Recording - November 2012 - 27
equals more of the full shell sound, while miking up close highlights the thump and resonance of the head. Speaking of positioning, these goosenecks are exceptional. They are firm and tight and once placed do not move. I had to literally pick up the snare and shake it back and forth before the mic lost its position! They are also small enough to keep them safe from ham-fisted drummers. For readers who are curious about percussion, the DP30/C once again offers photographic realism. I also tried them on congas and djembe, and again they gave an accurate sonic capture of both low rumble and high pinging finger hits.
Conclusions There’s not much else to say about the DP30/C, other than this is about as accurate an aural snapshot of your snare and toms as you can get. Like most Earthworks mics the DP30/C carries a significant price tag of $649 street. While affordable for an Earthworks mic, this is probably a bit more than many of us are used to paying for our snare and tom mics, but if unparalleled accuracy and realism are what you crave on your drum dates, then the DP30/C pays off in a big way. Give it a try. Price: $649 street; RM1 RimMount, $149 street More from: Earthworks, www.earthworksaudio.com
http://www.radialeng.com
http://www.earthworksaudio.com
http://www.radialeng.com
Recording - November 2012
Table of Contents for the Digital Edition of Recording - November 2012
Recording - November 2012
Fade In
Contents
Talkback
Fast Forward
Q&A With A Master: Howie Weinberg
DIY Mastering
API A2D
Earthworks DP30/C Drum Periscope Microphone
Q&A With A Master: David Glasser
Q&A With A Master: Brad Blackwood
Samson Graphite 49 USB MIDI Controller Keyboard
Recording Fundamentals. Chapter 11: Signal Flow Part 3
Plug-in Outlet
Sibelius 7 As A Tool For Sample Playback. Part 2: Adding Third-Party Virtual Instruments
Readers’ Tapes
ADK Thor Condenser Microphone
Blue-Collar Mastering: Chris Sonia
Recording’s Showcase of Sounds
Advertiser Index
Special Ad Feature: Mastering Services
Fade Out
Recording - November 2012 - Recording - November 2012
Recording - November 2012 - Cover2
Recording - November 2012 - 1
Recording - November 2012 - 2
Recording - November 2012 - 3
Recording - November 2012 - Fade In
Recording - November 2012 - 5
Recording - November 2012 - Contents
Recording - November 2012 - 7
Recording - November 2012 - Talkback
Recording - November 2012 - 9
Recording - November 2012 - Fast Forward
Recording - November 2012 - 11
Recording - November 2012 - 12
Recording - November 2012 - 13
Recording - November 2012 - Q&A With A Master: Howie Weinberg
Recording - November 2012 - 15
Recording - November 2012 - 16
Recording - November 2012 - 17
Recording - November 2012 - 18
Recording - November 2012 - 19
Recording - November 2012 - DIY Mastering
Recording - November 2012 - 21
Recording - November 2012 - 22
Recording - November 2012 - 23
Recording - November 2012 - API A2D
Recording - November 2012 - 25
Recording - November 2012 - Earthworks DP30/C Drum Periscope Microphone
Recording - November 2012 - 27
Recording - November 2012 - Q&A With A Master: David Glasser
Recording - November 2012 - 29
Recording - November 2012 - Q&A With A Master: Brad Blackwood
Recording - November 2012 - 31
Recording - November 2012 - 32
Recording - November 2012 - 33
Recording - November 2012 - Samson Graphite 49 USB MIDI Controller Keyboard
Recording - November 2012 - 35
Recording - November 2012 - Recording Fundamentals. Chapter 11: Signal Flow Part 3
Recording - November 2012 - 37
Recording - November 2012 - 38
Recording - November 2012 - 39
Recording - November 2012 - 40
Recording - November 2012 - 41
Recording - November 2012 - Plug-in Outlet
Recording - November 2012 - 43
Recording - November 2012 - 44
Recording - November 2012 - 45
Recording - November 2012 - Sibelius 7 As A Tool For Sample Playback. Part 2: Adding Third-Party Virtual Instruments
Recording - November 2012 - 47
Recording - November 2012 - 48
Recording - November 2012 - 49
Recording - November 2012 - Readers’ Tapes
Recording - November 2012 - 51
Recording - November 2012 - 52
Recording - November 2012 - 53
Recording - November 2012 - 54
Recording - November 2012 - 55
Recording - November 2012 - ADK Thor Condenser Microphone
Recording - November 2012 - 57
Recording - November 2012 - Blue-Collar Mastering: Chris Sonia
Recording - November 2012 - 59
Recording - November 2012 - 60
Recording - November 2012 - 61
Recording - November 2012 - Recording’s Showcase of Sounds
Recording - November 2012 - 63
Recording - November 2012 - 64
Recording - November 2012 - Advertiser Index
Recording - November 2012 - 66
Recording - November 2012 - 67
Recording - November 2012 - 68
Recording - November 2012 - Special Ad Feature: Mastering Services
Recording - November 2012 - 70
Recording - November 2012 - 71
Recording - November 2012 - Fade Out
Recording - November 2012 - Cover3
Recording - November 2012 - Cover4
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