Recording - December 2012 - 26

dreaded “The connected USB device requires too much power” message. The iConnectMIDI handles this for you, and allows these devices to work without any intervening computers or powered hubs. On the other hand, if you want to get ultra-connected, you can attach a powered hub to the iConnectMIDI and have up to 8 additional connected USB ports. All of the routing is handled by an iOS app that not only sets up port-to-port connectivity, but also does input and output filtering. It can act as the center of your entire MIDI rig, and I decided to see exactly how well that would work...by creating a sort of “MIDI Octopus”. I had to do it. Attach my powered hub to the iConnectMIDI. Throw every MIDI device I have laying around at it. This includes two keyboards (one very new, one very old), all kinds of bus-powered MIDI devices, two different MIDI-to-CV converters (connected to modular synthesizers), a computer, and an iPad. Open up the PortManager app on the iPad and set up a wild routing system. Were there bumps in the road? Not a single one. The PortManager makes routing as simple as possible, and MIDI-to-computer-to-synth-and-iPad connections all worked flawlessly. Despite the fact that the iConnectMIDI device is accepting and processing MIDI messages, I didn’t find any noticeable latency when running from port-to-port. Running through the computer added a little, but that has more to do with computer software latency than the interface. This is clearly one of the most robust MIDI solutions available, regardless of platform, and its usefulness for the iOS-based musician is quite clear. The iConnectMIDI is highly recommended regardless of the complexity of your system; it just makes problems go away.—Darwin Grosse

Samson Carbon 49 USB MIDI keyboard
$89.99 street; www.samsontech.com

iConnectivity iConnectMIDI
$199; www.iconnectivity.com

When the Editors asked me to try out the iConnectMIDI device, I thought: “Sure, how hard could it be to test out a MIDI interface?” I brought it home, hooked it up to my iPad, started squirting MIDI to my hardware devices and felt pretty proud of myself. It’s built like a little tank, has external power (thereby leaving my iPad’s battery life in good shape) and gives me good feedback through its blinken-lights. At $199 retail, it seemed quite expensive, but I could see something this bullet-proof being useful for touring pros and the like. But the unit has two MIDI ports, and some USB ports on the front, and extra lights – and I just had this feeling that there might be more… So I jumped onto the iConnectivity website, jumped to the product page on the iConnectMIDI, and started sniffing around... and Oh. My. Gosh. This isn’t really a MIDI interface at all. Rather, it is the device that lets everything talk to everything else, and embraces pretty much any kind of device that can speak MIDI. It turns out that those connections on the front will work with iOS devices (through the included cable), or anything able to attach via a USB cable. This means that computers, iPods, iPhones, MIDI keyboards and slider boxes are all in play. In addition to providing a handy way to connect your iPad to MIDI devices, it also ends up being the most convenient way to attach a buspowered USB MIDI keyboard to the iPad. If you’ve ever tried this, you may have gotten the
26
RECORDING December 2012

I’m featuring the Carbon 49 in this section of the Gift Guide because it’s so obviously iPad-friendly; sure, you can get many other keyboards, including several reviewed elsewhere in this issue, to work with an iPad, but the Carbon 49 is the first full-sized USB MIDI controller keyboard that’s specifically designed with iPad integration in mind. Housed in a lightweight but sturdy plastic chassis, the Carbon 49 features a very playable semi-weighted keyboard; it senses velocity but not aftertouch, but to my fingers it was actually a bit more solid than the action on its big brother the Graphite 49, which I already like a lot. User controls include pitch and mod wheels, dedicated buttons for octave and semitone transpose, and frontpanel slider and rotary encoder.


http://www.samsontech.com http://www.iconnectivity.com

Recording - December 2012

Table of Contents for the Digital Edition of Recording - December 2012

Recording - December 2012
Fade In
Contents
Talkback
Recording’s 2012 Holiday Gift Guide
MOTU 4pre Hybrid Audio Interface
iOS Music Tools: Great Gift Ideas For The 2012 Holidays
James A. Abdo’s BrokenWorks Productions
A Time To Give
Cloud Microphones Cloudlifter CL-Z
Recording Fundamentals. Chapter 12: Monitors Part 1
PreSonuSphere 2012
Readers’ Tapes
iOS Music Tools: Bang That Beat!
Plug-in Outlet: Studio Devil Amp Modeler Pro and Virtual Bass Amp Pro
For Your Bookshelf
Advertiser Index
Fade Out
Recording - December 2012 - Intro
Recording - December 2012 - Recording - December 2012
Recording - December 2012 - Cover2
Recording - December 2012 - 1
Recording - December 2012 - 2
Recording - December 2012 - 3
Recording - December 2012 - Fade In
Recording - December 2012 - 5
Recording - December 2012 - Contents
Recording - December 2012 - 7
Recording - December 2012 - Talkback
Recording - December 2012 - 9
Recording - December 2012 - Recording’s 2012 Holiday Gift Guide
Recording - December 2012 - 11
Recording - December 2012 - 12
Recording - December 2012 - 13
Recording - December 2012 - 14
Recording - December 2012 - 15
Recording - December 2012 - 16
Recording - December 2012 - 17
Recording - December 2012 - 18
Recording - December 2012 - 19
Recording - December 2012 - 20
Recording - December 2012 - 21
Recording - December 2012 - MOTU 4pre Hybrid Audio Interface
Recording - December 2012 - 23
Recording - December 2012 - iOS Music Tools: Great Gift Ideas For The 2012 Holidays
Recording - December 2012 - 25
Recording - December 2012 - 26
Recording - December 2012 - 27
Recording - December 2012 - 28
Recording - December 2012 - 29
Recording - December 2012 - 30
Recording - December 2012 - 31
Recording - December 2012 - 32
Recording - December 2012 - 33
Recording - December 2012 - 34
Recording - December 2012 - 35
Recording - December 2012 - James A. Abdo’s BrokenWorks Productions
Recording - December 2012 - 37
Recording - December 2012 - 38
Recording - December 2012 - 39
Recording - December 2012 - A Time To Give
Recording - December 2012 - 41
Recording - December 2012 - 42
Recording - December 2012 - 43
Recording - December 2012 - Cloud Microphones Cloudlifter CL-Z
Recording - December 2012 - 45
Recording - December 2012 - Recording Fundamentals. Chapter 12: Monitors Part 1
Recording - December 2012 - 47
Recording - December 2012 - PreSonuSphere 2012
Recording - December 2012 - 49
Recording - December 2012 - Readers’ Tapes
Recording - December 2012 - 51
Recording - December 2012 - 52
Recording - December 2012 - 53
Recording - December 2012 - 54
Recording - December 2012 - 55
Recording - December 2012 - iOS Music Tools: Bang That Beat!
Recording - December 2012 - 57
Recording - December 2012 - 58
Recording - December 2012 - 59
Recording - December 2012 - Plug-in Outlet: Studio Devil Amp Modeler Pro and Virtual Bass Amp Pro
Recording - December 2012 - 61
Recording - December 2012 - For Your Bookshelf
Recording - December 2012 - 63
Recording - December 2012 - 64
Recording - December 2012 - Advertiser Index
Recording - December 2012 - 66
Recording - December 2012 - 67
Recording - December 2012 - 68
Recording - December 2012 - 69
Recording - December 2012 - 70
Recording - December 2012 - 71
Recording - December 2012 - Fade Out
Recording - December 2012 - Cover3
Recording - December 2012 - Cover4
https://www.nxtbook.com/musicmaker/musicmaker/recording_202405
https://www.nxtbook.com/musicmaker/musicmaker/recording_202404
https://www.nxtbook.com/musicmaker/musicmaker/recording_202403
https://www.nxtbook.com/musicmaker/musicmaker/recording_202402
https://www.nxtbook.com/musicmaker/musicmaker/recording_202401
https://www.nxtbook.com/musicmaker/musicmaker/recording_202312
https://www.nxtbook.com/musicmaker/musicmaker/recording-november-2023
https://www.nxtbook.com/musicmaker/musicmaker/recording_202310
https://www.nxtbook.com/musicmaker/musicmaker/recording_202309
https://www.nxtbook.com/musicmaker/musicmaker/recording_202308
https://www.nxtbook.com/musicmaker/musicmaker/recording_202307
https://www.nxtbook.com/musicmaker/musicmaker/recording_202306
https://www.nxtbook.com/musicmaker/musicmaker/recording_202305
https://www.nxtbook.com/musicmaker/musicmaker/recording_202304
https://www.nxtbook.com/musicmaker/musicmaker/recording_202303
https://www.nxtbook.com/musicmaker/musicmaker/recording_202302
https://www.nxtbook.com/musicmaker/musicmaker/recording_202301
https://www.nxtbook.com/musicmaker/musicmaker/recording_202212
https://www.nxtbook.com/musicmaker/musicmaker/recording_202211
https://www.nxtbook.com/musicmaker/musicmaker/recording_202210
https://www.nxtbook.com/musicmaker/musicmaker/recording_202209
https://www.nxtbook.com/musicmaker/musicmaker/recording_202208
https://www.nxtbook.com/musicmaker/musicmaker/recording_202207
https://www.nxtbook.com/musicmaker/musicmaker/recording_202206
https://www.nxtbook.com/musicmaker/musicmaker/recording_202205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202204
https://www.nxtbook.com/musicmaker/musicmaker/recording_202203
https://www.nxtbook.com/musicmaker/musicmaker/recording_202202
https://www.nxtbook.com/musicmaker/musicmaker/recording_202201
https://www.nxtbook.com/musicmaker/musicmaker/recording_202112
https://www.nxtbook.com/musicmaker/musicmaker/recording_202111
https://www.nxtbook.com/musicmaker/musicmaker/recording_202110
https://www.nxtbook.com/musicmaker/musicmaker/recording_202109
https://www.nxtbook.com/musicmaker/musicmaker/recording_202108
https://www.nxtbook.com/musicmaker/musicmaker/recording_202107
https://www.nxtbook.com/musicmaker/musicmaker/recording_202106
https://www.nxtbook.com/musicmaker/musicmaker/recording_202105
https://www.nxtbook.com/musicmaker/musicmaker/recording_202104
https://www.nxtbook.com/musicmaker/musicmaker/recording_202103
https://www.nxtbook.com/musicmaker/musicmaker/recording_202102
https://www.nxtbook.com/musicmaker/musicmaker/recording_202101
https://www.nxtbook.com/musicmaker/musicmaker/recording_202012
https://www.nxtbook.com/musicmaker/musicmaker/recording_202011
https://www.nxtbook.com/musicmaker/musicmaker/recording_202010
https://www.nxtbook.com/musicmaker/musicmaker/recording_202009
https://www.nxtbook.com/musicmaker/musicmaker/recording_202008
https://www.nxtbook.com/musicmaker/musicmaker/recording_202007
https://www.nxtbook.com/musicmaker/musicmaker/recording_202006
https://www.nxtbook.com/musicmaker/musicmaker/recording_20205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202004
https://www.nxtbook.com/musicmaker/musicmaker/recording_202003
https://www.nxtbook.com/musicmaker/musicmaker/recording_202002
https://www.nxtbook.com/musicmaker/musicmaker/recording_202001
https://www.nxtbook.com/musicmaker/musicmaker/recording_201912
https://www.nxtbook.com/musicmaker/musicmaker/recording_201911
https://www.nxtbook.com/musicmaker/musicmaker/recording_201910
https://www.nxtbook.com/musicmaker/musicmaker/recording_201909
https://www.nxtbook.com/musicmaker/musicmaker/recording_201908
https://www.nxtbook.com/musicmaker/musicmaker/recording_201907
https://www.nxtbook.com/musicmaker/musicmaker/recording_201906
https://www.nxtbook.com/musicmaker/musicmaker/recording_201905
https://www.nxtbook.com/musicmaker/musicmaker/recording_201904
https://www.nxtbook.com/musicmaker/musicmaker/recording_201903
https://www.nxtbook.com/musicmaker/musicmaker/recording_201902
https://www.nxtbook.com/musicmaker/musicmaker/recording_201901
https://www.nxtbook.com/musicmaker/musicmaker/recording_201812
https://www.nxtbook.com/musicmaker/musicmaker/recording_201811
https://www.nxtbook.com/musicmaker/musicmaker/recording_201810
https://www.nxtbook.com/musicmaker/musicmaker/recording_201809
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201808
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201807
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201806
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201805
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201804
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201803
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201802
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201801
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201712
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201711
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201710
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201709
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201708
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201707
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201706
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201705
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201704
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201703
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201702
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201701
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201612
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201611
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201610
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201609
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201608
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201607
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201606
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201605
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201604
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201603
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201602
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201601
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201512
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201511
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201510
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201509
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201508
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201507
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201506
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201505
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201504
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201503
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201502
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201501
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201412
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201411
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201410
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201409
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201408
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201407
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201406
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201405
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201404
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201403
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201402
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201401
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201312
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201311
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201310
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201309
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201308
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201307
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201306
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201305
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201304
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201303
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201302
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201301
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201212
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201211
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201210
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201209
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201208
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201207
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201206
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201205
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201204
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201203
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201202
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201201
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201112
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201111
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201110
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201109
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201108
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201107
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201106
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201105
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201104
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201103
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201102
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201101
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201012
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201011
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201010
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201009
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201008
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201007
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201006
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201005
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201004
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201003
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201002
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201001
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200912
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200911
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200910
https://www.nxtbook.com/nxtbooks/musicmaker/nxtd
https://www.nxtbookmedia.com