Recording - September 2012 - 31

These effects can be used in any of the 01V96i’s four effects slots and can be routed to any of the unit’s effects aux buses or to individual channel inserts. The downside is that unlike in your your DAW, you only get to use four at once; they are so good you will wish you had more! Studio Manager 2.0 I looked briefly at the Studio Manager software in my previous review. Studio Manager is a great way to edit and store settings and scenes in your mixer with the convenience of your mouse, keyboard and computer screen.

hybrid Yamaha/Steinberg drivers for using the USB connectivity of the device on the 01V96i page of Yamaha’s website. Lastly the mixer ships with a version of Steinberg Cubase AI6, a light version of Cubase that is still full-featured enough to be useful for tracking bands and recording live performances. Installation of the mixer as a USB device was quick and painless. It ran flawlessly in Cubase 6 on my test Mac, a 17" MacBook Pro 2.5 GHz i7 with 8 GB RAM running OS X 10.7 Lion. Getting the Studio Manager software set up correctly, as well setting up the board as a control surface for Cubase, required the quick start guide online, but the documentation got me running in good order. In use I installed the 01V96i as the centerpiece of my home edit suite where I mix and do overdubs, and I was impressed by its performance. It’s one thing to have a multichannel “sound card” set up, but to have one with this much flexibility and horsepower takes things to a whole new level. I had zero issues with latency, with buffer settings as low as 64 for tracking, and no hiccups on playback of 16 channels at once. Routing 16 channels from your DAW to the external channels of the mixer can save you CPU power by taking advantage of the 01V96’s internal effects, as well as using the hardware channel inserts and the omni ports with your favorite external gear. I enjoyed the new effects immensely and must give special praise to the REV-X algorithms, which are easily the best reverbs I have heard built into a digital mixer.

This board and its preamps are clean as clean can be and of very good quality for an all-in-one device of this nature, and the same can be said for its conversion. Now, will the 01V96i replace my Millennia HV-3D 8-channel mic pre or my Lynx Aurora 16 any time soon? No, but when you consider that said combo is close to triple the price of the 01V96i, it is really an unfair comparison. A wonderful partnership When I reviewed the 01V96 eight years ago, I tried in vain to set up the older mixer as a controller of Nuendo. This time around, the integration of the 01V96i’s remote layer as a Cubase/Nuendo controller is native and flawless. I instantly had 16 motorized faders, complete with mute, solo and pan, running seamlessly and bi-directionally. The only downside is that the board hardware was designed prior to this paradigm being commonplace, so the 01v96i does lack transport controls on its surface. But that’s what Steinberg’s CMC-TP (review forthcoming) is for, and the two make a dangerous combo indeed. What if you don’t use Cubase? The 01v96i also has native settings for Pro Tools and a setting for General DAW use that I would guess to be based on the Mackie Control protocol. Conclusions I will be honest, in my work environment I had all but written off digital mixers as essentially live devices, but Yamaha has made a very wise move evolving the 01V96i from just a conventional digital mixer into a 16-channel interface. While a street price of $2399 is not spare change, you get a multichannel interface plus a full standalone digital mixer with clean preamps, Yamaha’s VCM effects, killer reverbs, a 16-channel control surface complete with full-throw motorized faders and more... and suddenly you can see that price is a flat-out bargain. Mixing and recording bands in the studio or on stage just got a lot easier. Price: $2399 street More from: Yamaha, www.yamahaproaudio.com
RECORDING September 2012

With version 2.0 Studio Manager is more stable and feature-rich. Additionally, the VCM effects have their own stylized vintage hardware graphic interfaces, with a few examples in the screenshots. I can’t reiterate enough how much faster it is to make routing, channel and effects setting decisions with a DAW-like look and convenience. Getting up to speed I have a long history with both previous versions, having owned the original as well as having used the 01V96 in a broadcast/production studio in Bangladesh, so getting around the mixer’s myriad edit windows and channel layers came back pretty quickly. For the beginner, though, I recommend reading the manual to become familiar with all areas of this mixer. The 01V96i manual has been rewritten and I compliment Yamaha on a well-written 70-page document that is concise and easy to follow. Also included for deeper study is a CD with a 176-page version in PDF form. You can find additional quick-start documents for setting up the Studio Manager Software as well as the

31


http://www.yamahaproaudio.com

Recording - September 2012

Table of Contents for the Digital Edition of Recording - September 2012

Recording - September 2012
Fade In
Contents
Talkback
Fast Forward
State Of The DAW: 2012
WaveMachine Labs Auria
Cascade Microphones Fat Head II Active/Passive Ribbon Microphone
Jim Roach
Audio-Technica ATM25/LE Dynamic Microphone
Reviewed and Revisited: Yamaha 01V96i
Reviewed and Revisited: Adobe Audition for CS6
Recording Fundamentals. Chapter 9: Signal Flow
iOS Music Tools: IK Multimedia SampleTank for iOS
iOS Music Tools: Retronyms Tabletop
When A Musician Needs A Music Video
Focusrite Scarlett 2i2
iOS Music Tools: Camel Audio Alchemy Mobile
Recording’s Showcase of Sounds
Readers’ Tapes
Advertiser Index
Fade Out
Recording - September 2012 - intro
Recording - September 2012 - Recording - September 2012
Recording - September 2012 - Cover2
Recording - September 2012 - 1
Recording - September 2012 - 2
Recording - September 2012 - 3
Recording - September 2012 - Fade In
Recording - September 2012 - 5
Recording - September 2012 - Contents
Recording - September 2012 - 7
Recording - September 2012 - Talkback
Recording - September 2012 - 9
Recording - September 2012 - Fast Forward
Recording - September 2012 - 11
Recording - September 2012 - State Of The DAW: 2012
Recording - September 2012 - 13
Recording - September 2012 - 14
Recording - September 2012 - 15
Recording - September 2012 - WaveMachine Labs Auria
Recording - September 2012 - 17
Recording - September 2012 - 18
Recording - September 2012 - 19
Recording - September 2012 - 20
Recording - September 2012 - 21
Recording - September 2012 - Cascade Microphones Fat Head II Active/Passive Ribbon Microphone
Recording - September 2012 - 23
Recording - September 2012 - Jim Roach
Recording - September 2012 - 25
Recording - September 2012 - 26
Recording - September 2012 - 27
Recording - September 2012 - Audio-Technica ATM25/LE Dynamic Microphone
Recording - September 2012 - 29
Recording - September 2012 - Reviewed and Revisited: Yamaha 01V96i
Recording - September 2012 - 31
Recording - September 2012 - Reviewed and Revisited: Adobe Audition for CS6
Recording - September 2012 - 33
Recording - September 2012 - 34
Recording - September 2012 - 35
Recording - September 2012 - 36
Recording - September 2012 - 37
Recording - September 2012 - Recording Fundamentals. Chapter 9: Signal Flow
Recording - September 2012 - 39
Recording - September 2012 - 40
Recording - September 2012 - 41
Recording - September 2012 - iOS Music Tools: IK Multimedia SampleTank for iOS
Recording - September 2012 - 43
Recording - September 2012 - iOS Music Tools: Retronyms Tabletop
Recording - September 2012 - 45
Recording - September 2012 - When A Musician Needs A Music Video
Recording - September 2012 - 47
Recording - September 2012 - 48
Recording - September 2012 - 49
Recording - September 2012 - Focusrite Scarlett 2i2
Recording - September 2012 - 51
Recording - September 2012 - 52
Recording - September 2012 - 53
Recording - September 2012 - 54
Recording - September 2012 - 55
Recording - September 2012 - iOS Music Tools: Camel Audio Alchemy Mobile
Recording - September 2012 - 57
Recording - September 2012 - Recording’s Showcase of Sounds
Recording - September 2012 - 59
Recording - September 2012 - 60
Recording - September 2012 - 61
Recording - September 2012 - 62
Recording - September 2012 - 63
Recording - September 2012 - Readers’ Tapes
Recording - September 2012 - Advertiser Index
Recording - September 2012 - 66
Recording - September 2012 - 67
Recording - September 2012 - 68
Recording - September 2012 - 69
Recording - September 2012 - 70
Recording - September 2012 - 71
Recording - September 2012 - Fade Out
Recording - September 2012 - Cover3
Recording - September 2012 - Cover4
https://www.nxtbook.com/musicmaker/musicmaker/recording_202405
https://www.nxtbook.com/musicmaker/musicmaker/recording_202404
https://www.nxtbook.com/musicmaker/musicmaker/recording_202403
https://www.nxtbook.com/musicmaker/musicmaker/recording_202402
https://www.nxtbook.com/musicmaker/musicmaker/recording_202401
https://www.nxtbook.com/musicmaker/musicmaker/recording_202312
https://www.nxtbook.com/musicmaker/musicmaker/recording-november-2023
https://www.nxtbook.com/musicmaker/musicmaker/recording_202310
https://www.nxtbook.com/musicmaker/musicmaker/recording_202309
https://www.nxtbook.com/musicmaker/musicmaker/recording_202308
https://www.nxtbook.com/musicmaker/musicmaker/recording_202307
https://www.nxtbook.com/musicmaker/musicmaker/recording_202306
https://www.nxtbook.com/musicmaker/musicmaker/recording_202305
https://www.nxtbook.com/musicmaker/musicmaker/recording_202304
https://www.nxtbook.com/musicmaker/musicmaker/recording_202303
https://www.nxtbook.com/musicmaker/musicmaker/recording_202302
https://www.nxtbook.com/musicmaker/musicmaker/recording_202301
https://www.nxtbook.com/musicmaker/musicmaker/recording_202212
https://www.nxtbook.com/musicmaker/musicmaker/recording_202211
https://www.nxtbook.com/musicmaker/musicmaker/recording_202210
https://www.nxtbook.com/musicmaker/musicmaker/recording_202209
https://www.nxtbook.com/musicmaker/musicmaker/recording_202208
https://www.nxtbook.com/musicmaker/musicmaker/recording_202207
https://www.nxtbook.com/musicmaker/musicmaker/recording_202206
https://www.nxtbook.com/musicmaker/musicmaker/recording_202205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202204
https://www.nxtbook.com/musicmaker/musicmaker/recording_202203
https://www.nxtbook.com/musicmaker/musicmaker/recording_202202
https://www.nxtbook.com/musicmaker/musicmaker/recording_202201
https://www.nxtbook.com/musicmaker/musicmaker/recording_202112
https://www.nxtbook.com/musicmaker/musicmaker/recording_202111
https://www.nxtbook.com/musicmaker/musicmaker/recording_202110
https://www.nxtbook.com/musicmaker/musicmaker/recording_202109
https://www.nxtbook.com/musicmaker/musicmaker/recording_202108
https://www.nxtbook.com/musicmaker/musicmaker/recording_202107
https://www.nxtbook.com/musicmaker/musicmaker/recording_202106
https://www.nxtbook.com/musicmaker/musicmaker/recording_202105
https://www.nxtbook.com/musicmaker/musicmaker/recording_202104
https://www.nxtbook.com/musicmaker/musicmaker/recording_202103
https://www.nxtbook.com/musicmaker/musicmaker/recording_202102
https://www.nxtbook.com/musicmaker/musicmaker/recording_202101
https://www.nxtbook.com/musicmaker/musicmaker/recording_202012
https://www.nxtbook.com/musicmaker/musicmaker/recording_202011
https://www.nxtbook.com/musicmaker/musicmaker/recording_202010
https://www.nxtbook.com/musicmaker/musicmaker/recording_202009
https://www.nxtbook.com/musicmaker/musicmaker/recording_202008
https://www.nxtbook.com/musicmaker/musicmaker/recording_202007
https://www.nxtbook.com/musicmaker/musicmaker/recording_202006
https://www.nxtbook.com/musicmaker/musicmaker/recording_20205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202004
https://www.nxtbook.com/musicmaker/musicmaker/recording_202003
https://www.nxtbook.com/musicmaker/musicmaker/recording_202002
https://www.nxtbook.com/musicmaker/musicmaker/recording_202001
https://www.nxtbook.com/musicmaker/musicmaker/recording_201912
https://www.nxtbook.com/musicmaker/musicmaker/recording_201911
https://www.nxtbook.com/musicmaker/musicmaker/recording_201910
https://www.nxtbook.com/musicmaker/musicmaker/recording_201909
https://www.nxtbook.com/musicmaker/musicmaker/recording_201908
https://www.nxtbook.com/musicmaker/musicmaker/recording_201907
https://www.nxtbook.com/musicmaker/musicmaker/recording_201906
https://www.nxtbook.com/musicmaker/musicmaker/recording_201905
https://www.nxtbook.com/musicmaker/musicmaker/recording_201904
https://www.nxtbook.com/musicmaker/musicmaker/recording_201903
https://www.nxtbook.com/musicmaker/musicmaker/recording_201902
https://www.nxtbook.com/musicmaker/musicmaker/recording_201901
https://www.nxtbook.com/musicmaker/musicmaker/recording_201812
https://www.nxtbook.com/musicmaker/musicmaker/recording_201811
https://www.nxtbook.com/musicmaker/musicmaker/recording_201810
https://www.nxtbook.com/musicmaker/musicmaker/recording_201809
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201808
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201807
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201806
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201805
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201804
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201803
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201802
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201801
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201712
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201711
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201710
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201709
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201708
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201707
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201706
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201705
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201704
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201703
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201702
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201701
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201612
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201611
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201610
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201609
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201608
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201607
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201606
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201605
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201604
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201603
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201602
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201601
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201512
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201511
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201510
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201509
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201508
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201507
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201506
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201505
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201504
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201503
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201502
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201501
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201412
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201411
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201410
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201409
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201408
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201407
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201406
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201405
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201404
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201403
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201402
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201401
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201312
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201311
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201310
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201309
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201308
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201307
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201306
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201305
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201304
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201303
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201302
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201301
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201212
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201211
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201210
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201209
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201208
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201207
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201206
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201205
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201204
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201203
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201202
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201201
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201112
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201111
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201110
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201109
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201108
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201107
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201106
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201105
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201104
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201103
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201102
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201101
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201012
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201011
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201010
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201009
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201008
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201007
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201006
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201005
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201004
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201003
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201002
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201001
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200912
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200911
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200910
https://www.nxtbook.com/nxtbooks/musicmaker/nxtd
https://www.nxtbookmedia.com