Recording - September 2013 - 37
the ability to focus in on the high frequencies of the source. The SOM50 has
an off-axis response with one of the
smoothest rolloffs I have ever heard...
unlike mics that have an off-axis rejection
that cuts hard and rolls off dramatically.
They come in pairs for a reason
This is a mic that really likes to be used
in a stereo pair! Two of them work great
in the corners of a room as traditional
room mics, or a few feet back and
spaced to taste in front of a guitar amp
blended in with the usual suspects for
added depth. Really they can be placed
a few feet back from just about anything,
for a natural depth that can be added
into your mix to taste.
The real fun with these mics comes
when using them in stereo configurations
on acoustic instruments in place of other
mics. In an XY pattern, 6" to 12" back
from acoustic guitar, mandolin, violin and
other such sources, they give a very “you
are there” sound to your recordings.
I did a quick recording where I set the
mics up in an XY pattern and recorded a
whole “band” with them—acoustic guitars, cajon, shakers, tambourine, and multiple vocals, all while keeping the mics stationary. For panning and depth, I moved
myself around the room as I played each
instrument and sang. While each take
was an overdub, in the end the mics really gave the illusion of a room full of people in the same space at the same time.
Drums
Interestingly I was not crazy about the
SOM50 when I tried to use it as a traditional set of drum overheads—the cymbals lacked the sort of definition I look for
in situations where each kit piece is
miked. I did like them when used as
room mics a few feet back and blended
with the kit, though.
The SOM50s do make an awesome set
of snare mics. I admit I cannot take credit
for this idea, as I saw it on Ashman’s website (along with some YouTube videos), but
I concur that they make a great choice for
snare when you want to highlight the spacious vibey ring of a vintage or boutique
drum. They may become my go-to set of
snare mics for both jazz and Americanastyle brush work.
Conclusions
My favorite thing about the SOM50: It
covers ground and suggests new creative
uses that I wouldn’t think of with any of the
other mics I own. Most of us probably do
not have access to Neumann M50s, and
outside of classical music you just don’t
hear about people using that style of microphone much any more. I can only hope that
this may start to change, since the Ashman
SOM50 offers a similar open spacious
sound—at a very reasonable price.
Price: $799.95/pair ($699.95/pair MAP)
More from: Ashman Acoustics,
www.ashmanacoustics.com
http://www.ashmanacoustics.com
http://www.cras.edu
http://www.cras.edu
http://www.audiorecordingschool.com/consumer.html
Recording - September 2013
Table of Contents for the Digital Edition of Recording - September 2013
Recording - September 2013
Fade In
Contents
Talkback
Fast Forward
The History And Mystery Of Monitoring: A Chat With JBL’s Peter Chaikin
Better Sounds From Tight Spots
Do It Yourself: Fix Your Cables—Save Your Money!
Emotiva Pro Stealth 8 Monitors
MOTU Track16
Ashman Acoustics SOM50 Microphone
Sontronics Sonora 2
Stop Sound Leakage!
Drawmer MC2.1 Monitor Controller
Do It Yourself: Build Acoustic Treatment Right Into Your Walls!
From Shed To Studio
Sneak Previews: Apple Logic Pro X and Avid Pro Tools 11
Readers’ Tapes
Plug-In Outlet: FXpansion Bloom
Recording Fundamentals. Chapter 21: Equalization—Part 2
Advertiser Index
Fade Out
Recording - September 2013 - Intro
Recording - September 2013 - Recording - September 2013
Recording - September 2013 - Cover2
Recording - September 2013 - 1
Recording - September 2013 - 2
Recording - September 2013 - 3
Recording - September 2013 - Fade In
Recording - September 2013 - 5
Recording - September 2013 - Contents
Recording - September 2013 - 7
Recording - September 2013 - Talkback
Recording - September 2013 - 9
Recording - September 2013 - Fast Forward
Recording - September 2013 - 11
Recording - September 2013 - 12
Recording - September 2013 - 13
Recording - September 2013 - The History And Mystery Of Monitoring: A Chat With JBL’s Peter Chaikin
Recording - September 2013 - 15
Recording - September 2013 - 16
Recording - September 2013 - 17
Recording - September 2013 - 18
Recording - September 2013 - 19
Recording - September 2013 - 20
Recording - September 2013 - 21
Recording - September 2013 - Better Sounds From Tight Spots
Recording - September 2013 - 23
Recording - September 2013 - 24
Recording - September 2013 - 25
Recording - September 2013 - Do It Yourself: Fix Your Cables—Save Your Money!
Recording - September 2013 - 27
Recording - September 2013 - 28
Recording - September 2013 - 29
Recording - September 2013 - Emotiva Pro Stealth 8 Monitors
Recording - September 2013 - 31
Recording - September 2013 - 32
Recording - September 2013 - 33
Recording - September 2013 - MOTU Track16
Recording - September 2013 - 35
Recording - September 2013 - Ashman Acoustics SOM50 Microphone
Recording - September 2013 - 37
Recording - September 2013 - Sontronics Sonora 2
Recording - September 2013 - 39
Recording - September 2013 - Stop Sound Leakage!
Recording - September 2013 - 41
Recording - September 2013 - 42
Recording - September 2013 - 43
Recording - September 2013 - 44
Recording - September 2013 - 45
Recording - September 2013 - Drawmer MC2.1 Monitor Controller
Recording - September 2013 - 47
Recording - September 2013 - Do It Yourself: Build Acoustic Treatment Right Into Your Walls!
Recording - September 2013 - 49
Recording - September 2013 - From Shed To Studio
Recording - September 2013 - 51
Recording - September 2013 - Sneak Previews: Apple Logic Pro X and Avid Pro Tools 11
Recording - September 2013 - 53
Recording - September 2013 - Readers’ Tapes
Recording - September 2013 - 55
Recording - September 2013 - 56
Recording - September 2013 - 57
Recording - September 2013 - 58
Recording - September 2013 - 59
Recording - September 2013 - Plug-In Outlet: FXpansion Bloom
Recording - September 2013 - 61
Recording - September 2013 - Recording Fundamentals. Chapter 21: Equalization—Part 2
Recording - September 2013 - 63
Recording - September 2013 - 64
Recording - September 2013 - Advertiser Index
Recording - September 2013 - 66
Recording - September 2013 - 67
Recording - September 2013 - 68
Recording - September 2013 - 69
Recording - September 2013 - 70
Recording - September 2013 - 71
Recording - September 2013 - Cover3
Recording - September 2013 - Cover4
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