachine Labs Auria
Recording - September 2012 - 17
Recording - September 2012 - 18
Recording - September 2012 - 19
Recording - September 2012 - 20
Recording - September 2012 - 21
Recording - September 2012 - Cascade Microphones Fat Head II Active/Passive Ribbon Microphone
Recording - September 2012 - 23
Recording - September 2012 - Jim Roach
Recording - September 2012 - 25
Recording - September 2012 - 26
Recording - September 2012 - 27
Recording - September 2012 - Audio-Technica ATM25/LE Dynamic Microphone
Recording - September 2012 - 29
Recording - September 2012 - Reviewed and Revisited: Yamaha 01V96i
Recording - September 2012 - 31
Recording - September 2012 - Reviewed and Revisited: Adobe Audition for CS6
Recording - September 2012 - 33
Recording - September 2012 - 34
Recording - September 2012 - 35
Recording - September 2012 - 36
Recording - September 2012 - 37
Recording - September 2012 - Recording Fundamentals. Chapter 9: Signal Flow
Recording - September 2012 - 39
Recording - September 2012 - 40
Recording - September 2012 - 41
Recording - September 2012 - iOS Music Tools: IK Multimedia SampleTank for iOS
Recording - September 2012 - 43
Recording - September 2012 - iOS Music Tools: Retronyms Tabletop
Recording - September 2012 - 45
Recording - September 2012 - When A Musician Needs A Music Video
Recording - September 2012 - 47
Recording - September 2012 - 48
Recording - September 2012 - 49
Recording - September 2012 - Focusrite Scarlett 2i2
Recording - September 2012 - 51
Recording - September 2012 - 52
Recording - September 2012 - 53
Recording - September 2012 - 54
Recording - September 2012 - 55
Recording - September 2012 - iOS Music Tools: Camel Audio Alchemy Mobile
Recording - September 2012 - 57
Recording - September 2012 - Recording’s Showcase of Sounds
Recording - September 2012 - 59
Recording - September 2012 - 60
Recording - September 2012 - 61
Recording - September 2012 - 62
Recording - September 2012 - 63
Recording - September 2012 - Readers’ Tapes
Recording - September 2012 - Advertiser Index
Recording - September 2012 - 66
Recording - September 2012 - 67
Recording - September 2012 - 68
Recording - September 2012 - 69
Recording - September 2012 - 70
Recording - September 2012 - 71
Recording - September 2012 - Fade Out
Recording - September 2012 - Cover3
Recording - September 2012 - Cover4
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