Recording - September 2013 - 21

whether you’re talking about a small speaker in the near
field or a big speaker.
Optimized coupling of the high-frequency transducer to
the environment is significant in achieving this, and JBL has
been refining the technology for years. We use waveguides in
our studio monitors. A waveguide is a very difficult piece to
engineer, you just can’t pull one off the shelf. It has to be
carefully designed for each speaker system. And the waveguide and the enclosure and the crossover tend to be the key
components in optimizing neutral performance in the room.
The off-axis response should be neutral. It doesn’t have to
be the same as the on-axis response, but it must roll off very
neutrally. And if you do that, you’re able to walk into basically any room with that speaker and hear the same thing...
again, allowing for the low frequencies, which may need to
be addressed as I discussed before.
So in a nutshell, as people got decent speakers at lower and
lower prices, working at home, placement became really
important. I think to this day people are still struggling with
that. We’ve tried to make it easier, first by putting room mode
correction eq in the speaker, then in the next generation
automating eq with speakers that would “listen” to the room
and tune themselves to help correct low-frequency problems.
But not in the middle or highs.
Because if your speaker design is right, you shouldn’t need to?
That’s right. You can always make a case that you simply
don’t like the curve you’re hearing, and then we do let you
tune the speakers. This can be important in film, where you
can compensate by using various theater eq curves. Even the
M2 is tunable across its entire range, in-room response of 20
Hz to 40 kHz! You can tune it any way you want to, but we are
finding that we almost never use room eq above 300 Hz.

We’ve taken the M2 to a lot of locations, from studios and
homes to auditoriums and meeting rooms to trade shows, and
we find that it reproduces our reference material accurately,
consistently, and as expected, no matter the room.
All that power comes at a price, though; a pair of M2 monitors
with their dedicated Crown amplifiers costs in the neighborhood of $20,000. But when the M2 debuted at the NAMM
Show this past January, you hinted that the technology it was
premiering would be working its way down into more affordable realms. Any tantalizing hints for the readers on that?
While the information is still confidential while we’re
talking now, this magazine won’t go to press until early
August, so I can tell you a bit about an announcement
we’re due to make on August 1st. We’re applying some of
the M2’s design principles to a brand-new line of very
affordable studio monitors. They’ll be called the 3 Series,
with two models, the LSR305 with a 5" woofer and the
LSR308 with an 8" woofer. They’ll have list prices of $200
and $325 each, respectively.
We’ll look forward to reviewing them!
I can’t wait for you to! The M2 is our flagship, with eight
patents granted or pending. But we bring some of its technology to these new speakers, particularly the new Image
Control Waveguide technology. You hear a demonstrable difference. Imaging is great, the high frequencies are superb. But
once developed, this technology gives the speaker tremendous advantages yet doesn’t burden the cost of the product
significantly. It’s the product of wonderful engineering, deep
research and innovation—which is the norm at JBL.
Learn more about Peter’s pet projects at jblpro.com.


http://www.jblpro.com http://www.isoacoustics.com http://www.isoacoustics.com

Recording - September 2013

Table of Contents for the Digital Edition of Recording - September 2013

Recording - September 2013
Fade In
Contents
Talkback
Fast Forward
The History And Mystery Of Monitoring: A Chat With JBL’s Peter Chaikin
Better Sounds From Tight Spots
Do It Yourself: Fix Your Cables—Save Your Money!
Emotiva Pro Stealth 8 Monitors
MOTU Track16
Ashman Acoustics SOM50 Microphone
Sontronics Sonora 2
Stop Sound Leakage!
Drawmer MC2.1 Monitor Controller
Do It Yourself: Build Acoustic Treatment Right Into Your Walls!
From Shed To Studio
Sneak Previews: Apple Logic Pro X and Avid Pro Tools 11
Readers’ Tapes
Plug-In Outlet: FXpansion Bloom
Recording Fundamentals. Chapter 21: Equalization—Part 2
Advertiser Index
Fade Out
Recording - September 2013 - Intro
Recording - September 2013 - Recording - September 2013
Recording - September 2013 - Cover2
Recording - September 2013 - 1
Recording - September 2013 - 2
Recording - September 2013 - 3
Recording - September 2013 - Fade In
Recording - September 2013 - 5
Recording - September 2013 - Contents
Recording - September 2013 - 7
Recording - September 2013 - Talkback
Recording - September 2013 - 9
Recording - September 2013 - Fast Forward
Recording - September 2013 - 11
Recording - September 2013 - 12
Recording - September 2013 - 13
Recording - September 2013 - The History And Mystery Of Monitoring: A Chat With JBL’s Peter Chaikin
Recording - September 2013 - 15
Recording - September 2013 - 16
Recording - September 2013 - 17
Recording - September 2013 - 18
Recording - September 2013 - 19
Recording - September 2013 - 20
Recording - September 2013 - 21
Recording - September 2013 - Better Sounds From Tight Spots
Recording - September 2013 - 23
Recording - September 2013 - 24
Recording - September 2013 - 25
Recording - September 2013 - Do It Yourself: Fix Your Cables—Save Your Money!
Recording - September 2013 - 27
Recording - September 2013 - 28
Recording - September 2013 - 29
Recording - September 2013 - Emotiva Pro Stealth 8 Monitors
Recording - September 2013 - 31
Recording - September 2013 - 32
Recording - September 2013 - 33
Recording - September 2013 - MOTU Track16
Recording - September 2013 - 35
Recording - September 2013 - Ashman Acoustics SOM50 Microphone
Recording - September 2013 - 37
Recording - September 2013 - Sontronics Sonora 2
Recording - September 2013 - 39
Recording - September 2013 - Stop Sound Leakage!
Recording - September 2013 - 41
Recording - September 2013 - 42
Recording - September 2013 - 43
Recording - September 2013 - 44
Recording - September 2013 - 45
Recording - September 2013 - Drawmer MC2.1 Monitor Controller
Recording - September 2013 - 47
Recording - September 2013 - Do It Yourself: Build Acoustic Treatment Right Into Your Walls!
Recording - September 2013 - 49
Recording - September 2013 - From Shed To Studio
Recording - September 2013 - 51
Recording - September 2013 - Sneak Previews: Apple Logic Pro X and Avid Pro Tools 11
Recording - September 2013 - 53
Recording - September 2013 - Readers’ Tapes
Recording - September 2013 - 55
Recording - September 2013 - 56
Recording - September 2013 - 57
Recording - September 2013 - 58
Recording - September 2013 - 59
Recording - September 2013 - Plug-In Outlet: FXpansion Bloom
Recording - September 2013 - 61
Recording - September 2013 - Recording Fundamentals. Chapter 21: Equalization—Part 2
Recording - September 2013 - 63
Recording - September 2013 - 64
Recording - September 2013 - Advertiser Index
Recording - September 2013 - 66
Recording - September 2013 - 67
Recording - September 2013 - 68
Recording - September 2013 - 69
Recording - September 2013 - 70
Recording - September 2013 - 71
Recording - September 2013 - Cover3
Recording - September 2013 - Cover4
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