Recording - October 2012 - 37
quit Universal Control, hook up one interface to your computer, daisy-chain it to the next interface, and then restart Universal Control. If you’ve done things properly, you’ll see both devices in the Launch Window of the Universal Control app (Figure 1). Now you can click on either device and launch its virtual front panel in Universal Control, make settings, save configurations, and so on. One disadvantage of this setup is that the interfaces are arranged in a set order that you can’t change, which can be problematic. Fortunately, once we’re inside our DAW, we can work around this, as explained below. Also note that in the case of the StudioLive, the FIG. 3 extra I/O from the FS Mobile doesn’t magically appear as part of the mixer’s layout; it’s seen by the computer, not by the other interface, so it’s not like you’ve added a sidecar to your console for use without the computer attached. Figure 2 shows how the two interfaces are seen in Apple’s Audio MIDI Setup. Stream 1 is the FS Mobile, and Stream 2 is the StudioLive; they add up to form a single FireWire device with 26 inputs and 22 outputs as far as the Mac is concerned. When we open our DAW (in this case, PreSonus Studio One, but any DAW will work), the cascaded interfaces are seen as a single device, with inputs and outputs ordered according to the interfaces’ priority shown in Figure 1. As you can see in the Audio I/O popup in Figure 3, that’s a bit of a pain for my rig when assigning inputs, because instead of the StudioLive coming first and the FS Mobile being tacked on at the end for extra inputs, it’s the other way around and the FS Mobile’s inputs get listed first, including the S/PDIF inputs that I don’t normally use. But this is easily fixed; just create a new mix template in whatever manner your DAW requires, and within that template reorder and rename the input channels to whatever you wish. Save the resulting empty mix, use it as a starting point when cascading your interfaces, and you’re good to go. Cascading works flawlessly and takes almost no time at all to set up; if you’re chafing at the limitations of your current setup, PreSonus makes it easy and affordable to expand your options this way. Check it out for yourself!
RECORDING October 2012
37
http://www.ftc.edu
http://www.facebook.com/fivetownscollege
http://www.ftc.edu
http://www.facebook.com/fivetownscollege
http://www.isoacoustics.com
http://www.isoacoustics.com
Recording - October 2012
Table of Contents for the Digital Edition of Recording - October 2012
Recording - October 2012
Fade In
Contents
Talkback
Fast Forward
A Silver Celebration—25 Years of Recording!
Grace Design m502 500-Series Optical Compressor
Edwards Audio Research LE-10 Mic Preamp
Celeste Lear
AEA KU4 Unidirectional Ribbon Microphone
Reviewed and Revisited: PreSonus Interface Cascading
Plug-in Outlet: Nomad Factory MAGMA
Approaching The Mix
Roland R-MIX
Dangerous Music Bax EQ
Plug-in Outlet: Slate Digital Virtual Tape Machines
Mojave Audio MA-301fet
Reviewed and Revisited: Toontrack EZmix 2
Mixing—Rethinking The Process
Recording Fundamentals. Chapter 10: Signal Flow Part 2
Readers’ Tapes
Advertiser Index
Fade Out
Recording - October 2012 - Intro
Recording - October 2012 - Recording - October 2012
Recording - October 2012 - Cover2
Recording - October 2012 - 1
Recording - October 2012 - 2
Recording - October 2012 - 3
Recording - October 2012 - Fade In
Recording - October 2012 - 5
Recording - October 2012 - Contents
Recording - October 2012 - 7
Recording - October 2012 - Talkback
Recording - October 2012 - 9
Recording - October 2012 - Fast Forward
Recording - October 2012 - 11
Recording - October 2012 - A Silver Celebration—25 Years of Recording!
Recording - October 2012 - 13
Recording - October 2012 - 14
Recording - October 2012 - 15
Recording - October 2012 - 16
Recording - October 2012 - 17
Recording - October 2012 - 18
Recording - October 2012 - 19
Recording - October 2012 - Grace Design m502 500-Series Optical Compressor
Recording - October 2012 - 21
Recording - October 2012 - Edwards Audio Research LE-10 Mic Preamp
Recording - October 2012 - 23
Recording - October 2012 - Celeste Lear
Recording - October 2012 - 25
Recording - October 2012 - 26
Recording - October 2012 - 27
Recording - October 2012 - 28
Recording - October 2012 - 29
Recording - October 2012 - AEA KU4 Unidirectional Ribbon Microphone
Recording - October 2012 - 31
Recording - October 2012 - 32
Recording - October 2012 - 33
Recording - October 2012 - 34
Recording - October 2012 - 35
Recording - October 2012 - Reviewed and Revisited: PreSonus Interface Cascading
Recording - October 2012 - 37
Recording - October 2012 - 38
Recording - October 2012 - 39
Recording - October 2012 - Plug-in Outlet: Nomad Factory MAGMA
Recording - October 2012 - 41
Recording - October 2012 - 42
Recording - October 2012 - 43
Recording - October 2012 - Approaching The Mix
Recording - October 2012 - 45
Recording - October 2012 - 46
Recording - October 2012 - 47
Recording - October 2012 - 48
Recording - October 2012 - 49
Recording - October 2012 - Roland R-MIX
Recording - October 2012 - 51
Recording - October 2012 - Dangerous Music Bax EQ
Recording - October 2012 - 53
Recording - October 2012 - Plug-in Outlet: Slate Digital Virtual Tape Machines
Recording - October 2012 - 55
Recording - October 2012 - Mojave Audio MA-301fet
Recording - October 2012 - 57
Recording - October 2012 - Reviewed and Revisited: Toontrack EZmix 2
Recording - October 2012 - 59
Recording - October 2012 - Mixing—Rethinking The Process
Recording - October 2012 - 61
Recording - October 2012 - 62
Recording - October 2012 - 63
Recording - October 2012 - 64
Recording - October 2012 - 65
Recording - October 2012 - 66
Recording - October 2012 - 67
Recording - October 2012 - Recording Fundamentals. Chapter 10: Signal Flow Part 2
Recording - October 2012 - 69
Recording - October 2012 - 70
Recording - October 2012 - 71
Recording - October 2012 - Readers’ Tapes
Recording - October 2012 - 73
Recording - October 2012 - 74
Recording - October 2012 - 75
Recording - October 2012 - Advertiser Index
Recording - October 2012 - 77
Recording - October 2012 - 78
Recording - October 2012 - 79
Recording - October 2012 - Fade Out
Recording - October 2012 - Cover3
Recording - October 2012 - Cover4
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